The Modernity Bluff
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The Modernity Bluff

Crime, Consumption, and Citizenship in CĂŽte d'Ivoire

Sasha Newell

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eBook - ePub

The Modernity Bluff

Crime, Consumption, and Citizenship in CĂŽte d'Ivoire

Sasha Newell

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About This Book

In Cîte d'Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth in a fantastic display of Western imitation, spending far more than they can afford on brand name clothing, accessories, technology, and a robust nightlife. Such imitation, however, is not primarily meant to deceive—rather, as Sasha Newell argues in The Modernity Bluff, it is an explicit performance so valued in Cîte d'Ivoire it has become a matter of national pride.Called bluffeurs, these young urban men operate in a system of cultural economy where reputation is essential for financial success. That reputation is measured by familiarity with and access to the fashionable and expensive, which leads to a paradoxical state of affairs in which the wasting of wealth is essential to its accumulation. Using the consumption of Western goods to express their cultural mastery over Western taste, Newell argues, bluffeurs engage a global hierarchy that is profoundly modern, one that values performance over authenticity­—highlighting the counterfeit nature of modernity itself.

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Year
2012
ISBN
9780226575216
INDEX
The letter f following a page number denotes a figure.
Abdou (pseud.), 37, 42, 207, 265n4
Abidjan, 1–3, 8, 10, 22–24; population of, 23, 47; as Yere City, 43. See also names of districts
Abidjan.net, 54, 266n16
Absalam (pseud.), 148–49, 152, 226, 240
acculturation, 14, 44, 221, 224
Adjame, 121–22, 187
Ado-Ado (Nigeria), 78
advertisers and advertisements, 54, 156–57, 251
African Americans, 9, 140, 165, 167, 225, 236. See also hip-hop culture
African in Paris, An (Dadié), 183
Agnew, Jean-Cristophe, 249–50
Agni ethnic group, 259, 268n5
Akan ethnic groups, 128, 168, 185, 187, 259–60, 269n3
Akindes, Simon, 34, 48, 50
All Our Kin (Stack), 84–85
alterity: and faire le show, 140; and migration, 208, 210, 212; and Nouchi speech, 36–37, 39, 44, 61
“alternative” modernities, 252–53
Amondji, Marcel, 227
Anango ethnic group, 219
Anderson, Benedict, 220, 225, 245
Antoine, Philippe, 186
Appadurai, Arjun, 109, 209, 239
appearance, 15, 20, 30, 139, 249–50; and clothing, 145–47, 150–55, 169–71, 180, 194; and migration, 194, 209
apprentices, 84, 121
Apter, Andrew, 5, 159, 253–54, 257, 263n5
armed robbery, 80–81, 83, 124
assimilation, 45, 220, 267n2
Atié ethnic group, 187, 268n1
audience, 1–4, 15, 256; and clothing, 144, 147, 179, 181, 242; and dance, 110, 115; and faire le show, 1–3, 100–101, 103, 106, 110, 115, 118–20, 122, 126–30, 140; and masking, 20–21; metonymic audience, 103; and Nouchi speech, 43, 52–53, 55, 59; and potlatch, 127–28; women as, 130
Austen, Ralph, 67
A...

Table of contents