Godard and Sound

Acoustic Innovation in the Late Films of Jean-Luc Godard

Albertine Fox

• Éditeur: I.B. Tauris
• Année: 2017
• ISBN:
  9781786722744
• Édition: 1
• Sujet: Médias et arts de la scène
• Sous-sujet: Histoire et critique du cinéma

What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer.
Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.

Table des matières

• Cover
• Author Bio
• Endorsement
• Title Page
• Dedication
• Contents
• Figures
• Acknowledgements
• Publication Credits
• Introduction: Acoustic Spectatorship
• 1 The Evolution of a New Sound Cinema
• 2 Constructing Voices: Sauve qui peut (la vie) (1979) and Scénario de Sauve qui peut (la vie) (1979)
• 3 Sound, Body and Audible Space: Scénario du film Passion (1982), Passion (1982) and Prénom Carmen (1983)
• 4 Fragments of Time and Memory: Lettre à Freddy Buache (1981) and Puissance de la parole (1988)
• 5 Listening Through Curves: On s’est tous défilé (1987), Soigne ta droite: Une place sur la terre (1987) and King Lear (1987)
• 6 A Land Out of Focus: Between Eye and Ear: JLG/JLG: Autoportrait de décembre (1995) and Nouvelle vague (CD, 1997)
• 7 Acoustic Dystopias and Rhythms of Change: Film socialisme (2010) and Adieu au langage (2014)
• Coda: Shadows and Sparks
• Notes
• Appendix
• Select Bibliography
• Select Filmography