Ricarda Denzer – ganz ohr / all ears
Audio Trouble, Para-Listening, and Sounding Research
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Ricarda Denzer – ganz ohr / all ears
Audio Trouble, Para-Listening, and Sounding Research
Über dieses Buch
Think – speak – listen: A portrait of an artist's work
The act of hearing the sound of spoken language forms a fluid, sometimes fractured act of change in time. At the same time, orality and the human voice are situated in space and thus create new places. This publication brings to the fore the performative character of the human voice and the unifying, spatial quality of sound and presents works by the artist Ricarda Denzer from the last ten years.
The starting point of this book is the thesis that thinking has a voice and that this voice has a body. Listening as a physical, performative act is understood as a creative process of "becoming world, " of participating in the world. The book explores questions of how we think, how we remember, and how we relate to the world.
- An overview of the artistic work of Ricarda Denzer in the period 2013–2023
- Artistic practice as situated listening; experimental artistic approaches from sound and voice studies
- With contributions by Fouad Asfour, Christa Benzer, Ricarda Denzer, Christiane Erharter, Christian Höller, Brandon LaBelle, and Jaimini Patel
Häufig gestellte Fragen
Information
Inhaltsverzeichnis
- Contents
- Foreword / Vorwort
- Para-Listening as World Exploration / Para-Listening als Welterschließung
- “My ear is an acoustic universe” / „Mein Ohr ist ein akustisches Universum“
- “I think about killing. I think about calling” “What it means to be touched by a question or issue or by a voice, by something spoken.” / „I think about killing. I think about calling“ „Was es heißt, berührt zu werden von einer Frage oder Thematik oder von einer Stimme, von etwas Gesprochenem.“
- Sounding Research, Collective Listening Session #1. Panel Discussion / Podiumsdiskussion
- Listening, Thinking, Doing / Hören, Denken, Tun
- Pointing at the Moon / Auf den Mond zeigen
- About the House – Silence Turned into Objects
- Subjective Auden Archive / Subjektives Auden-Archiv
- Kapı açık / The Door Is Open
- Somewhere Else Elsewhere / Anderswo woanders
- Hovering / Schwebendes
- restore (restore)
- Open-Format Exhibitions / Ausstellungen mit offener Form
- Potato Prints / Kartoffeldrucke
- Humming Warbling Whistling / Summen Trällern Pfeifen
- Untitled (The Inner Acoustics) O. T. (Die innere Akustik)
- Echo, or The Deviation from the Original / Echo, oder die Abweichung vom Original
- First Version (Interpretation) / Erste Fassung (Interpretation)
- Untitled / O. T.
- To Tell a Story
- Untitled (Prussian Bitch) / O. T. (Saupreissin)
- Reflections on a Star-Shaped Masque / Überlegungen zu einer sternförmigen Maske
- Para-Listening. A Bricolage / Para-Listening. Eine Bricolage
- Retrospective Ronda Zheng
- Ricarda Denzer Calls Susanne Schuda
- Hörvergessen, Project Series / Hörvergessen, Projektreihe
- All You Have Is a Voice
- Hörzirkel Rusti
- The Lost Hour
- Situated Sounds
- Un_University / Un_Universität
- Šaloun Studio of Restauration Attempt
- Dirty Ear Forum #9
- A Mental Radio Piece
- A Line Associated to Other Lines
- Sounding Research
- Biographies / Biografien