Corpus Juris: The Humanities in Politics and Law
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Corpus Juris: The Humanities in Politics and Law

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eBook - ePub

Corpus Juris: The Humanities in Politics and Law

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About This Book

From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.

Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion, " for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice.

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Index

Act of Oblivion (1563), 177, 18182
Act of Oblivion (1660), 31, 167, 169, 174, 188, 195, 197204, 23435, 23847, 255n17
acts of oblivion, 2931, 165, 168, 17787, 200n6, 241. See also amnesty
Aeschylus, 60; Agamemnon, 65, 6869; Eumenides, 37, 38, 69, 71; The Libation Bearers, 65, 69; Oresteia, 27, 35, 36, 4042, 6465, 6873, 89n40, 269
Agamben, Giorgio, 8990, 102n76, 151, 200n6, 257n21
Albrecht, Louis, 43n11
aliens, 11314, 117, 120, 122, 13637, 139
ambition, 138, 139
American Revolution, 268, 270n56
amnesty, 3, 17780, 249, 25556, 255n17. See also acts of oblivion
Antichrist, 9193, 9596, 97, 100, 102n76, 109
apocalypticism, 28, 76, 84, 84n, 86n31, 91109
Arendt, Hannah, 174, 201, 250, 26772; The Human Condition, 26768, 272; On Revolution, 26872
Aristophanes, 6566, 66n55; Frogs, 6668, 66n57; Plutus, 66
Aristotle, 1617, 1925, 94, 99100, 14648, 211, 224n69; Poetics, 1617, 19; Rhetoric, 19
Arpaio, Joe, 1
Arundell, Earl of, 127
audiences: commonalities of legal and theatrical, 68; at conclusion of theaters of pardoning, 123; for English drama, 810; judgments rendered by, 912, 41; for Measure for Measure, 41, 44
Augustine, 46n15
Bacon, Francis, 131, 134, 145
Bailey, Rebecca, 10
Bale, John, 92
Barbour, Reid, 145
Barton, Dunbar Plunket, 5n11
Beattie, Luke, 176, 279
Beaumont, Francis, 14, 111, 169
Bellarmine, Cardinal, 104
Benjamin, Walter, 259
Bernard, Richard, 95
Bernthal, Craig,...

Table of contents

  1. Acknowledgments
  2. Introduction: Theaters of Pardoning
  3. One Dramatic Judgments: Measure for Measure, Revenge, and the Institution of the Law
  4. Two Emplotting Politics: James I and the “Powder Treason”
  5. Three Non-Sovereign Forgiveness: Mercy among Equals in The Laws of Candy
  6. Four From Sovereignty to the State: The Tragicomic Clemency of Massinger’s The Bondman
  7. Five Between Royal Pardons and Acts of Oblivion: The Transitional Justice of Cosmo Manuche and James Compton, Earl of Northampton
  8. Six Pardoning Revolution: The 1660 Act of Oblivion and Hobbes’s Recentering of Sovereignty
  9. Postlude: Pardoning and Liberal Constitutionalism
  10. Appendix A
  11. Appendix B
  12. Bibliography
  13. Index