New Realms for Writing
eBook - ePub

New Realms for Writing

Inspire Student Expression with Digital Age Formats

Michele Haiken

  1. English
  2. ePUB (disponibile sull'app)
  3. Disponibile su iOS e Android
eBook - ePub

New Realms for Writing

Inspire Student Expression with Digital Age Formats

Michele Haiken

Dettagli del libro
Anteprima del libro
Indice dei contenuti
Citazioni

Informazioni sul libro

Boost students' communication and writing skills, with strategies and examples to help them craft their own stories, tell their truth and be heard. The world should be the driving curriculum in our schools. Assignments should be authentic, have real-world connections and encourage students to create meaningful work. Accordingly, content created and read in school should go beyond books and include podcasts, popular culture, games and films to help students build writing and critical-thinking skills. New Realms for Writing features a variety of teacher-created resources and samples of student work to illustrate how teachers can design inquiry units for their content area that are authentic and engage students while developing digital age skills.This book:

  • Provides insights into creating and using innovative materials and texts that are differentiated and personalized to student learners, specifically for teaching writing.
  • Provides pedagogy and lesson ideas that promote student choice and voice within units of study that make cross-curricular connections.
  • Offers tips to ensure that tech tools support student learning -- while not driving it.


There are many great tech tools to support learning, but the conversation must center on thoughtful teaching and purpose, with tech supporting robust pedagogy. This book offers strategies and lesson ideas to help teachers make sure their instruction does just that. Audience: K-12 educators

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Informazioni

Inquiry-Based Writing
Investigative Science Research, Infographics, Writing, and Podcasting

Our job as educators today is not only to teach content-area skills and knowledge, but also to promote such life skills as creativity, critical thinking, and empathy. Empathy and character education, therefore, are embedded throughout my English curriculum with the books we read and writing students create. I want to help my students develop a social awareness about people and the world around them, so I start the school year with a unit that requires my students to write about their interests and inquiries about the world today. I pose this question to students: What do you wish you could change about your community, your country, your world?
The objectives of this unit are for students to research a topic that interests them and then write an investigative feature article that blends personal narrative writing with research. Grounded in informational nonfiction text, this inquiry-based writing unit requires students to research and write science-based investigative journalism articles, design infographics, and record podcasts with the guiding question: How do the choices we make impact the world?

Read, Pair, and Model

English and social studies lend themselves conveniently to reading and writing with historical fiction and written responses for document-based questions (DBQs), but you don’t have to limit yourself to just this traditional pairing. Although the majority of my middle-school ELA curriculum is driven by the humanities with such books as Animal Farm, Warriors Don’t Cry, and To Kill a Mockingbird on our required eighth-grade reading list, I try to draw in more science connections. For instance, I have incorporated interdisciplinary text pairings between To Kill a Mockingbird and articles on rabies from Using Informational Text (2014), and, during our Dystopian unit, drew connections between Animal Farm and Mark Bittman’s editorial “Some Animals Are More Equal Than Others” in The New York Times. By making literacy connections between science and English, students can see the interconnectedness between their content-area classes.
When exploring pairings, reach beyond the obvious texts into social sciences, environmental science, biology, psychology, nutrition science and health, earth science and more. With science writers and superstars, such as Mary Roach, Andy Weir, and Neil deGrasse Tyson, and such podcasts as Science Friday, RadioLab, Brains On, and StarTalk Radio, science has been brought to the forefront through story. To introduce my students to story-driven science writing, for example, I start with a mentor text and article that addresses environmental science and biology. What better way to engage a middle-school audience than with Mary Beth Grigg’s Popular Science article, “What Goes into Your Toilet Might Be a Literal Goldmine” (2015)? That’s right, I hook them with a poop article, albeit one that discusses precious metals that are found in human excrement. Did you know that the American Chemical Society’s intentions are to extract tons of valuable metals from sewage for environmental and financial gain? While the gross factor got my students’ attention, the article showed them interesting aspects of how people are trying to change the world by potentially turning recycled human waste into economic gains.
An excellent model to read with students before they attempt their own investigative journalism writing, Grigg’s article is an informational text that demonstrates the rhetorical devices of ethos, pathos, and logos (see the sidebar). Used to show credibility, stir emotions, and provide evidence to support one’s claims, these rhetorical strategies are the foundations of informative and argumentative writing. As writers, students need to understand how to identify these devices as well as use them to establish credibility so that their readers will trust that their information and reasoning are valid.
In my class, students read nonfiction books independently in conjunction with the inquiry-based writing unit. We do most of our reading and writing in class. Class time includes read-alouds, mini-lessons, independent reading, and writing time. Every day I begin my classes with a read-aloud, whether in the form of audio texts, podcasts, videos, or my own reading of a poem, book excerpt, or essay. The goal is to share an abundance of models and mentors of great, provocative writing so that my students can hear and see strategies to use in their own writing. Sometimes students use these texts as writing prompts, and at other times, the texts serve as discussion starters that coincide with the day’s lesson. Where can you find good models? Read articles, listen to podcasts, and watch short videos. Some of my go-to publications include The New York Times, The Atlantic, National Geographic, WIRED, and Mental Floss. (For my favorite podcasts, see the section “Taking Student Writing Further with Podcasting.”) If you want students to write in a specific genre, then you need to immerse them in that style of writing. The world is a text, and as educators we need to be critical readers and writers of all texts: print, digital, visual, and audio. Curriculum is living, not static; it evolves with the times, and texts are added to reflect the changing times. Always be on the lookout for great stories to share with your students.

ETHOS, PATHOS, LOGOS

The Greek philosopher Aristotle identified three elements of persuasion—ethos, pathos, and logos—that are commonly used for persuasion, debate, and argument. Students need to be able to identify these rhetorical devices as well as use them for effective communication:
ETHOS is driven by ethics in the sense of the reputation, values, credibility, and moral character of the author. The writer needs to prove their credibility, as well as appeal to the reader’s sense of fairness.
LOGOS is driven by logic or reason, and ideas are presented in ways that most people find reasonable and convincing. Logos-driven writing contains statistics, facts, or reasons to help readers believe the ideas or arguments are true.
PATHOS is driven by emotion; the goal is to use language or images that provoke an emotional response in the audience. Emotions can motivate people to believe or act in a certain way.
The New York State Next Generation writing standards imply that students will utilize these rhetorical devices in their own writing. Specifically, Standard 7w states that students should “gather relevant information from multiple sources, access the credibility and accuracy of each source, and investigate the information in writing” (2017). This is the definition of ethos.

Researching Ideas: Building Ethos and Logos

For the example inquiry-based writing unit, I want my students to live like science journalists, noticing the world around them and their impact on the world. The daily read-alouds help to build students’ world knowledge and introduce subjects that might pique their interest. After we read Mary Grigg’s infamous poop article together, for instance, I ask students to write about ideas and aspects that they would like to change in their community or globally. Figure 1.1 illustrates the organizer that they copy and complete in their English notebooks. After completing the organizer, students share ideas in small groups, then I ask students to narrow down their ideas and select two topics that pique their interest. Then, students spend a class period conducting preliminary research, gathering the Five Ws (who, what, where, when, why) about these topics in their writer’s notebooks.
FIGURE 1.1 The “What Do You Wish You Could Change About the World, Country, and Community?” graphic organizer allows students to brainstorm possible topics they want to research and write more about.
Over the course of two class periods, students narrow down their interests and commit to one topic. They then spend more time digging deeper to investigate the topic, gathering information to answer questions they had about their topic, as well as refining and developing more questions. Students spend a week in class reading and researching information that will help them better understand their topic, narrow down their topic, and give their own writing credibility. Based on their research, students then compile an annotated bibliography (see Figure 1.2) with four or more reliable and valid sources they used and will reference in their feature article.
FIGURE 1.2 Presenting the Annotated Bibliography Assignment as a checklist helps articulate the requirements and expectations for the completed assignment.
The New York State Next Generation Writing Standard W6 requires eighth-grade students to “conduct research to answer questions, including self-generated questions, drawing on multiple sources…generate additional related questions that allow for multiple avenues of exploration” (2017). When students develop their own questions, they have ownership of the topics they are writing about. All writing is grounded in solid research, and when students develop questions and conduct research to help answer those questions they are empowered learners supporting their own learning process.
Not all students learn the same, so some of your students may need additional supports with their writing. Among the scaffolding tools I create to support my students with learning or language differences are graphic organizers to break multistep assignments into bite-size pieces. Graphic organizers are helpful tools for brainstorming, planning, and organizing information before writing or executing a project. This system of support is similar to an outline, breaking down a project into smaller pieces.
Figure 1.3 for example, highlights part of the Annotated Bibliography graphic organizer that I post on for all students in Google Classroom. (To access the full graphic organizer, scan the QR code.) Depending on the students’ abilities, you might reduce the quantity of annotations to support their learning needs.
Annotated Bibliography

DIGITAL CURATION TOOLS: THE 21ST CENTURY ANNOTATED BIBLIOGRAPHY

Creating an annotated bibliography is a traditional secondary school and college assignment, but it’s not the only way to manage research resources. Especially for upper-elementary students an...

Indice dei contenuti

  1. Cover
  2. Title Page
  3. Dedication
  4. Copyright
  5. About ISTE
  6. About the Author
  7. Acknowledgments
  8. Contents
  9. Foreword
  10. Introduction
  11. Chapter 1 Inquiry-Based Writing: Investigative Science Research, Infographics, Writing, and Podcasting
  12. Chapter 2 Multigenre Writing: Blending English and Social Studies to Examine the Holocaust and World War II
  13. Chapter 3 Essay Writing
  14. Chapter 4 Poetry: Traditional, Visual, Makerspace
  15. Chapter 5 Writing, Robots, Makerspaces, and More
  16. Chapter 6 Real-World Writing: Writing Skills to Succeed Beyond School
  17. Conclusion
  18. References
  19. Index
  20. Back Cover
Stili delle citazioni per New Realms for Writing

APA 6 Citation

Haiken, M. (2019). New Realms for Writing ([edition unavailable]). International Society for Technology in Education. Retrieved from https://www.perlego.com/book/979246/new-realms-for-writing-inspire-student-expression-with-digital-age-formats-pdf (Original work published 2019)

Chicago Citation

Haiken, Michele. (2019) 2019. New Realms for Writing. [Edition unavailable]. International Society for Technology in Education. https://www.perlego.com/book/979246/new-realms-for-writing-inspire-student-expression-with-digital-age-formats-pdf.

Harvard Citation

Haiken, M. (2019) New Realms for Writing. [edition unavailable]. International Society for Technology in Education. Available at: https://www.perlego.com/book/979246/new-realms-for-writing-inspire-student-expression-with-digital-age-formats-pdf (Accessed: 14 October 2022).

MLA 7 Citation

Haiken, Michele. New Realms for Writing. [edition unavailable]. International Society for Technology in Education, 2019. Web. 14 Oct. 2022.