Athenian Potters and Painters

John H. Oakley, Olga Palagia, Francis Oakley, Francis Oakley

• Verlag: Oxbow Books
• Jahr: 2009
• ISBN:
  9781782973249
• Thema: Architettura
• Thema: Storia dell'architettura

This volume presents the proceedings of the second Athenian Potters and Painters conference, which was held at the American School of Classical Studies, Athens 2007. Together with the 1994 conference (Volume I, Oxbow 1997), these are the first of their kind - focusing purely on Athenian pottery and addressing key aspects of its study. The thirty-two papers contained here are the result not only of a large amount of new material but also the dynamic appearance of a younger generation of scholars dealing with the subject. Subject areas range from the study of the potters and painters themselves, to shape, subject matter, chronology, export, excavation pottery, context, and the influence of Athenian vases on pottery from other regions of the Mediterranean and vice versa. Three papers in Greek.

Inhaltsverzeichnis

• Cover
• Title Page
• Copyrignt Page
• Contents
• Foreword
• Chapter 1: Dionysos in Context: Two Attic Red-figure Kraters of the Early Fourth Century BC
• Chapter 2: Attic Red-figure Pottery from Olympia
• Chapter 3: Spruce, Pine, or Fir – Which did Sinis Prefer?
• Chapter 4: Inside/Outside: Revisiting a Chousin in The Metropolitan Museum of Art
• Chapter 5: Herakles, Athena und Chthonia Gorgo: Mythos und Kunst in den Töpferwerkstätten des Kerameikos in Athen
• Chapter 6: Seeing the Image: Constructing a Data-Base of the Imagery on Attic Pottery from 635 to 300 BC
• Chapter 7: The Jena Workshop Reconsidered: Some New Thoughts on Old Finds
• Chapter 8: Nέο φως σε παλαιά ευρήματα. Δύο κλασικοί τάφοι από το οικόπεδο Σαπουντζάκη στην Οδό Πειραιώς
• Chapter 9: The Iconography of Madness in Attic Vase-Painting
• Chapter 10: Women and Deer: from Athens to Corinth and Back
• Chapter 11: The Sky as hippodromos – Agonistic Motives within Astral Representations
• Chapter 12: An Aristocrat in the Athenian Kerameikos: The Kleophrades Painter = Megakles
• Chapter 13: Sourcing Stories: the Embassy to Achilles on Attic Pottery
• Chapter 14: Iconographical Divergencies in Late Athenian Black-Figure: The Judgement of Paris
• Chapter 15: Wheel without Chariot – A Motif in Attic Vase-Painting
• Chapter 16: Erotic Images on Attic Vases: Markets and Meanings
• Chapter 17: Nikosthenic Pyxides between Etruria and Greece
• Chapter 18: Coupes attiques à figures rouges trouvées à Thasos
• Chapter 19: Old Age in Athenian Vase-Painting
• Chapter 20: Prometheus oder Atlas? Zur Deutung der Amphora München 1540
• Chapter 21: The ‘Unheroic’ Corpse: Re-reading the Sarpedon Krater
• Chapter 22: Attic Imports at Marion: Preliminary Results of the Princeton University Archaeological Expedition to Polis Chrysochous, Cyprus
• Chapter 23: The Relocation of Potters and the Dissemination of Style: Athens, Corinth, Ambrakia, and the Agrinion Group
• Chapter 24: White-ground Lekythoi in Athenian Private Collections: Some Iconographic Observations
• Chapter 25: Early Red-figure in Context
• Chapter 26: Topographies of Cult and Athenian Civic Identity on Two Masterpieces of Attic Red-Figure
• Chapter 27: The Invention of the Female Nude: Zeuxis, Vase-Painting, and the Kneeling Bather
• Chapter 28: Aγγεία-αναθήματα από το Μεγάλο Ελευσινιακό ιερό
• Chapter 29: The Meidias Painter and the Jena Painter Revisited
• Chapter 30: Mortals Facing the Goddess: Thoughts on the Panathenaic Amphora of Lydos in Florence and some Pseudo-Panathenaic Vases
• Chapter 31: Picturing Potters and Painters
• Chapter 32: Σκηνές γυναικωνίτη σε «άγνωστης χρήσης σκεύος» του τέλους του 5ου αι. π.Χ.
• Colour Plates