- 248 pages
- English
- PDF
- Available on iOS & Android
About This Book
2023Outstanding Book Award?, National Association for Ethnic Studies
Finalist, 2024 Charles Rufus Morey Book Award, College Art Association How Latinx artists around the US adopted the medium of printmaking to reclaim the lands of the Americas. Printmakers have conspired, historically, to illustrate the maps created by European colonizers that were used to chart and claim their expanding territories. Over the last three decades, Latinx artists and print studios have reclaimed this printed art form for their own spatial discourse. This book examines the limited editions produced at four art studios around the US that span everything from sly critiques of Manifest Destiny to printed portraits of Dreamers in Texas.
Reclaiming the Americas is the visual history of Latinx printmaking in the US. Tatiana Reinoza employs a pan-ethnic comparative model for this interdisciplinary study of graphic art, drawing on art history, Latinx studies, and geography in her discussions. The book contests printmaking's historical complicity in the logics of colonization and restores the art form and the lands it once illustrated to the Indigenous, migrant, mestiza/o, and Afro-descendant people of the Americas.
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Table of contents
- Contents
- List of Illustrations
- Introduction
- Chapter One. Native Territorialities: Ricardo Duffyâs Border Pop and the Indigenous Uncanny
- Chapter Two. Embodied Territorialities: Enrique Chagoya and Alberto RĂos Disrupting the Western Cartographic Gaze
- Chapter Three. Mestiza Territorialities: Sandra FernĂĄndezâs Migrant Justice and the Movable Border
- Chapter Four. Aqueous Territorialities: The Dominican York Proyecto GrĂĄficaâs Island Dwellers and Water Boundaries
- Conclusion. Revolution on Display
- Acknowledgments
- Appendix. Latinx Printmaking Workshops and Collectives in the US
- Notes
- Bibliography
- Index