Winner of the 2021 American Board & Academy of Psychoanalysis Annual Book Prize for Best Theoretical Book in Psychoanalysis!
Stanton Marlan brings together writings which span the course of his career, examining Jungian psychology and the alchemical imagination as an opening to the mysteries of psyche and soul.
Several chapters describe a telos that aims at the mysterious goal of the Philosophers' Stone, a move replete with classical and postmodern ideas catalysed by prompts from the unconscious: dreams, images, fantasies, and paradoxical conundrums. Psyche and matter are seen with regards to soul, light and darkness in terms of illumination, and order and chaos as linked in the image of chaosmos. Marlan explores the richness of the alchemical ideas of Carl Jung, James Hillman, and others and their value for a revisioning of psychology. In doing so, this volume challenges any tendency to literalism and essentialism, and contributes to an integration between Jung's classical vision of a psychology of alchemy and Hillman's Alchemical Psychology.
C.G. Jung and the Alchemical Imagination will be a valuable resource for academics, scholars, and students of Jungian and post-Jungian studies, Jungian analysis, and psychotherapy. It will also be of great interest to Jungian psychologists and Jungian analysts in practice and in training.
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Chapter 1 Jungâs discovery of alchemy and its development in the Jungian tradition
Jung considered alchemy in a way that few if any before him had imagined. Alchemy for the most part had been relegated to the status of a historical anachronism or hidden away within the confines of an esoteric occultism. To the contemporary mind, alchemists were viewed as odd, reclusive and strange old men in their laboratories hopelessly trying to change lead into gold. Their practice was seen as nonsense, or, at best, as a precursor to the modern science of chemistry.
Jung began his reflections with a similar attitude, as he describes in Memories, Dreams, Reflections (1963). There he notes that when he first desired to become more closely acquainted with alchemical texts, he procured the classic volume Artis Auriferae Volumina Duo (1593):
I let this book lie almost untouched for nearly two years. Occasionally I would look at the pictures and each time I would think, âGood Lord, what nonsense! This stuff is impossible to understandâ.
However, as his enquiry grew deeper, Jung concluded that the alchemists were speaking in symbols about the human soul and were working as much with the imagination as with the literal materials of their art. The gold that they were trying to produce was not the common or vulgar gold, but an aurum non vulgi or aurum philosophicum, a philosophical gold (Jung 1963). They were concerned with both the creation of the higher man and the perfection of nature. In a 1952 interview at the Eranos Conference, Jung stated:
The alchemical operations were real, only this reality was not physical but psychological. Alchemy represents the projection of a drama both cosmic and spiritual in laboratory terms. The opus magnum had two aims: the rescue of the human soul and the salvation of the cosmos.
This move brought alchemy into the realm of contemporary thought and was the beginning of a sustained psychology of alchemy.
To see alchemy in this wayâas a psychological and symbolic artâwas a major breakthrough for Jung and a key to unlocking its mysteries. The exploration and development of this insight led Jung eventually to see in alchemy a fundamental source, background and confirmation of his psychology of the unconscious. The impact of alchemy on his continuing work was so great that: âA good third of Jungâs writings are directly or tangentially concerned with alchemy, proportionately far more than he wrote about typology, association experiments, eastern wisdom, or parapsychologyâ (Hillman 1980: 30, n. 3). As Schwartz-Salant (1995) has noted: âC.G. Jung, perhaps more than any other modern researcher of alchemy, is responsible for resurrecting this body of thought as a respectable field of studyâ (Schwartz-Salant 1995: 2).
Jungâs writings on alchemy
The English publication of Jungâs Collected Works did not follow the order of his original writings or presentations. Some individual volumes have been arranged as collections of papers from different periods and not necessarily in terms of the unfolding of his ideas or the importance of his work. Editorial notes to each volume help to place his original writings back into chronological order. Although the historical unfolding of his ideas can be traced in his autobiography Memories, Dreams, Reflections (Jung 1963), it should be noted that Jungâs works on alchemy are not simply systematic. The development of Jungâs theoretical ideas might best be considered as a mosaic of discovery, elaboration and synthesis of his ongoing exploration of the unconscious and of its connection with alchemical thought.
As noted, Jungâs work on alchemy constitutes a considerable field of research. The most obvious resources are to be found in those volumes of his Collected Works dedicated specifically to alchemy. These include Psychology and Alchemy (vol. 12), Alchemical Studies (vol. 13) and his magnum opus, Mysterium Coniunctionis (vol. 14). In addition to these major works, important alchemical reflections can be found in Aion (vol. 9ii) and in The Practice of Psychotherapy (vol. 16). The important paper in the latter volume related to alchemy is âThe psychology of the transferenceâ (1946). Jung notes that this essay can also serve as an introduction to his more comprehensive account in Mysterium Coniunctionis. In addition, The Symbolic Life (vol. 18) contains a few short reflections: âForeword to a catalogue on alchemyâ (1946), âFaust and Alchemyâ (1949) and âAlchemy and psychologyâ (1950). The last piece was written initially for the Encyclopedia Hebraica and is a short synopsis of the alchemical work that is more fully elaborated in Psychology and Alchemy. Another short synopsis is also detailed in an interview with Jung in C.G. Jung Speaking: Interviews and Encounters (McGuire and Hull 1977). The interview was conducted by Mircea Eliade at the Eranos conference in 1952. These two synopses give a short but mature overview of Jungâs alchemical process.
Beyond these materials, Jungâs autobiography Memories, Dreams, Reflections (1963) contains his recollections of his discovery and elaboration of alchemy. These reflections are amplified in a considerable number of letters reproduced in C.G. Jung Letters, Volumes 1 and 2. These letters are a small treasure trove of correspondence with such figures as H.G. Baynes, Karl Kerenyi, Hermann Hesse, Erich Neumann, Victor White, Maud Oakes, John Trinick and others. In addition, there are also a collection of unpublished seminar notes containing 15 lectures from the winter of November 1940 to February 1941, which were compiled by Barbara Hannah with the help of a number of others including Marie-Louise von Franz, Toni Wolff and Jung himself. These notes, though reproduced, have not been made available to the public and were generally restricted to seminar members and analysts. Other tools for researching Jungâs alchemical work include the General Bibliography (vol. 19, 1979a) and the General Index (vol. 20, 1979b) of the Collected Works. The index contains two sub-indices that focus on Renaissance collections of alchemical texts and their authors; it also contains alchemical themes and symbolic references that locate these ideas and images in Jungâs overall alchemical writings. In addition, the student or researcher may find The Abstracts of the Collected Works of C.G. Jung (1976) to be of value, as it contains synopses of all of Jungâs collected works.
Resources beyond Jungâs writings
Beyond Jungâs own works, a number of Jungâs followers have written about alchemy in a way that helps the reader to enter the complexity of his work with greater ease. Both Marie-Louise von Franz and Edward Edinger have explicitly stated this goal in their works on alchemy. Specifically, von Franzâs Alchemy: An Introduction to the Symbolism and Psychology (1980) and Alchemical Active Imagination (1979) serve as good introductory texts, as does Edingerâs Anatomy of the Psyche (1985), as well as his other detailed studies which guide readers through Jungâs most difficult works: The Mystery of the Coniunctio: Alchemical Image of Individuation (1994), The Mysterium Lectures (1995) and The Aion Lectures: Exploring the Self in C.G. Jungâs Aion (1996a). In addition, Nathan Schwartz-Salant has compiled a work entitled Jung on Alchemy (1995) which, along with a scholarly introduction, contains carefully selected passages from Jungâs major works.
Many Jungian analysts have written on and/or referenced Jungâs work with important insights that lend themselves to understanding Jungâs alchemical project. Andrew Samuels has dedicated a chapter of his book The Plural Psyche (1989) to helping others understand Jungâs involvement with alchemy and to showing its relevance for current analytical theory and clinical application. David Holtâs (1987â1988) article âAlchemy: Jung and the historians of scienceâ in Harvest provides a reference guide to the historical literature for those who have an interest in Jungâs work in relation to the history of science and to scientific ideas. Holt has researched the important journal Ambix, a periodical concerned with the history of chemistry and alchemy, which contains many responses to Jungâs alchemical writings. Beverley Zabriskie (1996) has also addressed in her work the issue of the relationship of Jungâs alchemy to modern science, particularly physics. The continuing importance of alchemy for current Jungian thinkers has been addressed by me in my edited book Fire in the Stone: The Alchemy of Desire (1997), which brings together a range of essays by Jungian analysts and scholars who have been inspired by the continuing vitality of the alchemical metaphor in their own work. Containing essays by James Hillman, Paul Kugler, Pat Berry, Don Kalsched, Lionel Corbett, Ron Schenk, Scott Churchill and myself, this collection can serve as introductory to the range of application of the alchemical metaphor. Finally, Murray Stein (1992) has produced a series of ten audiotapes entitled Understanding the Meaning of Alchemy: Jungâs Metaphor of the Transformative Process, and Joseph Henderson (1987) has recorded a video on the alchemical text, Splendor Solis, with his commentary and discussion.
Beyond the references mentioned earlier, which survey the breadth of alchemyâs application, there are a number of Jungian thinkers who have made contributions to the psychology of alchemy and who have addressed and elaborated specific alchemical themes. Each in his or her own way has been carrying on the work originally begun by Jung himself. It would be impossible within the scope of the present overview to include and elaborate every source or contribution from those who have applied Jungâs theory to alchemy. However, a number of these contributorsâincluding von Franz, Edinger, Hillman, Nathan Schwartz-Salant, Paul Kugler, Stanton Marlan, Jeffrey Raff, Walter Odajnyk, Hayao Kawai, Wolfgang Giegerich and Yasuhiro Tanakaâhave been chosen to represent ideas that reflect a wide range of perspectives from classical application to contemporary revisionist themes. The work of these writers will therefore be more fully elaborated later in the text.
1 Jungâs discovery of alchemy and its development in the Jungian tradition
2 Jung and alchemy: a daimonic reading
3 Fire in the stone: an inquiry into the alchemy of soul-making
4 Salt and the alchemical soul: Freudian, Jungian, and archetypal perspectives
5 The metaphor of light and renewal in Taoist alchemy and Jungian analysis
6 The metaphor of light and its deconstruction in Jungâs alchemical vision
7 Facing the shadow: turning toward the darkness of the nigredo
8 The black sun
9 From the black sun to the Philosophersâ Stone
10 A critique of Wolfgang Giegerichâs move from imagination to the logical life of the soul
11 Whatâs the matterâwith alchemical recipes? Philosophy and filth in the forging of Jungâs alchemical psychology
12 The Philosophersâ Stone as chaosmos: the Self and the dilemma of diversity
13 The Azure Vault: alchemy and the cosmological imagination
14 Divine Darkness and Divine Light: alchemical illumination and the mystical play between knowing and unknowing
Index
Zitierstile fĂŒr C. G. Jung and the Alchemical Imagination
APA 6 Citation
Marlan, S. (2020). C. G. Jung and the Alchemical Imagination (1st ed.). Taylor and Francis. Retrieved from https://www.perlego.com/book/2051487/c-g-jung-and-the-alchemical-imagination-passages-into-the-mysteries-of-psyche-and-soul-pdf (Original work published 2020)
Chicago Citation
Marlan, Stanton. (2020) 2020. C. G. Jung and the Alchemical Imagination. 1st ed. Taylor and Francis. https://www.perlego.com/book/2051487/c-g-jung-and-the-alchemical-imagination-passages-into-the-mysteries-of-psyche-and-soul-pdf.
Harvard Citation
Marlan, S. (2020) C. G. Jung and the Alchemical Imagination. 1st edn. Taylor and Francis. Available at: https://www.perlego.com/book/2051487/c-g-jung-and-the-alchemical-imagination-passages-into-the-mysteries-of-psyche-and-soul-pdf (Accessed: 15 October 2022).
MLA 7 Citation
Marlan, Stanton. C. G. Jung and the Alchemical Imagination. 1st ed. Taylor and Francis, 2020. Web. 15 Oct. 2022.