Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.

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Yes, you can access The Black Chicago Renaissance by Darlene Clark Hine, John McCluskey, Darlene Clark Hine,John McCluskey, Marshanda A. Smith in PDF and/or ePUB format, as well as other popular books in Social Sciences & Sociology. We have over one million books available in our catalogue for you to explore.

Information

Publisher

University of Illinois Press

Year

2012

ISBN

9780252094392

Topic

Social Sciences

Subtopic

Sociology

Index

Social Sciences

Cover
Half title
Title
Copyright
Contents
Dedication
Let’s Call It Love
Acknowledgments
Introduction
Part I. Black Chicago: History, Culture, and Community
Part II. Black Chicago’s Renaissance: Culture, Consciousness, Politics, and Place
Part III. Visual Art and Artists in the Black Chicago Renaissance
Notes on Contributors
Index