Mezzanine
eBook - ePub

Mezzanine

Poems

  1. 112 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Mezzanine

Poems

Book details
Book preview
Table of contents
Citations

About This Book

In her striking collection of poems, Zoë Hitzig investigates how we seek certitude, power, and domination over the natural world and one another. Hitzig brings a scientific rigor to her searing lyricism, as well as a raucous energy and willingness to allow her work to dwell in states of uncertainty and precariousness. The result is an original voice that is incisive and unsparing, but also passionate and tender. Her poems probe the authority of language and logic, questioning the sovereignty of the technological, economic, legal, and political systems that mediate our lives. Urgent in its creation of a new way of looking at our social and natural worlds, Mezzanine is an insightful and visceral debut collection from a poet whose work is poised to leave a lasting mark.

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Information

Publisher
Ecco
Year
2020
ISBN
9780062977441
image

I Looked on My Right Hand and Beheld

a hand made out of all that it touched—
fingers of syringes packed with soiled
polyester blankets nails cut from
a plastic bottle cap knuckles
shaped by rinds of other knuckles
and details layered in delicate ash—
ruddy, colorful, clothed. But the left,
flesh and gray, poured like the concrete
surrounding it and sanded at the edges
careful as geometry allows with
dried skin creeping through contours.
Naked hands. Beating knuckles on the ground
wondering will it crack the concrete finally
will it crumble under opposing forces—
material, economy as simple as concrete
is simple, simple to explain but difficult
to understand without explanation.
As plates in our deep crust skid past
one another. One might wonder who
thinks to pour a building of mostly
liquid. Such is the logic of conviction
we are told before the terms are defined.
Dysfunction of episodic memory.
Episode of memory of dysfunction.
Hands that are not our hands.
And so convinced are we of
our own demise we devise it.

The Lotus on Marina Bay Speaks

I am master of the evening lightshow.
Come 8 o’clock, sun gone,
The people belong to me & my
electric arsenal.
They quit their shiny surfaces & sharp objects.
Take off their pointing typing fingers,
abandon their minute-made stances
until tomorrow.
For now it is time to watch lightforms dance
color across glass & marinawater.
Watch them gather, nod to greet each other,
newly deferent.
Here the black-iris bulb blinks from a lightboat,
sashays into a beam of seagreen, soon to be engulfed
by that sandstorm of lightflecks—henna-orange &
desert-clay red.
Sometimes I pretend they understand
my show. That my captivating demonstration
might demonstrate something. To them.
Inside them.
But that is not the case. Not my place. After all
they stuffed the ARTSCIENCEMUSEUM into
my pistil. My petalfingers are padded with
glass skylights.
Yesterday I heard the small man in black
hissing into his handheld device. He wants
to make a deal. Wants to sell the Marina Bay
Sands Hotel.
If the deal goes through they will appoint
a CREATIVEDIRECTOR. What does this deal
mean for me. The towers gleam
behind me.
I am master of the evening lightshow.
Come 8 o’clock, sun gone,
the people belonged to me & my
electric arsenal.

Object at the Department Store Speaks

Listen, take me with you. You have so many things to look at.
I want you ...

Table of contents

  1. Cover
  2. Title Page
  3. Publisher’s Note
  4. Dedication
  5. Epigraph
  6. Contents
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  11. +
  12. +
  13. Acknowledgments
  14. Notes
  15. About the Author
  16. Permissions
  17. Copyright
  18. About the Publisher