A Companion to Late Antique Literature

Scott McGill, Edward J. Watts, Scott McGill, Edward J. Watts

• Editorial: Wiley-Blackwell
• Año: 2018
• ISBN:
  9781118830352
• Edición: 1
• Categoría: Littérature
• Categoría: Critique littéraire ancienne et classique

Noted scholars in the field explore the rich variety of late antique literature

With contributions from leading scholars in the field, A Companion to Late Antique Literature presents a broad review of late antique literature. The late antique period encompasses a significant transitional era in literary history from the mid-third century to the early seventh century. The Companion covers notable Greek and Latin texts of the period and provides a varied overview of literature written in six other late antique languages. Comprehensive in scope, this important volume presents new research, methodologies, and significant debates in the field.

The Companion explores the histories, forms, features, audiences, and uses of the literature of the period. This authoritative text:

• Provides an inclusive overview of late antique literature
• Offers the widest survey to date of the literary traditions and forms of the period, including those in several languages other than Greek and Latin
• Presents the most current research and new methodologies in the field
• Contains contributions from an international group of contributors

Written for students and scholars of late antiquity, this comprehensive volume provides an authoritative review of the literature from the era.

PART ONE
LATE ANTIQUE LITERATURE BY LANGUAGE AND TRADITION

Introduction

Scott McGill and Edward J. Watts

This volume presents a set of essays highlighting the richness and creativity of late antique literature. Our description of that literature will surprise far fewer readers today than it would have throughout most of the twentieth century. A consensus existed then, especially in the Anglophone world, that late antique texts were generally derivative, uninteresting, and reflective of decline across the Mediterranean. Indeed, with a few exceptions (notably Augustine), late antique literature was largely dismissed if acknowledged at all.

The declinist approach that reigned in the twentieth century and relegated late antiquity to the dusk before the Dark Ages has not yet disappeared. But it has widely given way to responses that shed the old prejudices – however inscribed they remain in school curricula – and recognize the quality, interest, and value of late antique literature.

Late antiquity was an extremely productive time in literary history. A great amount of Greek and Latin texts in prose and verse survives from the mid‐third to the early seventh century, the period upon which this book centers. Alongside that work, moreover, stand large corpora written in Coptic, Syriac, Armenian, Georgian, Pahlavi, Arabic, and a host of other regional languages. Taken together, the surviving literature from these centuries exceeds the sum total of surviving texts from the Mediterranean during the preceding millennium.

Late antique literature was also profoundly innovative. It was marked by modes of productive reception in which authors updated and transformed what came before them and by the emergence of new subject matter, new genres, new settings for literary production, new textual functions, and new reading practices (see Herzog 1989, p. 33). As a result, late antiquity has much to tell us about the dynamics of literary history: how the cultural past creates, and is created by, what succeeds it, and how traditions are endlessly in movement as they flow through the manifold channels of reception. What is more, late antique literature is an indispensable witness to a period of seismic cultural changes. The corpus of texts, with its huge size and variety, sheds much light on the late antique world across vast swaths of territory and across linguistic, religious, and class lines.

The chapters comprising this volume give an overview of the literature of late antiquity, while also providing a selective account of its reception history. The book centers on Greek and Latin texts; these were, of course, predominant in the literary culture of the late Roman Empire, which is the primary focus of this Companion. But the volume also expands to include literature in other languages. This reflects the multicultural and polyglot world of late antiquity, in which the literature of Greek‐ and Latin‐speaking Romans was situated among and interacted with the texts of different kingdoms and peoples. The period was a time when a broad range of Greek and Latin texts crossed political, linguistic, and cultural borderlands into the emerging and vibrant vernacular literatures of the Mediterranean, the Caucasus Mountains, the Iranian Plateau, and the Arabian Peninsula. To get a more developed sense of the literature of the period, it is therefore crucial to break free of the Greek/Latin binary and to encompass a broader range of languages and traditions (Humphries 2017).¹ The creative energy of late antiquity can only be appreciated when the extent of its reverberations are recognized.

Late antique literature demands, too, that we be flexible with the binary classical/Christian. Late antiquity represented one of the great transitional eras in literary history. Its authors, especially but not exclusively those working in Greek and Latin, were trained to appreciate classical forms and rhetoric, and many developed great familiarity with the works of classical authors. This training deeply influenced both their conception of literature and the sorts of projects they undertook. While established classical genres and literary models often framed the work that late antique authors undertook, these men and women were not at all stuck in or constricted by the past. Instead, late antique authors recast the classical inheritance to create texts that reflected contemporary tastes and needs and that fit with new cultural and historical developments. Foremost among those developments was the rise of Christianity into a culturally and politically dominant force. The literature that accompanies the emergence of Christianity as a privileged religion in the Roman world represents a significant late antique innovation. Christian authors remade established genres and specific textual models from the classical past, but they also departed from that past by responding to a separate authoritative tradition comprising the Scriptures and other Christian writings while producing texts in styles and for settings and uses with no precedent in classical culture. Christian literature thus lies both within and outside of the classical tradition; organizations of knowledge and of cultural history in which the classics stand on one side and Christianity on the other are entirely inadequate to deal with that body of material (Elsner and Hernández Lobato 2017, pp. 3–6).

The chronological limits of the late antique world cannot be precisely defined. We have chosen to center the volume on the period between the middle of the third century and the roughly first third of the seventh century. The boundaries we have set require both some explanation and some flexibility. The mid‐third century represents a significant point of demarcation between the literature of the high Roman Empire and the literature that begins to emerge in the fourth century. While it is true that some authors like Plotinus, Cyprian, and Bardaisan stand astride this divide, most of the major developments we want to consider in Greek and Latin as well as in the various vernacular literatures take distinctive turns in the later third and early fourth centuries. To give just three examples, these years saw the flowering of Syriac poetry, the emergence of several new forms of Christian literature, and an expansion in the texts treated and approaches utilized by exegetical commentators.

It is also clear that many of these literary developments reach a natural end point in the first decades of the seventh century. This is the case with Greek poetry, for instance, whose last late antique representative is George of Pisidia, and is essentially true of Latin poetry, despite the history of Visigothic verse. There are also distinct and dramatic breaks in the Greek medical, philosophical, and astrological commentary traditions. Likewise, after Theophylact Simocatta and Isidore of Seville in the first third of the seventh century, there will be no major authors of Greek or Latin historiography active for more than a century. Admittedly, the date has less meaning in some areas, including Syriac and Coptic literature, and little significance at all in Persia. Still, the dramatic decrease in surviving Greek and Latin literature written after ca. 630 means that most of the essays in this volume do not understand late antiquity to extend beyond the first half of the seventh century.

While our chronological boundaries are relatively well demarcated, our definition of literature is a capacious one. The modern restriction of the word to creative works, particularly poetry, drama, and prose fiction, is alien to antiquity (Goldhill 1999; Vessey 2012, 2015), and we follow convention in the field of classical studies in applying the term to an array of texts that today would be classified differently. “Literature” is in our formulation a broad rubric, and it covers a wide range of textual means, both written and oral, through which individuals in late antiquity represented, organized, and under...

Índice

• Cover
• Table of Contents
• PART ONE: LATE ANTIQUE LITERATURE BY LANGUAGE AND TRADITION
• PART TWO: LITERARY FORMS
• PART THREE: RECEPTION
• Index
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