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Tsai Ming-liang and a Cinema of Slowness

Name: Tsai Ming-liang and a Cinema of Slowness
Author: Song Hwee Lim

Song Hwee Lim

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Tsai Ming-liang and a Cinema of Slowness

Song Hwee Lim

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Information

Publisher

University of Hawaii Press

Year

2014

ISBN

9780824839239

Edition

Topic

Media & Performing Arts

Subtopic

Film History & Criticism

Signature

47

Authorship 

in

Taiwan 

Cinema

Taiwan 

cinema, 

measured 

by

the

size 

of

its

domestic 

ﬁlm 

production 

or

ﬁlm 

market, 

can

undoubtedly 

be

classiﬁed 

as

a

“cinema 

of

[a]

small 

nation” 

(Hjort 

and

Petrie 

2007).

6

e 

prestige 

it

enjoys 

internationally, 

however, 

is

disproportionate 

to

its

size 

and

can

be

largely 

attributed 

to

a

quartet 

of

directors 

with 

an

undisputed 

auteur 

status: 

Hou

Hsiao-

hsien, 

Edward 

Yang, 

Ang

Lee, 

and

Tsai 

Ming-liang. 

Indeed, 

these 

four 

directors 

are

collectively 

responsible 

for

almost 

all

the

top

prizes 

that 

Taiwan 

cinema 

has

won

at

the

three 

most 

prestigious 

international 

ﬁlm 

festivals 

(Berlin, 

Cannes, 

and

Venice), 

garnering 

a

dozen 

awards 

since 

1989.

7

ese 

international 

successes, 

while 

sometimes 

welcomed 

at

home, 

have 

also 

attracted 

a

fair 

amount 

of

criticism. 

Producing 

ﬁlms 

that 

are

considered 

art

cinema, 

these 

directors 

have 

routinely 

been 

named 

as

culprits 

for

the

decline 

of

Taiwan’s 

ﬁlm 

industry 

over 

the

past 

three 

decades. 

A

1984

article 

by

critic 

Du

Yun-chih, 

“Please 

Don’t 

Kill 

Oﬀ

Figure 

2.1. 

declaring 

authorship: 

Tsai’s 

signature 

in

the

closing 

credits 

of

his

third 

ﬁlm, 

The

River.

Copyright 

Central 

Motion 

picture 

Corporation, 

1997.