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Driving Miss Daisy
Alfred Uhry
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- English
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eBook - ePub
Driving Miss Daisy
Alfred Uhry
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About This Book
Racial tensions are delicately explored when a warm friendship evolves between an elderly Jewish woman and her black chauffeur. Winner of a 1988 Pulitzer Prize, and Academy Awards for Best Picture and Best Adapted Screenplay.
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In the dark we hear Daisy call from offstage: āIdella, Iām gone to market.ā A car ignition is turned on; then we hear a horrible crash, followed by bangs and booms and wood splintering. The very loud noise strops suddenly and the lights come up on Daisy Werthanās living room. Daisy, age Seventy-two, is wearing a summer dress and high-heeled shoes. Her hair, her clothes, her walk, everything about her suggests bristle and feistiness and high energy. She appears to be in excellent health. Her son, Boolie Werthan, forty, is a businessman, Junior Chamber of Commerce style. He has a strong, capable air. The Werthans are Jewish, but they have strong Atlanta accents.
DAISY: No!
BOOLIE : Mama!
DAISY: No!
dp n="4" folio="2" ?BOOLIE: Mama!
DAISY: I said no, Boolie, and thatās the end of it.
BOOLIE: Itās a miracle youāre not laying in Emory Hospitalāor decked out at the funeral home. Look at you! You didnāt even break your glasses.
DAISY: It was the carās fault.
BOOLIE: Mama, the car didnāt just back over the driveway and land on the Pollardās garage all by itself. You had it in the wrong gear.
DAISY: I did not!
BOOLIE: You put it in reverse instead of drive. The police report shows that.
DAISY: You should have let me keep my La Salle.
BOOLIE: Your La Salle was eight years old.
DAISY: I donāt care. It never would have behaved this way. And you know it.
BOOLIE: Mama, cars donāt behave. They are behaved upon. The fact is you, all by yourself, demolished that Packard.
DAISY: Think what you want. I know the truth.
BOOLIE: The truth is you shouldnāt be allowed to drive a car anymore.
DAISY: No.
BOOLIE: Mama, we are just going to have to hire somebody to drive you.
DAISY: No we are not. This is my business.
BOOLIE: Your insurance policy is written so that they are going to have to give you a brand-new car.
DAISY: Not another Packard, I hope.
BOOLIE: Lord Almighty! Donāt you see what Iām saying?
DAISY: Quit talking so ugly to your mother.
dp n="5" folio="3" ?BOOLIE: Mama, you are seventy-two years old and you just cost the insurance company twenty-seven hundred dollars. You are a terrible risk. Nobody is going to issue you a policy after this.
DAISY: Youāre just saying that to be hateful.
BOOLIE: Okay. Yes. Yes I am. Iām making it all up. Every insurance company in America is lined up in the driveway waving their fountain pens and falling all over themselves to get you to sign on. Everybody wants Daisy Werthan, the only woman in the history of driving to demolish a three-week-old Packard, a two-car garage and a freestanding tool shed in one fell swoop!
DAISY: You talk so foolish sometimes, Boolie.
BOOLIE: And even if you could get a policy somewhere, it wouldnāt be safe. Iād worry all the time. Look at how many of your friends have men to drive them. Miss Ida Jacobs, Miss Ethel Hess, Aunt Nonieā
DAISY: Theyāre all rich.
BOOLIE: Daddy left you plenty enough for this. Iāll do the interviewing at the plant. Oscar in the freight elevator knows every colored man in Atlanta worth talking about. Iām sure in two weeksā time I can find you somebody perfectlyā
DAISY: No!
BOOLIE: You wonāt even have to do anything, Mama. I told you. Iāll do all the interviewing, all the reference checking, all theā
DAISY: No. Now stop running your mouth! I am seventy-two years old as you so gallantly reminded me and I am a widow, but unless they rewrote the Constitution and didnāt tell me, I still have rights. And one of my rights is the right to invite who I wantānot who you wantāinto my house. You do accept the fact that this is my house? What I do not wantāand absolutely will not have is someā(She gropes for a bad enough word) some chauffeur sitting in my kitchen, gobbling my food, running up my phone bill. Oh, I hate all that in my house!
BOOLIE: You have Idella.
DAISY: Idella is different. Sheās been coming to me three times a week since you were in the eighth grade and we know how to stay out of each otherās way. And even so there are nicks and chips in most of my wedding china and Iāve seen her throw silver forks in the garbage more than once.
BOOLIE: Do you think Idella has a vendetta against your silverware?
DAISY: Stop being sassy. You know what I mean. I was brought up to do for myself. On Forsyth Street we couldnāt afford them and we did for ourselves. Thatās still the best way, if you ask me.
BOOLIE: Them! You sound like Governor Talmadge.
DAISY: Why, Boolie! What a thing to say! Iām not prejudiced! Arenāt you ashamed?
BOOLIE: Iāve got to go home. Florineāll be having a fit.
DAISY: Yāall must have plans tonight.
BOOLIE: Going to the Ansleys for a dinner party.
DAISY: I see.
BOOLIE: You see what?
DAISY: The Ansleys. Iām sure Florine bought another new dress. This is her idea of heaven on earth, isnāt it?
dp n="7" folio="5" ?BOOLIE: What?
DAISY: Socializing with Episcopalians.
BOOLIE: Youāre a doodle, Mama. I guess Aunt Nonie can run you anywhere you need to go for the time being.
DAISY: Iāll be fine.
BOOLIE: Iāll stop by tomorrow evening.
DAISY: How do you know Iāll be here? Iām certainly not dependent on you for company.
BOOLIE: Fine. Iāll call first. And I still intend to interview colored men.
DAISY: No!
BOOLIE: Mama!
DAISY (Singing to end discussion):
After the ball is over
After the break of morn
After the dancers leaving
After the stars are gone
Many a heart is aching
If you could read them allā
After the break of morn
After the dancers leaving
After the stars are gone
Many a heart is aching
If you could read them allā
Lights fade on Daisy as she sings and come up on Boolie at the Werthan Company. He sits at a desk piled with papers, and speaks into an intercom.
BOOLIE: Okay, Miss McClatchey. Send him on in.
Boolie continues working at his desk. Hoke Coleburn enters, a black man of about sixty, dressed in a somewhat shiny suit and carrying a fedora, a man clearly down on his luck but anxious to keep up appearances.
Yes, Hoke isnāt it?
HOKE: Yassuh. Hoke Coleburn.
dp n="8" folio="6" ?BOOLIE: Have a seat there. Iāve got to sign these letters. I donāt want Miss McClatchey fussing at me.
HOKE: Keep right on with it. I got all the time in the worlā.
BOOLIE: I see. How long you been ...