![The Birth of Loud](https://img.perlego.com/book-covers/1467577/9781501141768_300_450.webp)
The Birth of Loud
Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll
Ian S. Port
- 352 pages
- English
- ePUB (adapté aux mobiles)
- Disponible sur iOS et Android
The Birth of Loud
Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll
Ian S. Port
Ă propos de ce livre
"A hot-rod joy ride through mid-20th-century American history" ( The New York Times Book Review ), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar's amplified soundâLeo Fender and Les Paulâand their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock 'n' rollâand these louder styles demanded revolutionary instruments. When Leo Fender's tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an "axe" that would make Fender's Esquire look cheap and convinced Les Paulâwhose endorsement Leo Fender had soughtâto put his name on it. Thus was born the guitar world's most heated rivalry: Gibson versus Fender, Les versus Leo.While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960sâincluding bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Claptonâadopted one maker's guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable.In "an excellent dual portrait" ( The Wall Street Journal ), Ian S. Port tells the full story in The Birth of Loud, offering "spot-on human characterizations, and erotic paeans to the bodies of guitars" ( The Atlantic ). "The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new" ( The Washington Post ).
Foire aux questions
Informations
Table des matiĂšres
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1. âThe Electric Guitar Spelled Moneyâ
- Chapter 2. âHeâs the Reason You Can Hear Us Tonightâ
- Chapter 3. âThatâs Not Les Paulâ
- Chapter 4. âIâm Gonna Do Something About Itâ
- Chapter 5. âYou Say You Can Make Anything. Right?â
- Chapter 6. âAll Hell Broke Looseâ
- Chapter 7. A âNewfangled Guitarâ
- Chapter 8. âPoint It Toward My Belly Button, So I Can Playâ
- Chapter 9. âWe Perform Like Weâre Singing in the Bathtubâ
- Chapter 10. âIf Leo Misses the Boat Now I Will Never Forgive Himâ
- Chapter 11. âThe Time When It Will Be Delivered Is Indefiniteâ
- Chapter 12. âGuess I Shouldnât Have Fought You So Long About Releasing Thisâ
- Chapter 13. âIf You Donât Do Something, Fender Is Going to Rule the Worldâ
- Chapter 14. âLike a Surging Undertowâ
- Chapter 15. âDim Lights, Thick Smoke, and Loud, Loud Musicâ
- Chapter 16. âLes Has Actually Made a New Instrument!â
- Chapter 17. âHe Doesnât Like to Get Involved with Things That Are Unpleasantâ
- Chapter 18. âWhy Donât You Ask for the Moon?â
- Chapter 19. âLetâs Try This Againâ
- Chapter 20. âWe Had No Idea That âMaybelleneâ Was Recorded by a Niggra Manâ
- Chapter 21. âTwo Donkeys on Each End of a Rope, Pulling in Opposite Directionsâ
- Chapter 22. âIf Weâre Going Over Well, Our Guitars Weigh Less Than a Featherâ
- Chapter 23. âI Realized It Was All Over for Musicians Like Meâ
- Chapter 24. âWhy Do You Have to Play So Loud?â
- Chapter 25. âYou Wonât Part with Yours Eitherâ
- Chapter 26. âI Just Donât Understand Him at Allâ
- Chapter 27. âWhere You Going, Leo?â
- Chapter 28. âProne to Loose Talkâ
- Chapter 29. âThat Man Just Done Wiped You Upâ
- Chapter 30. âI Canât Believe I Have to Play This Shitâ
- Chapter 31. âItâs a Rickenbackerâ
- Chapter 32. âIâd Broken My Cardinal Ruleâ
- Chapter 33. âHe Is Clearly Not Growth-Mindedâ
- Chapter 34. âWhich Is Worth More?â
- Chapter 35. âI Thought Dylan Was Abandoning Usâ
- Chapter 36. âGive God What He Wantsâ
- Chapter 37. âIt Is a Giant Stepâ
- Chapter 38. âI Donât Have My Own Guitarâ
- Chapter 39. âFrom Completely Different Anglesâ
- Chapter 40. âHere Was the Real Thingâ
- Chapter 41. âThe Guitars Nowadays Play Just as Goodâ
- Chapter 42. âYou Finally Heard What That Song Was Aboutâ
- Epilogue
- Photographs
- Acknowledgments
- About the Author
- Notes and Sources
- Index
- Copyright