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About This Book
In Literary Obscenities, Erik Bachman offers a comparative historical account of the parallel development of legal obscenity and literary modernism in this period. Getting Off the Page demonstrates that obscenity trials in the early twentieth century staged a wide-ranging cultural debate about the broader ramifications of the printed word's power to "deprave, " "excite, " and offendâor, more generally, to incite emotion and shape behavior. Bachman shows that far from seeking simply to transgress cultural norms or sexual boundaries, proscribed authors such as Wyndham Lewis, Erskine Caldwell, Lillian Smith, and James T. Farrell refigured the capacity of writing to evoke the obscene so that readers might become aware of the social processes by which they were being turned into mass consumers, voyeurs, and racialized subjects.
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Table of contents
- COVER Front
- Copyright Page
- Table of Contents
- Acknowledgments
- Introduction
- Notes to Introduction
- Chapter 1: Getting Off the Page
- Notes to Chapter 1
- Chapter 2: How to Misbehave as a Behaviorist (if You're Wyndham Lewis)
- Notes to Chapter 2
- Chapter 3: Erskine Caldwell, Smut, and the Paperbacking of Obscenity
- Notes to Chapter 3
- Chapter 4: Sin, Sex, and Segregation in Lillian Smithâs Silent South
- Notes to Chapter 4
- Conclusion: Off the Page
- Notes to Conclusion
- Notes
- Bibliography
- Index
- Series Page