Imitation and Contamination of the Classics in the Comedies of Ben Jonson
Guides Not Commanders
Tom Harrison
- 304 pagine
- English
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Imitation and Contamination of the Classics in the Comedies of Ben Jonson
Guides Not Commanders
Tom Harrison
Informazioni sul libro
This book focuses on the influence of classical authors on Ben Jonson's dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists. It illuminates the interdependence of the aspects of Jonson's creative personality by considering how classical performance elements, including the Aristophanic 'Great Idea, ' chorus, Terentian/Plautine performative strategies, and 'performative' elements from literary satire, manifest themselves in the structuring and staging of his plays.
This fascinating exploration contributes to the 'performative turn' in early modern studies by reframing Jonson's classicism as essential to his dramaturgy as well as his erudition. The book is also a case study for how the early modern education system's emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on recycling and recombining performative tropes and structures.
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Informazioni
Indice dei contenuti
- Cover
- Half Title
- Series
- Title
- Copyright
- Table of Contents
- Acknowledgements
- References, Translations, and Abbreviations
- Introduction: Altered Cases
- 1 Worlds out of Words: Jonsonian and Aristophanic Cloudcuckoolands
- 2 Hermaphroditical Authority: Epicene and the Aristophanic Chorus
- 3 Mirror Stages: Satire from Every Man Out of His Humour to Volpone
- 4 Servants with No Master: Broken Theatregrams in Every Man In His Humour and The Devil Is an Ass
- Conclusion: The Unclosed Circle
- Bibliography
- Index