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Swenson Poetry Award
About This Book
Volume 19 of the May Swenson Poetry Award Series, 2016
Throughout this haunting first collection, Patricia Colleen Murphy shows how familial mental illness, addiction, and grief can render even the most courageous person helpless. With depth of feeling, clarity of voice, and artful conflation of surrealist image and experience, she delivers vivid descriptions of soul-shaking events with objective narration, creating psychological portraits contained in sharp, bright language and image. With Plathian relentlessness, Hemming Flames explores the deepest reaches of family dysfunction through highly imaginative language and lines that carry even more emotional weight because they surprise and delight. In landscapes as varied as an Ohio back road, a Russian mental institution, a Korean national landmark, and the summit of Kilimanjaro, each poem sews a new stitch on the dark tapestry of a disturbed suburban family's world.
The May Swenson Poetry Award is an annual competition named for May Swenson, one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in her hometown of Logan, Utah.
Frequently asked questions
Information
Acknowledgments
The Adirondack Review | āAfter Rumiās Birdwingsā |
The American Poetry Review | āNight Falling, Czechoslovakiaā and āLetter from the Psych Ward, Hospital Kashenkoā |
Arcadia Magazine | āSongs in Kiswahiliā |
Armchair/Shotgun | āXVIIIe Arrondissementā |
The Baltimore Review | āDadās Last Entrechatā |
Belleview Literary Review | āReading Sexton in Phuketā |
Bluestem Magazine | āCutlass Cieraā |
Burnside Review | āMurmurā |
Cimarron Review | āOn Being Bornā |
Cleaver | āThe Birth of Noā |
Cobalt Review | āLosing Our Milk Teethā |
Cutbank | āFlatlineā and āLiminalā |
Diode | āArch on a Rungā and āEdisonās Medicineā |
A Dozen Nothing | āEveryone Is Evisceratedā |
Evansville Review | āNot Having Themā |
The Greensboro Review | āLunatic Yearsā |
Gulf Coast | āWhy I Burned Down Namdaemun Gateā |
Hobart | āScrotum and Boneā and āBulbā |
Kalliope | āHow the Body Movesā |
The Madison Review | āThe Princess of Creeping,ā āWhat Flickers,ā and āThe Linger Museumā |
The Massachusetts Review | āCraveā |
Natural Bridge | āPerennialā |
Nebraska Review | āSong of a Misanthropeā and āTake the Late Flightā |
NewSouth | āCrushingsā |
North American Review | āRank Bitchā |
Prick of the Spindle | āWhere Are You, Gravity?ā |
Quarterly West | āIs It the Sea You Hear in Me?ā |
Seattle Review | āMy Brother, Hoardingā |
Sixth Finch | āHalloween in the Tankā |
Smartish Pace | āMy Trifecta of Offensesā... |
Table of contents
- Cover
- Title Page
- Contents
- Foreword by Stephen Dunn
- Losing Our Milk Teeth
- Bridges All Over the Room
- My Brother, Hoarding
- How the Body Moves
- Throwing the Proper Tantrums
- XVIIIe Arrondissement
- Immolate
- Cutlass Ciera
- Kitten
- My Armamentarium
- Is It the Sea You Hear in Me?
- Good Morning, Mediocrity
- Meet the Author
- Night Falling, Czechoslovakia
- Edisonās Medicine
- Why I Burned Down Namdaemun Gate
- High Hopes, Bad Habits
- Turkish Get-Ups
- Feeding Peeping Tom
- Scrotum and Bone
- The Year of Our Comorbidity
- The Princess of Creeping
- Reading Sexton in Phuket
- Bulb
- Murmur
- The Birth of No
- Midnight at Orca Cannery
- Letter from the Psych Ward, Hospital Kashenko
- My Mittelschmerz
- Arch on a Rung
- This Is Not a Pipe
- Song of a Misanthrope
- Lunatic Years
- Halloween in the Tank
- Incommunicado
- From The Book of Attacks
- Songs in Kiswahili
- Break in the Chain
- Flatline
- How I Learned That Everyone Is Ridiculous
- Where Are You, Gravity?
- Everyone is Eviscerated
- Liminal
- Memory as Diary
- Take the Late Flight
- On Being Orphaned
- After Rumiās Birdwings
- Crave
- What Flickers
- Perennial
- Rank Bitch
- Dadās Last Entrechat
- Crushings
- Bizarre Part
- On Being Born
- Climbing
- Not Having Them
- The Linger Museum
- My Trifecta of Offenses
- With a Whimper
- Acknowledgments
- About the Author