The Comic Matrix of Shakespeare's Tragedies
eBook - PDF

The Comic Matrix of Shakespeare's Tragedies

Romeo and Juliet, Hamlet, Othello, and King Lear

  1. 400 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

The Comic Matrix of Shakespeare's Tragedies

Romeo and Juliet, Hamlet, Othello, and King Lear

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About This Book

Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear.
The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound.
In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical "shadow" side; and they become part of the tragedy itself when the comic elements threaten the tragic hero with insignificance and absurdity.
Susan Snyder is Professor of English at Swarthmore College.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Information

A 
WORLD 
ELSEWHERE 
55 
to 
real 
human 
needs 
in 
its 
refusal 
of 
restraint 
and 
finitude. 
When 
Shakespeare 
addressed 
restraint 
and 
finitude 
as 
tragic 
necessities, 
he 
had 
at 
hand 
a 
developed 
"world 
elsewhere" 
that 
might 
be 
evoked 
to 
focus 
by 
contrast 
tragic 
effect. 
But 
for 
all 
its 
coherence 
the 
comic 
convention 
had 
its 
patches 
of 
thin 
ice, 
its 
latent 
strains 
and 
even 
contradictions. 
Comedy's 
force 
is 
so 
centrifugal 
that 
in 
its 
welter 
of 
possibilities 
the 
potential 
fragmentation 
of 
all 
form 
and 
meaning 
is 
never 
far 
off. 
Chaos 
is 
held 
in 
check 
only 
by 
comedy's 
arbitrary 
natural 
law, 
and 
perhaps 
those 
magicians 
and 
other 
manipulators 
were 
felt 
to 
be 
necessary 
as 
visible 
reassur-
ance 
that 
things 
would 
finally 
not 
fall 
apart, 
that 
the 
center 
would 
hold. 
Comedy's 
world 
might 
thus 
be 
seen 
not 
as 
com-
pletely 
elsewhere 
but 
as 
a 
possible 
starting 
point, 
or 
a 
running 
accompaniment, 
or 
even 
a 
constituent 
element, 
of 
Shakespeare's 
tragic 
vision. 
unchanged 
the 
conventions 
and 
assumptions 
of 
romantic 
comedy. 
Clever 
ma-
nipulators 
and 
disguisers 
still 
have 
their 
power, 
plots 
still 
multiply, 
servants 
are 
still 
hungry, 
and 
time 
out 
is 
still 
called 
for 
bouts 
of 
wit 
and 
verbal 
arabesques. 

Table of contents

  1. 9780691603322_FChigh
  2. ISBN_Web