Needle Work
A History of Commercial Tattooing in Canada
Jamie Jelinski
- 480 pagine
- English
- ePUB (disponibile sull'app)
- Disponibile su iOS e Android
Needle Work
A History of Commercial Tattooing in Canada
Jamie Jelinski
Informazioni sul libro
In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients.
From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing's place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career.
Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered.
Domande frequenti
Informazioni
Indice dei contenuti
- Cover Page
- Title Page
- Copyright
- Contents
- Acknowledgments
- Introduction: “Not the Type of Profession You Could Pursue in a Trade School”: Understanding Commercial Tattooing
- 1 “What Happened in the Tattoo Shop?”: Regulation and Resilience across Canada, 1881–1989
- 2 Who and Where Was “Sailor Joe”? Media, Amusement, and Investigation by the fbi and rcmp, 1887–1981
- 3 “Samples Can Be Seen on the Premises”: Changing Spaces in Victoria and Vancouver, 1891–1983
- 4 “To Heighten the Effect”: Relations between Visual Art and Tattooing in Halifax, 1894–1979
- 5 “An Artist’s View of Tattooing”: Aba Bayefsky in Toronto and Japan, 1970–1995
- Epilogue: “Everybody Is the Type”: Tattoo Conventions and a Century of Commercial Tattooing in Canada
- Figures
- Notes
- Bibliography
- Index