- 298 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
Border Matters locates the study of Chicano culture in a broad social context. José Saldívar examines issues of representation and expression in a diverse, exciting assortment of texts— corridos, novels, poems, short stories, punk and hip-hop music, ethnography, paintings, performance, art, and essays. Saldívar provides a sophisticated model for a new kind of U.S. cultural studies, one that challenges the homogeneity of U.S. nationalism and popular culture by foregrounding the contemporary experiences and historical circumstances facing Chicanos and Chicanas. This intellectually adventurous, politically engaged study applies borderlands and diaspora theory to Chicano cultural practices in a way that permanently changes our understanding of both the Chicano experience and the meaning of cultural theory. Defying national (and nationalistic) paradigms of culture, Saldívar argues that the culture of the borderlands is trans-national, constituting a social space in which new relations, hybrid cultures, and multi-voiced aesthetics are negotiated. Saldívar's critical readings treat culture as a social force and reveal the presence of social contexts within cultural texts. Border Matters maps out a new terrain for the study of culture, reshaping the way we understand migration, national identity, and intellectual inquiry itself. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
Border Matters locates the study of Chicano culture in a broad social context. José Saldívar examines issues of representation and expression in a diverse, exciting assortment of texts— corridos, novels, poems, short stories, punk and hip-hop
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Table of contents
- Cover
- Title
- Copyright
- Contents
- Illustrations
- Preface
- INTRODUCTION
- PART ONE COMPARATIVE INTERCULTURAL STUDIES
- 1 Cultural Theory in the U.S.-Mexico Borderlands
- 2 Américo Paredes and Decolonization
- 3 Changing Borderland Subjectivities
- 4 The Production of Space by Arturo Islas and Carmen Lomas Garza
- PART TWO EL OTRO LADO / THE OTHER SIDE
- 5 On the Bad Edge of La Frontera
- 6 Tijuana Calling
- 7 Remapping American Cultural Studies
- AFTERWORD
- Notes
- References
- Index