Characters
PETER GREATOREX, Conservative, early forties
JO LAMBERT, Liberal Democrat, late thirties
SAM HUNT, Labour, around forty
HANNAH, seventeen
Setting
The play is set in Spain, France, England and Belgium, in the spring of 2010 and the summer of 2014.
Note on the Text
A dash (ā) means that a character is interrupted. A forward slash (/) means that the next character to speak starts speaking at that point.
The second half of the play concerns the future of the coalition government. This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
ACT ONE
Scene One
Friday 16 April 2010. Mid-afternoon.
The landside of the departure building at Malaga Airport in Southern Spain. There is a cacophony of announcements in Spanish, with the occasional burst of English, confirming that all flights to all Central and Northern European destinations are cancelled, advising passengers to contact their airlines and not to leave their luggage unattended.
JO, wearing headphones and a bridesmaidās outfit, is standing with her baggage trolley, with her laptop propped up on her luggage alongside a rather battered bridal bouquet, watching something on her computer. Beside her is some unaccompanied luggage without a trolley, on top of which rests a grey top hat.
PETER strides in, wearing morning dress, but with his tie loosed, his collar open and his waistcoat unbuttoned, carrying a sandwich. He is in great annoyance.
PETER. Well, itās seven kinds of hell out there.
JO shrugs.
Displays are still announcing final calls for flights which didnāt leave five hours ago. Thereās no information at information and thereās queues to join the queues. The loos are an affront to health and safety. And thatās not to mention the cafeteria, where they have run out of anything with chicken, proper ham or cheese and pickle and are only serving rolls shaped like torpedoes full of rocket and chorizo.
He waves his sandwich as JO takes off her headphones.
JO. Sorry?
PETER. I was saying theyāve run out of cheese and pickle sandwiches.
JO. You should have done what I did, and nicked a stash from breakfast. (Hunting in her hand luggage.) Do you want a croissant, or a pain au chocolat. Or ā I think, yes, a piece of cake.
PETER. Cake would be nice.
She hands over a piece of cake wrapped in napkin.
Thanks very much.
JO. Donāt mention it.
PETER takes a bite.
PETER. Mm.
JO. It was thrust into my shoulder bag by the best man as we left. In lieu of ā whatever best men traditionally do to bridesmaids.
PETER. Ah. And you got the bouquet.
JO. Clearly, misdirected.
PETER. Like the volcanic ash. Is there any news on British airspace?
JO. Iām watching something else.
PETER (taking out his phone and dialling). What, youāre taking in a movie?
JO. A historic moment. The first prime ministerial debate.
PETER. I thought it was last night.
JO (obvious). So Iām watching it on iPlayer.
PETER. In that case, I will try to call our airline and find out what the hell is going on.
PETER listens to the phone ring.
JO. Oh, by the way. David Cameron has met a black man in Plymouth.
PETER (on phone). Hallo, is thatā¦? Oh, bloody hell.
JO (putting her headphones back in). And he thinks weāre not locking burglars up enough. Hold the front page.
PETER. Oh, why not. (Dictating to a voice-recognition machine.) Malaga.
JO. Ooh, and Gordon Brown cracked a joke.
PETER (on phone). Yes.
JO. āItās not question time, itās answer time.ā
PETER (on phone, scrabbling for documentation). FR213.
JO. And he agrees with Nick.
PETER (on phone). Yes. What?
JO. On everything it seems.
PETER (on phone). Hallo?
JO. And, hey. Nick used my line.
PETERās lineās gone. He ends the call. JO pulls off her headphones. During this, SAM appears with his luggage. Heās tieless, but wearing a lightweight suit.
I bet youāre all kicking yourselves now.
PETER. Oh, what about?
JO (taps the screen). Agreeing to debate.
PETER. You should conserve your battery.
JO. What about your phone?
PETER. I am using it for an urgent purpose which touches directly on both our lives.
JO. Me too. And I have an European adaptor.
PETER. Thereās queues for wall sockets. Longer than the queues for the cafeteria.
JO. Thatāll be because of the torpedoes.
SAM has recognised JO.
PETER. What line?
JO. Iām sorry?
PETER. You said āhe used my lineā.
JO. āThe more they attack each other, the more they sound the same.ā
SAM. And do you think thatās true?
JO. Oh, gosh.
PETER. Umā¦
JO. Sam.
SAM. So, what are youā¦?
JO. I might ask you the same question.
SAM. Well, Iām not dressed as a debutante.
JO (gesturing at the bouquet). Try and work it out.
SAM. And shouldnāt you be back at Cowley Street ironing out the kinks in your Pet Passport policy?
JO. And shouldnāt you be back in Downing Street running the country even further into the ground?
SAM. No, actually, when they call a general election ā
JO. My sisterās wedding. Mijas Costa, a little way along the coast. Theyād just cut the cake when we heard a rumour that French airspace was going to be reopened in an hour for an hour. And you?
SAM. A post-Copenhagen pre-Mexico climate-change briefing in Kolkata. Diverted to Tbilisi, Istanbul and here. When you say āweā?
JO. Uh ā this is Peter.
SAM (registering PETER). Best man?
JO. Bridegroomās cousin.
PETER. Uncle, but thank you. And when youā¦
SAM. A Family Connection?
JO. Merely geographical.
PETER. When you say ā
SAM. Yeovil?
JO. Well, congratulations.
SAM. And everybody else?
JO. Is āmaking a weekend of it...