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GENERAL INDEX
A page numbers in italics refers to an illustration, a page number in bold refers to a musical example, and a page number followed by a t refers to a table.
Adlung, Jakob, 73, 74n170
affetti amorosi, 17
Agricola, Johann Friedrich, 68, 149
Allgemeine Augsburger Zeitung, 54, 64
Altnickol, Johann Christoph, 159, 167n85
Amalia organs. See under Marx, Ernst
Amalienbibliothek collection, 52, 134
Anna Amalia, Princess: fortepianos of, 52, 52n90; harpsichords of, 36, 36n40, 49, 51–52, 57, 60, 64–65, 77t; and Hofkonzerte, 27, 49, 61; keyboard training of, 26n3, 36–37, 51; living quarters and music rooms of, 36, 36n39, 43, 49–52, 57, 60–62, 75t; music soirées of, 49, 51; Nachlassverzeichnis of, 52, 52n90; organs of (see under Marx, Ernst); organ works for, 24, 49, 51, 75; as patron of C. P. E. Bach, 12, 49, 51, 57; as patron and admirer of Friedemann Bach, 25, 49, 49n81, 52, 57, 61n125, 64; as patron of Kirnberger, 7, 37, 49n80; as Zeremonienmeisterin, 60–61. See also Amalienbibliothek collection
Ariosti, Attilio, 35, 35n36
August William, Prince of Prussia, 27n6
Bach, Anna Carolina, 116, 116n14
Bach, Anna Magdalena (née Wilcke), 8, 13, 13n35, 167
Bach, Carl Philipp Emanuel, 49, 113; attributions to, in Breitkopf catalogs, 149–57; Bogenflügel and, 24, 47–48, 63, 88, 88n14; career and reputation of, 9–14; character pieces of, 95, 95n31, 104, 105; clavichord as favorite instrument of, 83; clavichord’s suitability for works by, 75n173, 83–112 passim; Collegium Musicum, 149, 149n39; comic style and, 20, 90, 108–10; comparison of Bach and Handel by, 10; concertos of, 47, 87; as court accompanist, 18, 20, 26, 29–32, 34, 34n29, 41, 48, 56; on drum basses, 102, 104; and dynamics in keyboard works, 56, 75n173, 84–85, 86, 89, 89n17, 92–100, 103–110; Empfindung and, 11, 110–11; fantasias of, 11, 109, 112; and fantasia style, 90, 92, 95, 96, 99, 101–12 passim, 105; fortepiano in works of, 75n173, 83–84, 86–87, 87n8, 92, 100–105, 108–12; and Hamburg vocal ensemble, 113ff; installation cantatas by, 114–16t, 119n18, 123, 125; instrumental recitative by, 90–93, 99; instruments preferred by, ...
