John Keats
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John Keats

Walter Jackson Bate

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eBook - ePub

John Keats

Walter Jackson Bate

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The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography—the first full-length life of Keats in almost forty years—the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is possible with most writers; and there are times during the period of his greatest creativity when his personal as well as his artistic life can be followed week by week.The development of Keats's poetic craftsmanship proceeds simultaneously with the steady growth of qualities of mind and character. Walter Jackson Bate has been concerned to show the organic relationship between the poet's art and his larger, more broadly humane development. Keats's great personal appeal—his spontaneity, vigor, playfulness, and affection—are movingly recreated; at the same time, his valiant attempt to solve the problem faced by all modern poets when they attempt to achieve originality and amplitude in the presence of their great artistic heritage is perceptively presented.In discussing this matter, Mr. Bate says, "The pressure of this anxiety and the variety of reactions to it constitute one of the great unexplored factors in the history of the arts since 1750. And in no major poet, near the beginning of the modern era, is this problem met more directly than it is in Keats. The way in which Keats was somehow able, after the age of twenty-two, to confront this dilemma, and to transcend it, has fascinated every major poet who has used the English language since Keats's death and also every major critic since the Victorian era."Mr. Bate has availed himself of all new biographical materials, published and unpublished, and has used them selectively and without ostentation, concentrating on the things that were meaningful to Keats. Similarly, his discussions of the poetry are not buried beneath the controversies of previous critics. He approaches the poems freshly and directly, showing their relation to Keats's experience and emotions, to premises and values already explored in the biographical narrative. The result is a book of many dimensions, not a restricted critical or biographical study but a fully integrated whole.

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Información

Editorial
Belknap Press
Año
1979
ISBN
9780674252271

Index

images
Abbey, Richard: becomes trustee and guardian, 23–25; countinghouse in the Poultry, 24, 30; culpability in appropriating Keats children’s money, 71 of; and distribution of Tom’s estate, 452f, 576–579, 631f; George employed by, 108f; George returns from America to see, 628–633; impatience for K to begin work as surgeon, 110, 117f; on K’s apprenticeship, 42, 704; and K’s attempts to secure money for George, 577–579, 629, for Haydon, 452f; for himself, 340, 343; on K’s first book, 118; keeps Fanny and K apart, 364f; 384f; last letter to K, 654f; on Margaret Jennings’ threatened suit, 533f; 571, 576–579; memoir of Keats and Jennings families, 4, 6f, 12, 114; notions of propriety, 69; origin, 4; parsimoniousness, 109; quotes Byron on literary fame, 579; removes Fanny from school, 419, 435; suggests K become a hatter, 462f, 579, a tea broker, 623; suspiciousness, 29f; other references, 14, 31, 67, 84, 152, 196, 275, 301, 430, 454, 525, 536, 606, 647. See also Keats, John, finances
Abbey, Mrs. Richard, 24, 29, 275, 647; K parodies talk at her table, 533
Actors and acting: K’s interest in, 236, 245, 248f, 273; disillusion with, 566f
Adam’s dream, imagination compared to, 238f
Adlington, William, 489
Aeneid, see Virgil
Aeschylus, 409
Ailsa Rock, 356; see also Keats, poems of, “To Ailsa Rock”
Aleman, Mateo, 255
Alexander the Great, 307
Alfieri, Vittorio, 677
Alfred the Great, 53, 75
Alfred, West of England Journal, 371
Ambleside, K and Brown at, 349, 358
“Amena” letters, 64f, 470
America: George plans to go to, 301, 316–321, 304f; and emigrates to, 343–345 (see also Keats, George); possibly referred to in “Lines to Fanny,” 617f
Angeletti, Anna (K’s landlady in Rome): and family, 673f; food served by, 679f; guesses K’s illness, 685; rents piano, 677
Annals of the Fine Arts, 511, 533
Apollo: in Fall of Hyperion, 600, 602; in “God of the Meridian,” 288f; in Hyperion, 391–394, 403–405; K’s early ode to, 40f; later ode (“Hymn”) to, 138–140; other references, 71, 128, 137, 144, 148, 151, 171, 215, 242, 265...

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