The SAGE International Encyclopedia of Music and Culture
eBook - ePub

The SAGE International Encyclopedia of Music and Culture

Janet L. Sturman

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eBook - ePub

The SAGE International Encyclopedia of Music and Culture

Janet L. Sturman

Detalles del libro
Índice
Citas

Información del libro

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world?s musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology?s fundamental ethos of inclusion and respect for diversity.Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture.

Key features include:

  • Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions
  • Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader's Guide in the front matter organizing entries by broad topical or thematic areas
  • Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index
  • The Index, Reader's Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

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Información

Año
2019
ISBN
9781506353371

Índice

  1. Cover
  2. Half Title
  3. Editorial Board
  4. Title Page
  5. Copyright Page
  6. Contents
  7. Publisher Note
  8. Contributors
  9. Introduction
  10. A
  11. Acculturation
  12. Acoustic Ecology
  13. Acoustics
  14. Acts
  15. Advertising
  16. Advocacy
  17. Aerophones, an Overview
  18. Aerophones, Edge-Blown
  19. Aerophones, Lip Vibrated
  20. Aerophones, Reed
  21. Aesthetics
  22. Afghanistan: History, Culture, and Geography of Music
  23. Afghanistan: Modern and Contemporary Performance Practice
  24. Africa, Central
  25. Africa, Indigenous Music: Ancestral and Contemporary Practices
  26. Africa, North
  27. Africa, Southeast
  28. Africa, Southeast: The Horn
  29. Africa, Southeast: Rift Valley
  30. Africa, Southern
  31. Africa, Sub-Saharan
  32. Africa, West
  33. Africa, West: Guinea
  34. Africa, West: Sahel
  35. Afrobeat
  36. Agency
  37. Albania: History, Culture, and Geography of Music
  38. Albania: Modern and Contemporary Performance Practice
  39. Algeria: History, Culture, and Geography of Music
  40. Algeria: Modern and Contemporary Performance Practice
  41. Ambient Music
  42. America, Central, Caribbean Mainland
  43. America, North
  44. America, South
  45. Americas
  46. Americas, Caribbean Insular
  47. Americas, Indigenous Music: Ancestral and Contemporary Practices
  48. Analysis of Music
  49. Anasheed
  50. Andean Folk
  51. Angola: History, Culture, and Geography of Music
  52. Angola: Modern and Contemporary Performance Practice
  53. Anthropology and Ethnomusicology
  54. Aotearoa: History, Culture, and Geography of Music
  55. Aotearoa: Modern and Contemporary Performance Practice
  56. Appropriation
  57. Arabesk
  58. Arabic Music
  59. Archaeomusicology
  60. Archiving
  61. Arctic and Subarctic America
  62. Argentina: History, Culture, and Geography of Music
  63. Argentina: Modern and Contemporary Performance Practice
  64. Armenia: History, Culture, and Geography of Music
  65. Armenia: Modern and Contemporary Performance Practice
  66. Art Music
  67. Art–Folk Continuum
  68. Asia
  69. Asia, Central and East
  70. Asia, Indigenous Music; Ancestral and Contemporary Practices
  71. Asia, Middle East
  72. Asia, South: Indian Subcontinent
  73. Asia, Southeast
  74. Asia, West Asia
  75. Asian American Music
  76. Assimilation
  77. Audiences
  78. Audio Recording
  79. Australia: History, Culture, and Geography of Music
  80. Australia: Modern and Contemporary Performance Practice
  81. Austria: History, Culture, and Geography of Music
  82. Austria: Modern and Contemporary Performance Practice
  83. Authenticity
  84. Avant-Garde Music
  85. Axé Music
  86. Azerbaijan: History, Culture, and Geography of Music
  87. Azerbaijan: Modern and Contemporary Performance Practice
  88. B
  89. Bachata
  90. Bahamas
  91. Ballad Opera
  92. Ballads
  93. Ballet
  94. Ballroom
  95. Band Music
  96. Banda
  97. Bangladesh: History, Culture, and Geography of Music
  98. Bangladesh: Modern and Contemporary Performance Practice
  99. Behavioral and Social Contexts
  100. Belarus: Modern and Contemporary Performance Practice
  101. Belgium: History, Culture, and Geography of Music
  102. Belgium: Modern and Contemporary Performance Practice
  103. Belize: History, Culture, and Geography of Music
  104. Belize: Modern and Contemporary Performance Practice
  105. Benin: History, Culture, and Geography of Music
  106. Benin: Modern and Contemporary Performance Practice
  107. Bhangra
  108. Bimusicality
  109. Biography and Autobiography
  110. Bluegrass
  111. Blues
  112. Body and Embodiment
  113. Bolivia: History, Culture, and Geography of Music
  114. Bolivia: Modern and Contemporary Performance Practice
  115. Bollywood
  116. Borders
  117. Borneo: History, Culture, and Geography of Music
  118. Borneo: Modern and Contemporary Performance Practice
  119. Bosnia and Herzegovina: History, Culture, and Geography of Music
  120. Bosnia and Herzegovina: Modern and Contemporary Performance Practice
  121. Bossa Nova
  122. Botswana: History, Culture, and Geography of Music
  123. Botswana: Modern and Contemporary Performance Practice
  124. Brazil: History, Culture, and Geography of Music
  125. Brazil: Modern and Contemporary Performance Practice
  126. British Invasion
  127. Brittany
  128. Buddhism
  129. Bulgaria: Modern and Contemporary Performance Practice
  130. Burkina Faso: History, Culture, and Geography of Music
  131. Burkina Faso: Modern and Contemporary Performance Practice
  132. Burma/Myanmar: History, Culture, and Geography of Music
  133. Burma/Myanmar: Modern and Contemporary Performance Practice
  134. Burundi: History, Culture, and Geography of Music
  135. Burundi: Modern and Contemporary Performance Practice
  136. C
  137. Cajun Music
  138. Cambodia and the Khmer People: History, Culture, and Geography of Music
  139. Cambodia and the Khmer People: Modern and Contemporary Performance Practice
  140. Cameroon: History, Culture, and Geography of Music
  141. Cameroon: Modern and Contemporary Performance Practice
  142. Canada: History, Culture, and Geography of Music
  143. Canada: Modern and Contemporary Performance Practice
  144. Candomblé
  145. Cantometrics
  146. Capitalism
  147. Capoeira
  148. Caste
  149. Céilidh
  150. Celebration
  151. Celtic Music
  152. Censorship
  153. Central African Republic: Modern and Contemporary Performance Practice
  154. Chad: History, Culture, and Geography of Music
  155. Chad: Modern and Contemporary Performance Practice
  156. Change and Transformation
  157. Chant
  158. Children’s Music
  159. Chile: History, Culture, and Geography of Music
  160. Chile: Modern and Contemporary Performance Practice
  161. China: History, Culture, and Geography of Music
  162. China: Modern and Contemporary Performance Practice
  163. Choral Music
  164. Chordophones, an Overview
  165. Chordophones: Fiddles
  166. Chordophones: Harps and Lyres
  167. Chordophones: Lutes
  168. Chordophones: Musical Bows
  169. Chordophones: Zithers
  170. Choro
  171. Christianity
  172. Civil Rights
  173. Class
  174. Classical Music
  175. Classification, Vernacular and Ethnic
  176. Cognitive Ethnomusicology
  177. Collections
  178. Collective Action
  179. Colombia: History, Culture, and Geography of Music
  180. Colombia: Modern and Contemporary Performance Practice
  181. Colonial and Postcolonial Studies
  182. Colonialism
  183. Commemoration
  184. Commercial Music
  185. Commodification
  186. Community
  187. Comparative Musicology
  188. Competition in Music
  189. Composing
  190. Composition
  191. Computer-Aided Research
  192. Concert Stage
  193. Conflict
  194. Confucianism
  195. Congo, Democratic Republic of: History, Culture, and Geography of Music
  196. Congo, Democratic Republic of: Modern and Contemporary Performance Practice
  197. Copyright
  198. Corrido
  199. Corsica
  200. Cosmology and Mythology
  201. Costa Rica: History, Culture, and Geography of Music
  202. Costa Rica: Modern and Contemporary Performance Practice
  203. Côte d’Ivoire: History, Culture, and Geography of Music
  204. Cote d’Ivoire: Modern and Contemporary Performance Practice
  205. Country and Western
  206. Country Music
  207. Croatia: History, Culture, and Geography of Music
  208. Croatia: Modern and Contemporary Performance Practice
  209. Cuba: History, Culture, and Geography of Music
  210. Cuba: Modern and Contemporary Performance Practice
  211. Cultural Anthropology
  212. Cultural Musicology
  213. Cultural Programming
  214. Cultural Studies
  215. Cumbia
  216. Cyprus: History, Culture, and Geography of Music
  217. Cyprus: Modern and Contemporary Performance Practice
  218. Czech Republic: History, Culture, and Geography of Music
  219. Czech Republic: Modern and Contemporary Performance Practice
  220. D
  221. Dance
  222. Dance Events
  223. Darkwave
  224. Defining Music
  225. Development
  226. Diaspora
  227. Diffusion
  228. Disco
  229. Dissemination
  230. Dissent, Resistance, and Music of Social Protest
  231. DJ Culture
  232. Documentaries
  233. Dominican Republic: History, Culture, and Geography of Music
  234. Dominican Republic: Modern and Contemporary Performance Practice
  235. Drinking Songs
  236. Dubstep
  237. E
  238. Ecomusicology
  239. Ecuador: History, Culture, and Geography of Music
  240. Ecuador: Modern and Contemporary Performance Practice
  241. Education
  242. Egypt: History, Culture, and Geography of Music
  243. Egypt: Modern and Contemporary Performance Practice
  244. El Salvador: History, Culture, and Geography of Music
  245. El Salvador: Modern and Contemporary Performance Practice
  246. Electronic Music
  247. Emic/Etic
  248. Emo
  249. Emotion
  250. Employment
  251. Enculturation
  252. Endangered Musics
  253. England: History, Culture, and Geography of Music
  254. England: Modern and Contemporary Performance Practice
  255. Ensemble
  256. Epics, Music and; Epic Song
  257. Equatorial Guinea: History, Culture, and Geography of Music
  258. Equatorial Guinea: Modern and Contemporary Performance Practice
  259. Eritrea: History, Culture, and Geography of Music
  260. Eritrea: Modern and Contemporary Performance Practice
  261. Estonia: History, Culture, and Geography of Music
  262. Estonia: Modern and Contemporary Performance Practice
  263. Ethics
  264. Ethiopia: History, Culture, and Geography of Music
  265. Ethiopia: Modern and Contemporary Performance Practice
  266. Ethnicity, Music and
  267. Ethnocentrism
  268. Ethnochoreology
  269. Ethnographic Film
  270. Ethnography, Musical
  271. Ethnomusicology as a Profession
  272. Ethnomusicology, Applied
  273. Ethnomusicology, History of
  274. Ethnomusicology, Issues in
  275. Ethnopoetics
  276. Ethnotheory
  277. Europe
  278. Europe, British Isles
  279. Europe, Central
  280. Europe, Eastern
  281. Europe, Southeastern
  282. Europe, Southern
  283. Europe, Western
  284. Europop
  285. Evolution of Music
  286. Exotic; Exoticism
  287. Exposition
  288. F
  289. Fado
  290. Festivals
  291. Field Recording
  292. Fieldwork
  293. Film Music
  294. Finland: History, Culture, and Geography of Music
  295. Finland: Modern and Contemporary Performance Practice
  296. First Peoples
  297. Flamenco
  298. Folk Music
  299. Folklore
  300. Form: Formal Structures of Music Composition
  301. France: History, Culture, and Geography of Music
  302. France: Modern and Contemporary Performance Practice
  303. French Guiana: History, Culture, and Geography of Music
  304. French Guiana: Modern and Contemporary Performance Practice
  305. Function and Functionalism
  306. Funeral Music
  307. Fusion
  308. G
  309. Gabon
  310. Gambia: History, Culture, and Geography of Music
  311. Gambia: Modern and Contemporary Performance Practice
  312. Gaming Music
  313. Gender Studies and Music
  314. Generation
  315. Georgia: History, Culture, and Geography of Music
  316. Georgia: Modern and Contemporary Performance Practice
  317. Germany: History, Culture, and Geography of Music
  318. Germany: Modern and Contemporary Performance Practice
  319. Ghana: History, Culture, and Geography of Music
  320. Ghana: Modern and Contemporary Performance Practice
  321. Ghazal
  322. Globalization
  323. Gospel Music
  324. Goth
  325. Government
  326. Greece: History, Culture, and Geography of Music
  327. Greece: Modern and Contemporary Performance Practice
  328. Grenada: History, Culture, and Geography of Music
  329. Grenada: Modern and Contemporary Performance Practice
  330. Guatemala: History, Culture, and Geography of Music
  331. Guatemala: Modern and Contemporary Performance Practice
  332. Guinea, Republic of: History, Culture, and Geography of Music
  333. Guinea, Republic of: Modern and Contemporary Performance Practice
  334. Guinea-Bissau: History, Culture, and Geography of Music
  335. Guinea-Bissau: Modern and Contemporary Performance Practice
  336. Guyana
  337. Gypsy Music
  338. H
  339. Habitus
  340. Haiti: History, Culture, and Geography of Music
  341. Haiti: Modern and Contemporary Performance Practice
  342. Harmony
  343. Hawaiian Music
  344. Heavy Metal
  345. Hegemony, Music and
  346. Hermeneutics, Music and
  347. Highlife
  348. Hinduism
  349. Hip-Hop
  350. Historical Ethnomusicology
  351. Honduras
  352. Human Rights, Music and
  353. Humor
  354. Hungary: History, Culture, and Geography of Music
  355. Hungary: Modern and Contemporary Performance Practice
  356. Hybridity
  357. Hymns
  358. I
  359. Iceland: History, Culture, and Geography of Music
  360. Iceland: Modern and Contemporary Performance Practice
  361. Iconography, Music and
  362. Identity, Music and
  363. Ideology
  364. Idiophones, an Overview
  365. Idiophones: Concussion Instruments
  366. Idiophones: Friction Instruments
  367. Idiophones: Plucked Instruments
  368. Idiophones: Scraped Instruments
  369. Idiophones: Shaken Instruments
  370. Idiophones: Stamping Instruments
  371. Idiophones: Struck Instruments
  372. Imagination
  373. Imagined Communities
  374. Immigrant and Refugee Studies
  375. Improvising and Improvisation Studies
  376. India: History, Culture, and Geography of Music
  377. India: Modern and Contemporary Performance Practice
  378. Indigenous
  379. Indigenous Rights
  380. Individual Profiles
  381. Indonesia: History, Culture, and Geography of Music
  382. Indonesia: Modern and Contemporary Performance Practice
  383. Intellectual Property
  384. Internet
  385. Invented Tradition
  386. Iran: History, Culture, and Geography of Music
  387. Iran: Modern and Contemporary Performance Practice
  388. Ireland: History, Culture, and Geography of Music
  389. Ireland: Modern and Contemporary Performance Practice
  390. Islam
  391. Isolation
  392. Israel: History, Culture, and Geography of Music
  393. Israel: Modern and Contemporary Performance Practice
  394. Italy: History, Culture, and Geography of Music
  395. Italy: Modern and Contemporary Performance Practice
  396. J
  397. Jamaica
  398. Japan: History, Culture, and Geography of Music
  399. Japan: Modern and Contemporary Performance Practice
  400. Jazz as a Movement
  401. Jazz as Genre
  402. Jo-ha-ky –u
  403. Jordan: History, Culture, and Geography of Music
  404. Jordan: Modern and Contemporary Performance Practice
  405. Judaism
  406. K
  407. Karaoke
  408. Kazakhstan: History, Culture, and Geography of Music
  409. Kazakhstan: Modern and Contemporary Performance Practice
  410. Kenya: History, Culture, and Geography of Music
  411. Kenya: Modern and Contemporary Performance Practice
  412. Kizomba
  413. Klezmer
  414. Korea: History, Culture, and Geography of Music
  415. Korea: Modern and Contemporary Performance Practice
  416. Kosovo: History, Culture, and Geography of Music
  417. Kosovo: Modern and Contemporary Performance Practice
  418. Kuwait: History, Culture, and Geography of Music
  419. Kuwait: Modern and Contemporary Performance Practice
  420. Kyrgyzstan: History, Culture, and Geography of Music
  421. Kyrgyzstan: Modern and Contemporary Performance Practice
  422. L
  423. Laboratory Site and Techniques
  424. Lament
  425. Language, Music and
  426. Language Renewal, Music and
  427. Laos: History, Culture, and Geography of Music
  428. Laos: Modern and Contemporary Performance Practice
  429. Latin Music
  430. Latvia: History, Culture, and Geography of Music
  431. Latvia: Modern and Contemporary Performance Practice
  432. Law and Public Policy
  433. Lebanon: History, Culture, and Geography of Music
  434. Lebanon: Modern and Contemporary Performance Practice
  435. Lesotho: History, Culture, and Geography of Music
  436. Lesotho: Modern and Contemporary Performance Practice
  437. Liberia
  438. Librarianship
  439. Libya: History, Culture, and Geography of Music
  440. Libya: Modern and Contemporary Performance Practice
  441. Lining Out, in Hymn and Psalm Singing
  442. Listening
  443. Liturgical Music
  444. Local Music
  445. Love Songs
  446. Lullabies
  447. M
  448. Macedonia: History, Culture, and Geography of Music
  449. Macedonia: Modern and Contemporary Performance Practice
  450. Madagascar: History, Culture, and Geography of Music
  451. Madagascar: Modern and Contemporary Performance Practice
  452. Malawi: History, Culture, and Geography of Music
  453. Malawi: Modern and Contemporary Performance Practice
  454. Malaysia: History, Culture, and Geography of Music
  455. Malaysia: Modern and Contemporary Performance Practice
  456. Mali: History, Culture, and Geography of Music
  457. Mali: Modern and Contemporary Performance Practice
  458. Malta: History, Culture, and Geography of Music
  459. Malta: Modern and Contemporary Performance Practice
  460. Maqām
  461. Marching Bands
  462. Mariachi
  463. Mauritania: History, Culture, and Geography of Music
  464. Mauritania: Modern and Contemporary Performance Practice
  465. Meaning and Metaphor
  466. Media
  467. Medical Ethnomusicology
  468. Mediterranean Music
  469. Melanesia: History, Culture, and Geography of Music
  470. Melograph
  471. Membranophones
  472. Memory
  473. Merengue
  474. Merriam’s Model
  475. Metallophones
  476. Mexico: History, Culture, and Geography of Music
  477. Mexico: Modern and Contemporary Performance Practice
  478. Micro-culture
  479. Micronesia: History, Culture, and Geography of Music
  480. Micronesia: Modern and Contemporary Performance Practice
  481. Migration
  482. Mode
  483. Modernity
  484. Modes and Scales
  485. Moldova: History, Culture, and Geography of Music
  486. Moldova: Modern and Contemporary Performance Practice
  487. Mongolia, Inner Mongolia, and Mongols
  488. Mongolia: Modern and Contemporary Performance Practice
  489. Montenegro: History, Culture, and Geography of Music
  490. Montenegro: Modern and Contemporary Performance Practice
  491. Mormonism
  492. Morocco: History, Culture, and Geography of Music
  493. Morocco: Modern and Contemporary Performance Practice
  494. Movement
  495. Mozambique: History, Culture, and Geography of Music
  496. Mozambique: Modern and Contemporary Performance Practice
  497. Multicultural Education
  498. Multipart Music
  499. Museums
  500. Music, Definitions of
  501. Music Industry
  502. Music Recommender Systems
  503. Musical Instruments, Academic Classification of
  504. Musical Instruments, an Overview
  505. Musical Instruments, Construction of
  506. Musicals
  507. Musicking
  508. Muwashah
  509. Muzak
  510. Myths About Musical Instruments
  511. N
  512. Narrative, in Musical Form and Performance
  513. Nationalism
  514. Native American Music
  515. Near Eastern Cultures
  516. Nepal: History, Culture, and Geography of Music
  517. Nepal: Modern and Contemporary Performance Practice
  518. Netherlands: Music in History, Culture, and Geography
  519. Netherlands: Modern and Contemporary Performance Practice
  520. Network Systems Analysis
  521. New Age Music
  522. New Zealand
  523. Nicaragua: History, Culture, and Geography of Music
  524. Nicaragua: Modern and Contemporary Performance Practice
  525. Niger: History, Culture, and Geography of Music
  526. Niger: Modern and Contemporary Performance Practice
  527. Nigeria: History, Culture, and Geography of Music
  528. Nigeria: Modern and Contemporary Performance Practice
  529. North Korea
  530. Norway: History, Culture, and Geography of Music
  531. Norway: Modern and Contemporary Performance Practice
  532. Notation
  533. Nueva Canción
  534. O
  535. Occupational Roles
  536. Oceania
  537. Oman: History, Culture, and Geography of Music
  538. Opera
  539. Oral History
  540. Organology
  541. Orientalism
  542. Origins of Music
  543. P
  544. Pacific Regions
  545. Pakistan: History, Culture, and Geography of Music
  546. Pakistan: Contemporary and Modern Performance Practice
  547. Palau: History, Culture, and Geography of Music
  548. Palau: Modern and Contemporary Performance Practice
  549. Palestine: History, Culture, and Geography of Music
  550. Palestine: Modern and Contemporary Performance Practice
  551. Panama: History, Culture, and Geography of Music
  552. Panama: Modern and Contemporary Performance Practice
  553. Papua New Guinea: History, Culture, and Geography of Music
  554. Papua New Guinea: Modern and Contemporary Performance Practice
  555. Paraguay: History, Culture, and Geography of Music
  556. Paraguay: Modern and Contemporary Performance Practice
  557. Participant Observation
  558. Patronage
  559. Percussion
  560. Performance Practice
  561. Performance Studies
  562. Peru: History, Culture, and Geography of Music
  563. Peru: Modern and Contemporary Performance Practice
  564. Phenomenology
  565. Philippines: History, Culture, and Geography of Music
  566. Philippines: Modern and Contemporary Performance Practice
  567. Philosophy and Music
  568. Pitch and Tuning Systems
  569. Poetry and Music
  570. Poland: History, Culture, and Geography of Music
  571. Poland: Modern and Contemporary Performance Practice
  572. Politics and Music
  573. Polka
  574. Polynesia
  575. Popular Music, as a Movement
  576. Portugal: History, Culture, and Geography of Music
  577. Portugal: Modern and Contemporary Performance Practice
  578. Possession
  579. Postmodernism
  580. Poverty
  581. Praise Song
  582. Protest Music
  583. Proverbs and Music
  584. Psychology, Music and
  585. Public Policy
  586. Public Sector Ethnomusicology
  587. Puerto Rico: History, Culture, and Geography of Music
  588. Puerto Rico: Modern and Contemporary Performance Practice
  589. Punishment
  590. Q
  591. Qatar: History, Culture, and Geography of Music
  592. Qatar: Modern and Contemporary Performance Practice
  593. Qawwali
  594. Queer Theory
  595. R
  596. Radio
  597. Rāga
  598. Ragtime
  599. Rap
  600. Rastafarianism
  601. Rebellion
  602. Reception
  603. Reconciliation
  604. Reggae
  605. Reguetón
  606. Religion, Music in
  607. Repatriation
  608. Repertoire
  609. Representation
  610. Research
  611. Resistance
  612. Revival
  613. Rhythm ’n’ Blues
  614. Rhythm and Meter
  615. Ritual
  616. Rock
  617. Rock ’n’ Roll
  618. Roles
  619. Romani Music
  620. Romania: History, Culture, and Geography of Music
  621. Romania: Modern and Contemporary Performance Practice
  622. Roots Music
  623. Rumba
  624. Rural Space and the Rural Imaginary
  625. Russia and Central Asia: Indigenous Music; Ancestral and Contemporary Practices
  626. Russia: History, Culture, and Geography of Music
  627. Russia: Modern and Contemporary Performance Practice
  628. Rwanda
  629. S
  630. Salsa
  631. Samba
  632. Santeria
  633. Sarawak: Modern and Contemporary Performance Practice
  634. Saudi Arabia: History, Culture, and Geography of Music
  635. Saudi Arabia: Modern and Contemporary Performance Practice
  636. Schizophonia
  637. Schools and Universities
  638. Scotland: History, Culture, and Geography of Music
  639. Scotland: Modern and Contemporary Performance Practice
  640. Semba Music and Dance
  641. Semiotics
  642. Senegal: History, Culture, and Geography of Music
  643. Senegal: Modern and Contemporary Performance Practice
  644. Sephardic Music
  645. Serbia: History, Culture, and Geography of Music
  646. Serbia: Modern and Contemporary Performance Practice
  647. Sexuality, Social Sciences, and Music
  648. Shamanism, Music and
  649. Shinto
  650. Sierra Leone: History, Culture, and Geography of Music
  651. Sierra Leone: Modern and Contemporary Performance Practice
  652. Sikhism
  653. Singapore: History, Culture, and Geography of Music
  654. Singapore: Modern and Contemporary Performance Practice
  655. Singing and Vocal Practices
  656. Singing: Call-and-Response
  657. Singing: Overtone Singing
  658. Ska
  659. Slavery and Music
  660. Slovakia: History, Culture, and Geography of Music
  661. Slovakia: Modern and Contemporary Performance Practice
  662. Slovenia: History, Culture, and Geography of Music
  663. Slovenia: Modern and Contemporary Performance Practice
  664. Soca
  665. Social Movements
  666. Sociology of Music
  667. Sociomusicology
  668. Somalia: History, Culture, and Geography of Music
  669. Somalia: Modern and Contemporary Performance Practice
  670. Songwriting
  671. Soul Music
  672. Sound Ideal
  673. Sound Recording
  674. Soundscapes
  675. Soundtracks
  676. South Africa: History, Culture, and Geography of Music
  677. South Africa: Modern and Contemporary Performance Practice
  678. South Asia
  679. South Korea
  680. South Sudan: History, Culture, and Geography of Music
  681. South Sudan: Modern and Contemporary Performance Practice
  682. Space and Place
  683. Spain: History, Culture, and Geography of Music
  684. Spain: Modern and Contemporary Performance Practice
  685. Speech Tone
  686. Spiritualism and Spiritism
  687. Spirituality
  688. Spoken Word
  689. Sports
  690. Sri Lanka: History, Culture, and Geography of Music
  691. Sri Lanka: Modern and Contemporary Performance Practice
  692. Status
  693. Stereotype
  694. Storytelling
  695. Street Music
  696. String Instruments
  697. Style and Technique
  698. Subculture
  699. Sudan: History, Culture and Geography of Music
  700. Sudan: Modern and Contemporary Performance Practice
  701. Sufism
  702. Sumatra
  703. Suriname: History, Culture, and Geography of Music
  704. Sustainability
  705. Swaziland: History, Culture, and Geography of Music
  706. Swaziland: Modern and Contemporary Performance Practice
  707. Sweden: History, Culture, and Geography of Music
  708. Sweden: Modern and Contemporary Performance Practice
  709. Switzerland: History, Culture, and Geography of Music
  710. Switzerland: Modern and Contemporary Performance Practice
  711. Symbolic Associations
  712. Symbolism
  713. Syria: History, Culture, and Geography of Music
  714. Syria: Modern and Contemporary Performance Practice
  715. T
  716. Taiwan: History, Culture, and Geography of Music
  717. Taiwan: Modern and Contemporary Performance Practice
  718. Tajikistan: History, Culture, and Geography of Music
  719. Tajikistan: Modern and Contemporary Performance Practice
  720. Tango
  721. Tanzania: History, Culture, and Geography of Music
  722. Tanzania: Modern and Contemporary Performance Practice
  723. Technoculture
  724. Technology
  725. Television
  726. Textual Studies
  727. Texture, Musical
  728. Thailand: History, Culture, and Geography of Music
  729. Thailand: Modern and Contemporary Performance Practice
  730. Theater, Music as
  731. Theory, Music
  732. Therapy
  733. Tibet and Tibetans
  734. Timbral Analysis
  735. Time
  736. Togo: History, Culture, and Geography of Music
  737. Togo: Modern and Contemporary Performance Practice
  738. Tourism and Music
  739. Tradition
  740. Traditional
  741. Trance
  742. Transcription
  743. Translation
  744. Transmission
  745. Transnationalism
  746. Trinidad and Tobago: History, Culture, and Geography of Music
  747. Trinidad and Tobago: Modern and Contemporary Performance Practice
  748. Tune Family
  749. Tunisia: History, Culture, and Geography of Music
  750. Tunisia: Modern and Contemporary Performance Practice
  751. Turkey: History, Culture, and Geography of Music
  752. Turkey: Modern and Contemporary Performance Practice
  753. Turkmenistan: History, Culture, and Geography of Music
  754. Tuva: Modern and Contemporary Performance Practice
  755. U
  756. Uganda: History, Culture, and Geography of Music
  757. Uganda: Modern and Contemporary Performance Practice
  758. Ukraine: History, Culture, and Geography of Music
  759. Ukraine: Modern and Contemporary Performance Practice
  760. Underground Music
  761. United Kingdom
  762. United States: History, Culture, and Geography of Music
  763. United States: Modern and Contemporary Performance Practice
  764. Universals
  765. Urban
  766. Urbanization
  767. Uruguay: History, Culture, and Geography of Music
  768. Uruguay: Modern and Contemporary Performance Practice
  769. Uzbekistan: History, Culture, and Geography of Music
  770. Uzbekistan: Modern and Contemporary Performance Practice
  771. V
  772. Vanuatu: History, Culture, and Geography of Music
  773. Vanuatu: Modern and Contemporary Performance Practice
  774. Venezuela: History, Culture, and Geography of Music
  775. Venezuela: Modern and Contemporary Performance Practice
  776. Video Recording
  777. Vietnam: History, Culture, and Geography of Music
  778. Vietnam: Modern and Contemporary Performance Practice
  779. Violence
  780. Virtual Performance
  781. Vocables, Singing
  782. Voice
  783. W
  784. Wales: History, Culture, and Geography of Music
  785. Wales: Modern and Contemporary Performance Practice
  786. Waltz
  787. War, Music and
  788. Waza
  789. Weddings
  790. Western Art Music
  791. Western Sahara: History, Culture, and Geography of Music
  792. Western Sahara: Modern and Contemporary Performance Practice
  793. Wind Instruments
  794. Women and Music
  795. Work Song
  796. World Beat
  797. World Music
  798. Worship
  799. Writing Ethnomusicology
  800. Y
  801. Yemen: History, Culture, and Geography of Music
  802. Yemen: Modern and Contemporary Performance Practice
  803. YouTube
  804. Z
  805. Zambia: History, Culture, and Geography of Music
  806. Zambia: Modern and Contemporary Performance Practice
  807. Zarzuela
  808. Zimbabwe: History, Culture, and Geography of Music
  809. Zimbabwe: Modern and Contemporary Performance Practice
  810. Zoomusicology
  811. Zydeco
  812. Appendices
  813. Index
Estilos de citas para The SAGE International Encyclopedia of Music and Culture

APA 6 Citation

[author missing]. (2019). The SAGE International Encyclopedia of Music and Culture (1st ed.). SAGE Publications. Retrieved from https://www.perlego.com/book/2800644/the-sage-international-encyclopedia-of-music-and-culture-pdf (Original work published 2019)

Chicago Citation

[author missing]. (2019) 2019. The SAGE International Encyclopedia of Music and Culture. 1st ed. SAGE Publications. https://www.perlego.com/book/2800644/the-sage-international-encyclopedia-of-music-and-culture-pdf.

Harvard Citation

[author missing] (2019) The SAGE International Encyclopedia of Music and Culture. 1st edn. SAGE Publications. Available at: https://www.perlego.com/book/2800644/the-sage-international-encyclopedia-of-music-and-culture-pdf (Accessed: 15 October 2022).

MLA 7 Citation

[author missing]. The SAGE International Encyclopedia of Music and Culture. 1st ed. SAGE Publications, 2019. Web. 15 Oct. 2022.