Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).

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Yes, you can access Musik und Klangkultur by Matej Santi, Elias Berner, Matej Santi,Elias Berner in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music History & Criticism. We have over one million books available in our catalogue for you to explore.

Information

Publisher

transcript Verlag

Year

2021

ISBN

9783839451458

Edition

Topic

Media & Performing Arts

Subtopic

Music History & Criticism

Cover
Contents
Editor’s Note
An Introduction
“Living in a Material World,” Contemplating the Immaterial One—Musings on What Sounds Can Actually Tell Us, or Not
The (Re)Construction of Communicative Pasts in the Digital Age
The Narratological Architecture of Musical lieux de mémoire
Beethoven in 1970, Bernstein and the ORF: Cultural Memory and the Audiovisual
Women’s Voices in Radio
‘Real Sound,’ Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of Reality
Sonic Icons in A Song Is Born (1948): A Model for an Audio History of Film
The Production, Reception and Cultural Transfer of Operetta on Early Sound Film
The Address of the Ear: Music and History in Waltz with Bashir
“I’ve never understood the passion for Schubert’s sentimental Viennese shit”—Using Metadata to Capture the Contexts of Film Music
Connecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge’s Televisual Corpus
Modelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge Representation
Playing with a Web of Music: Connecting and Enriching Online Music Repositories
A Few Notes on the Auditive Layer of the Film *
Afterword
List of Contributors