Trauma, Taboo, and Truth-Telling
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Trauma, Taboo, and Truth-Telling

Listening to Silences in Postdictatorship Argentina

  1. 240 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Trauma, Taboo, and Truth-Telling

Listening to Silences in Postdictatorship Argentina

Book details
Table of contents
Citations

About This Book

Argentina's repressive 1976–83 dictatorship, during which an estimated thirty thousand people were "disappeared, " prompted the postauthoritarian administrations and human rights groups to encourage public exposure of past crimes and traumas. Truth commissions, trials, and other efforts have aimed to break the silence and give voice to the voiceless. Yet despite these many reckonings, there are still silences, taboos, and unanswerable questions.
Nancy J. Gates-Madsen reads between the lines of Argentine cultural texts (fiction, drama, testimonial narrative, telenovela, documentary film) to explore the fundamental role of silence—the unsaid—in the expression of trauma. Her careful examination of the interplay between textual and contextual silences illuminates public debate about the meaning of memory in Argentina—which stories are being toldand, more important, which are being silenced. The imposition of silence is not limited to the military domain or its apologists, she shows; the human rights community also perpetuates and creates taboos.

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Information

Year
2016
ISBN
9780299307639
Topic
History
Index
History

Table of contents

  1. Contents
  2. List of Illustrations
  3. Acknowledgments
  4. Introduction: Listening to Silences
  5. 1. Tortured Silence and Silenced Torture in Eduardo Pavlovsky’s Paso de dos
  6. 2. Filling in the Space of Disappearance: Eric Stener Carlson’s I Remember Julia: Voices of the Disappeared
  7. 3. “The Shape Described by Their Absence”: Disappearance in Juan JosĂ© Saer’s La pesquisa
  8. 4. Silencing the Politics of Identity: From Elsa Osorio’s A veinte años, Luz to Telefe’s Montecristo
  9. 5. The Memory of Forgetting in Luisa Valenzuela’s La travesía
  10. 6. Fallout of the Memory “Boom”: Seeing and Not-Seeing the Ex-ESMA in Jonathan Perel’s El predio
  11. Conclusion: Always Approaching, Never Arriving
  12. Notes
  13. Bibliography
  14. Index