The Theatrical Event

Dynamics of Performance and Perception

Willmar Sauter

• Publisher: University Of Iowa Press
• Year: 2000
• ISBN:
  9781587293405
• Topic: Media & Performing Arts
• Subtopic: Performing Arts

The Theatrical Event discusses the objectives of theatre studies by focusing on the communicative encounter between performer and spectator—the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance—on stage or in the street, historical or contemporary—that is watched by an audience is a theatrical event. The concept underlines the "eventness" of all encounters between performers and spectators. In the first part of the book, Willmar Sauter presents various models for the analysis of theatrical events, examining the relationship between performance and perception and the interaction between the performative event and its context. Using examples from ancient and recent theatre history and discussing traditional and nontraditional approaches to theatre theory, he builds a paradigmatic change in the concept of theatre. Constructs such as playing culture (as opposed to written culture), theatrical communication, theatricality, and theatre as a model of cultural event are brought into focus and their methodological advantages explored. The second part of the book uses the theoretical groundwork of the first part to enhance a variety of topics, including such legends as Sarah Bernhardt and other historical phenomena such as a Swedish Renaissance play, Strindberg's ideas on acting, the question of ethnicity in the political theatre of the 1930s, and critical writings on contemporary performances. Sauter examines how Robert Lepage's staging of A Dream Play is viewed by critics and scholars and analyzes Dario Fo's intercultural transfer to outdoor performances in Stockholm and the unusual sensationalism of Strindberg's Miss Julie.

Table of contents

• Acknowledgments
• New Beginnings
• 1 Approaching the Theatrical Event The Influence of Semiotics and Hermeneutics on European Theatre Studies
• 2 Theatre or Performance or Untitled Event? Some Comments on the Conceptualization of the Object of Our Studies
• 3 Reacting to Actions Concepts of Theatricality
• 4 Theatrical Events Revisited Playing Culture and the Historiography of Early Nordic Theatre
• 5 Culture as Human Encounter Theatrical Communication as Model of Cultural Events
• 6 Sarah Bernhardt in Phenomenological Perspective To Study a Living Legend
• 7 Mistero Buffo, 1999 Dario Fo’s Intercultural Transfer to Sweden
• 8 Reflections on Miss Julie, 1992 Sensualism and Memory
• 9 Museum-Stage The Frames Move into the Exhibition Hall
• 10 Theatre Talks How to Find Out What the Spectator Thinks
• 11 Fiction, Mainly Fiction Some Surveys on the Theatrical Experience of Young Audiences
• 12 Strindberg’s Words versus the Actor’s Actions The Success of the Actresses at the Intimate Theatre in Stockholm (1907–1910)
• 13 How Long Is a Jewish Nose on Stage? Ethnicity and Nationality in the 1930s
• 14 Text, Performance, Event, 1611 A Historical Play by a Catholic Protestant
• 15 Beyond the Director’s Images Reviews and Views of Robert Lepage’s Production of "ADream Play" at the Royal Dramatic Theatre
• To Be Continued
• Notes
• Bibliography
• Index