SUNY series in Latin American Cinema
Contemporary Argentine Horror Cinema
- 276 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
Argentina is a dominant player in Latin American film, known for its documentaries, detective films, melodramas, and auteur cinema. In the past twenty years, however, the country has also emerged as a notable producer of horror films. Blood Circuits focuses on contemporary Argentine horror cinema and the various "cinematic pleasures" it offers national and transnational audiences. Jonathan Risner begins with an overview of horror film culture in Argentina and beyond. He then examines select films grouped according to various criteria: neoliberalism and urban, rural, and suburban spaces; English-language horror films; gore and affect in punk/horror films; and the legacies of the last dictatorship (1976–1983). While keenly aware of global horror trends, Risner argues that these films provide unprecedented ways of engaging with the consequences of authoritarianism and neoliberalism in Argentina.
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Table of contents
- Cover
- Title
- Copyright
- Contents
- List of Illustrations
- Acknowledgments
- Introduction Argentine Horror Cinema: A Constellation of Miracles
- Chapter One Reaches: The National and Transnational Coordinates of Argentine Horror Film Culture
- Chapter Two Telling Carnage: Spectacles and Spaces of Neoliberalism
- Chapter Three Cinematic Body Snatching: English-Language Argentine Horror Cinema and Systems of Paranoia
- Chapter Four Where Punk and Horror Meet: Argentine Punk/Horror, “Cine under,” and Gore as Affect
- Chapter Five Is It There? It’s Not There. Now It’s There.: Spectral Dynamics of the Last Dictatorship in Argentine Horror Cinema
- Conclusion
- Notes
- Filmography
- Bibliography
- Index
- Back Cover