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Theatre and Feeling
Anne Bogart, Erin Hurley
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eBook - PDF
Theatre and Feeling
Anne Bogart, Erin Hurley
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About This Book
How does a tragedy arouse pity and fear? How do music and lighting set a mood or convey an emotional tone for an audience?Why does theatre move us? Theatre & Feeling explores the idea that, for many people, theatre is a passion. It provides an intellectual framework for the range of emotional experience engendered by the theatre, establishing a base-line for further thinking and practice in this rich and emergent area of inquiry. Moving across western dramatic theory and theatre history, the book demonstrates the centrality of feeling to the theatre. Foreword by Anne Bogart.
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Information
86
&
acting,
3,
28–29,
68–76
Method
acting,
74–75
actress,
65–68
affect,
11–18
Aristotle,
1,
2,
11
Bharata,
2,
11,
80
Black
Ey’d
Susan
,
44–51
Blair,
Rhonda,
75–76,
79
Boucicault,
Dion,
24–25,
55
Brooks,
Peter,
43,
46,
54
capitalism,
9–10,
60–63
character,
10,
28,
33,
39,
43–44,
46
hero,
10,
43,
48,
51–53
heroine,
43–44
villain,
10,
43–46,
47–48,
53–54
Chekhov,
Anton,
3,
19,
71–72
circus,
12–13,
20,
21–22,
63
Cirque
du
Soleil,
12
cultural
hierarchy,
52–53,
58–61
Darwin,
Charles,
15–16,
50–51
Death
of
a
Salesman
,
5–7,
33–34
Dolan,
Jill,
10,
79
Duse,
Eleanora,
13–14,
18,
60
emotion:
basic,
50–51
definition
of,
18–21
evolution
and,
14–16,
37,
48–50
James–Lange
theory
of,
18–20
social,
50
emotion-memory,
73–75
emotional
range
of
theatre,
5–7
feeling-labour
(or
feeling-work),
4,
29,
32,
36,
38–40,
50,
64,
67–69
definition
of,
9
feeling-technology,
77
definition
of,
28
language,
5,
11,
41–42,
47–48
index