- 608 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
Progressive rock, a genre formed out of a creative surge in the late Sixties and throughout the Seventies, originated and flowered most spectacularly in the UK. Made by young musicians for a young audience, prog music looked towards new horizons by synthesising rock, jazz, folk, classical and other styles.While prog has always divided critical opinion, in its heyday it had a large and devoted fanbase, and the era's biggest acts from Pink Floyd to Genesis went on to enjoy long-lasting international and commercial success. Although the scene fragmented in the late Seventies, new generations of young listeners continue to discover the unique sounds of prog today.Examining the myths and misconceptions surrounding the genre, music journalist Mike Barnes (Mojo, The Wire, Prog, and author of the acclaimed biography Captain Beefheart) paints a vivid, colourful picture of the Seventies based on his own interviews with the musicians, music business insiders, journalists and DJs, and the personal testimonies of fans of that extraordinary decade.Offering something new for even the keenest of prog enthusiasts, A New Day Yesterday is an entertaining and in-depth study of both the music itself and the cultural conditions and attitudes that fed into, and were affected by, this remarkable musical phenomenon.
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Table of contents
- Cover
- Title Page
- Contents
- Introduction
- Chapter 1: Itās All Too Beautiful: Psychedelia and the British Psyche
- Chapter 2: Notes from the Underground
- Chapter 3: Hyde Park Incident: King Crimson Part One
- Chapter 4: The Drive to 1974: King Crimson Part Two
- Chapter 5: Orchestral Variations 1967ā74
- Chapter 6: Suburban Spacemen: Pink Floyd
- Chapter 7: And Did Those Feetā¦: Ladies and Gentleman ā Lemerpal, Aker & Son
- Chapter 8: Kick out the Jams to Jerusalem: Genesis
- Chapter 9: Swings and Roundabouts: Yes
- Chapter 10: Stand up and Be Counted: Jethro Tull
- Chapter 11: From a Whisper to a Scream (Including Lighthouses): Van Der Graaf Generator
- Chapter 12: āPlusā¦ Tubular Bells!ā: Mike Oldfield & Virgin Records
- Chapter 13: Sock in Opposition: Henry Cow
- Chapter 14: Knights in Beige Terylene on Acid: The Moody Blues
- Chapter 15: The Moody Poor Manās Blues: Barclay James Harvest and Renaissance
- Chapter 16: Divertimento No.1: Notes on Drugs
- Chapter 17: In Search of Space: Arthur Brown and Kingdom Come
- Chapter 18: In the Garden of England: The Birth of the Canterbury Scene
- Chapter 19: Can a Wyatt Man Sing the Blues?: Rock Bottom & Ruth Is Stranger Than Richard
- Chapter 20: Pilgrimsā Progress: Caravan
- Chapter 21: Counting out Time: Egg
- Chapter 22: All Roads Lead to Homerton: Hatfield And The North and National Health
- Chapter 23: The āWhat I Was Doing Was Too Simple for Them and What They Were Doing Was Too Complicated for Meā Blues: Kevin Ayers and Soft Machine Post-Wyatt
- Chapter 24: Divertimento No.2: Notes on Fashion and Youth Tribalism
- Chapter 25: Surrey Super Novas: A Brief History of Gracious
- Chapter 26: Whatās Sauce for the Goose: Camel
- Chapter 27: So-Called Journalists: Seventies Rock in the Media
- Chapter 28: Divertimento No.3: Funny Foreigners
- Chapter 29: A Jazzy Collection of Antiques, Curios and Battered Ornaments: Colosseum, Greenslade, Pete Brown and Centipede
- Chapter 30: All You Need to Do Is Sit Back and Acquire the Taste: Gentle Giant
- Chapter 31: Ray Charles, the Godfather of Progressive Rock?: Procol Harum, Traffic and Family
- Chapter 32: Come All You Rolling Minstrels: Seventies Folk Rock
- Chapter 33: Divertimento No.4: Notes on āItā
- Chapter 34: Sheās a Rainbow: Sonja Kristina and Curved Air
- Chapter 35: The Cats in the Grove: Hawkwind, Quintessence, Third Ear Band and the Ladbroke Grove/Notting Hill Freak Scene
- Chapter 36: Divertimento No.5: Notes on Politics
- Chapter 37: Electrick Gypsies: Steve Hillage and Gong
- Chapter 38: The Art School Dance Goes on Forever: Brian Eno, Roxy Music, Quiet Sun and 801
- Chapter 39: Divertimento No.6: Notes on Festivals
- Chapter 40: 1974 ā the Tipping Point
- Chapter 41: Thereās Gonna Be a Storm: UK Punk
- Chapter 42: The End of the Century
- Acknowledgements
- Authorās Source Notes
- Bibliography
- Copyright