Body Language for Women

Learn to Read People Instantly and Increase Your Influence

Donna Van Natten

• Publisher: Skyhorse
• Year: 2021
• ISBN:
  9781510751231
• Topic: Social Sciences
• Subtopic: Sociology
• Index: Social Sciences

Bodies talk. Do you know how to listen? A quick glance, a twist of the hips, or a biting of the lower lip can speak volumes about what someone is thinking or feeling. The powerful messages our bodies send can make all the difference when interviewing for a new job, going on a date, or detecting when a person is lying to you. In Body Language for Women, body language expert Dr. Donna Van Natten provides you with the tools and resources that you need to analyze the movements of those around you. She helps you detect what you are subtly and unconsciously saying with your own body and the implications these communications are having on your life. Further, Dr. Van Natten challenges you to understand the nonverbal cues of other women and men in general, your family members, and your romantic interests. Finally, she fine-tunes your gut instinct to confirm the truth or deception of what others are saying. Clear, concise, and filled with expert knowledge, Body Language for Women will help you win in the workplace, successfully navigate social situations, and gain a greater understanding of what's really going on when we communicate with others.

CHAPTER 1

What You are Saying with Your Body

We, as women, spend countless hours trying to perfect our physical bodies and mental mindsets. Beyond this, we must also know what subtle, unconscious, and powerful messages our bodies send and receive.

The advice we always hear is, “Don’t judge a book by its cover.” And yet, we do.

Let’s face it: we like to think that how we carry ourselves, look, and behave are secondary to how smart we are, who we know, and our job titles. Some even claim that they “just don’t care what other people think” about them. On the contrary, all of the research on the subject of people, relationships, and communication says that presentation does matter. And we do judge each other based on a set of specific human behavior characteristics. Even the fact that you are reading this book says that you do care and believe that these traits matter.

This is not necessarily a bad thing, as appearance characteristics give us a lot of information about other people. Their clothing style, how they groom their hair, their smell, and other appearance-based traits all provide us with valuable information. Much of nonverbal communication operates “automatically and often outside of awareness,” according to the experts. But the complex intersections of gender, culture, biology, situation, and individual means that our communication is both complex and often predictable. As well, “appearance can also be strategically modified to create desired impressions” (Patterson, 2017).

Nonverbal communication “sparkles and inspires,” per Friedman’s 2019 extensive review of the literature on this important field of study. He notes that “basic emotions theory” has a wide range of components crossing psychology, language, culture, social conditions, and emotions. Specifically, “behavioral ecology” depends on nonverbal cues in social situations. Basically, our navigation of our world relies on interpreting body language.

COMMUNICATION CREATURES

In 1872, Charles Darwin wrote about the expression of emotions in humans and in animals. Darwin understood creatures, their social weaving, and how they communicated through emotions and nonverbal actions. Modern theorists converge on his work and now look at nonverbal communication in terms of a “functional” approach. As a result, we think about what we are doing. Three major shifts of thought now focus on:

1. Cognitive abilities tied to emotions: our thoughts and our feelings are closely intertwined.

2. Abstract traits to concrete abilities: our thoughts turn into actions.

3. Inferred states to processes: our deductive thoughts generate actual operations.

Nonverbal communication has the power to influence and persuade. By looking at people in groups (relational impression model), we emit and receive information about other people. We also make impressions on others. In the field of the social psychology of influence, the evidence is rich, and we are well-served to dip into this bank of knowledge.

Often, we are not even aware that we use body language. Even so, we continuously receive and interpret others’ body language. Specifically, we primarily use nonverbal communication—which includes tone of voice (nonverbal-vocal) and body movements (nonverbal-nonvocal). As visual creatures, we continually use our sight to look at ourselves and our world. In addition, our bodies’ movements help us deliver and receive information.

“Whenever the behavior of one individual (the sender) influences the behavior of another individual (the receiver)” this constitutes communication (Mandal, 2014). Mandal writes that nonverbal behaviors include:

• Everything from facial expressions and gestures to fashion and status symbol.

• From dance and drama to music and mime.

• From flow of affect to flow of traffic.

• From the territoriality of animals to the protocol of diplomats.

• From the sensitivity of violence to the mindlessness of topless dancers.

Traffic to topless dancers? That’s pretty substantial—and broad. We don’t often think about how our actions communicate. We usually only cite our verbal messages when we are asked to define “communication.” However, this is not the case. Long before we used the spoken language, we communicated using signs, symbols, our bodies, and other nonverbals. Clear evidence of this is the fact that infants “talk” to us though they have no knowledge of English or any other language. But they do have body language and nonverbals that they understand and master early on. A cry. A gasp. A reach for the hand. A smile. A coo. A stretch.

Even a surprised expression. Yes, babies talk and seek our attention, and we give it to them. A key part of nonverbal communication is being intentional with the signals we send and receive through our senses. In particular, our basic visual (see), auditory/acoustic (hear), tactile (touch), and olfactory (smell) senses. Of course, how other people interpret various nonverbal signals through their own senses varies greatly based on a host of conditions. For example, time and situation help us to interpret nonverbal signals even though they are not technically a part of body language. As well, we may smell a pleasant odor and immediately recall a good memory. Though it may have happened decades ago, we instantaneously associate it with feelings, people, and situations.

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To cultivate Darwin’s early work, researchers such as Paul Ekman, Desmond Morris, David Matsumoto, Roger Axtell, and others focus on classifying the thousands of pieces of nonverbal communication and body language. For example, the work of Meadors and Murray (2014) breaks down body language into three elements with specific meanings:

1. Illustrators: These usually enhance what is being said—like a nod of the head to emphasize the spoken word.

2. Emotional expressions: These expressions typically display how someone is feeling and are often seen in facial expressions. For example, a downturned mouth with slumped body posture may indicate a person’s sadness. Some emotional expressions are globally understood, such as smiles.

3. Manipulators: These are exhibited when one part of our body manipulates another part of our body—like self-hugging or stroking. Manipulators usually involve touching our body, or directly interacting with another person (interpersonal interaction). We may shift our body to sit further away from someone we don’t enjoy being near. It might be subtle and, at times, unconscious.

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Let’s focus more on manipulators and body language. A quick look at this photo of a woman on the couch should tell you something about her … and it’s not good. By looking more closely at the woman, you are able to figure out other things about her and how she is communicating with her body. Why is one hand on her stomach and the other on her forehead? What about her closed eyes? Why is she lying down? These questions, based on what we “see,” provide us with information about her. The following list may help us determine how others “act” to communicate their inner thoughts and feelings.

These visible displays of body language include specific actions:

A. “Shielding actions”: Face touching (eyes, mouth, nose, etc.) may signal that we want to reduce sensory input.

B. “Cleaning actions”: Hair and grooming attention may improve our physical appearance—or may help to build a relationship when we groom or preen someone else.

C. “Self-intimacies”: Holding or stroking the body serves as a means to comfort or console ourselves.

The quality of our nonverbal physical movements are outward displays of our emotional (internal) state. We may be feeling something and, without really thinking about it, we display that feeling through our body language. For the most part, we can control these if we are acting intentionally. However, there are numerous times when our bodies “call us out” in truth. For example, you are feeling terrible about something and when someone asks, you tell this person that you are “fine.” But then, your eyes shift down and tears begin to slide down your cheeks. You are far from “fine.” Your body language betrayed your words and we know the truth.

Remember, though, that no single nonverbal characteristic is linked to a specific emotion. It’s more complex. Yet, we know that emotion-related movements are tied to specific emotions. Dynamic changes in the body may include:

1. Body shifts.

2. How we use space.

3. How we adjust our bodies to our environment or situation.

The amount of effort it takes to physically communicate through the movement of our bodies is also involved. Crane and Gross’s (2013) chart of body movements intimately linked to specific basic emotions is enlightening.

It’s thought-provoking that anger and joy share a lot of similarity in body movement or presentation. And, not surprisingly, feelings of contentment and neutrality are comparable. Sadness, as most of us know, is uniquely recognizable with its own set of body displays. Think about how “still” your body is when you are sad. Or, how “quick and tense” you feel when angered. Most of can read the nonverbal displays of anger, joy, sadness, or contentment; few, if any, words are required.

We tend to gesture more when we are describing or acting out a physical activity or motion. For example, the way we move our bodies to show someone how to wrap a package versus explaining a written report to someone. We “gesture [more] when we express thoughts that involve simulations of action” (Hostetter and Alibali, 2010). In terms of communication, this is important to know for how we reinforce our verbal message or communicate with someone only using our bodies.

A specific set of displays, called representational gestures, are manual movements of our bodies, especially when we use our hands and arms to describe something. Interestingly, these are evident in both sighted and blind people.

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Also, how we use space to communicate is critical for ensuring that our unspoken intentions are accurate. Public, social, personal, and intimate spaces are important for communicating and can evoke both positive and negat...

Table of contents

• Front Cover
• Half-Title Page
• Title Page
• Copyright Page
• Table of Contents
• Foreword
• Chapter 1: What You are Saying with Your Body
• Chapter 2: How to Read Other Women’s Body Language
• Chapter 3: Mastering Men’s Body Language
• Chapter 4: Family and Friends’ Body Language
• Chapter 5: The Powerful Body Language for Love
• Chapter 6: Influence is More than Impact
• Ponderings
• Bibliography
• Acknowledgments