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Cinema, Space, and Polylocality in a Globalizing China
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Yes, you can access Cinema, Space, and Polylocality in a Globalizing China by Yingjin Zhang in PDF and/or ePUB format, as well as other popular books in Politics & International Relations & Globalisation. We have over one million books available in our catalogue for you to explore.
Information
Introduction
11
were
based
for
a
time
in
Urumchi,
where
all
the
street
signs
are
in
Chinese
and
Arabic,
then
all
the
way
down
south
to
the
Bamboo
Forest
in
Anji
and
north
to
Cheng
De,
where
the
famous
summer
palace
is.
The
studio
work
was
done
in
Beijing;
we
recorded
the
music
in
Shanghai.
The
background
vocals
for
the
end
credit
song
were
recorded
in
Los
Angeles
and
we
did
post-production
looping
in
Hong
Kong.
53
Apart
from
such
polylocality
on
and
off
screen,
many
other
aspects
of
the
film
also
underscore
translocality
at
work.
The
screenplay
and
subtitles,
for
instance,
undertook
several
translocal—or
trans-Pacific
in
this
case—shuffles.
As
Schamus
recalls,
“I
write
in
English,
it’s
rewritten
into
Mandarin,
then
I
have
it
translated
back
into
English”;
after
adapting
what
he
calls
the
“international
subtitle”
style
for
the
screenplay,
he
compares
his
translocal,
translingual
experience
to
“going
Figure
1.1.
DVD
cover
of
Crouching
Tiger,
Hidden
Dragon
(1999):
a
worldwide
martial
arts
sensation
Table of contents
- Contents
- List of Illustrations
- Acknowledgments
- 1. Introduction: Cinema, Space, Polylocality
- 2. Space of Scholarship: Trans/National and Comparative Studies
- 3. Space of Production: Postsocialist Filmmaking
- 4. Space of Polylocality: Remapping the City
- 5. Space of Subjectivity: Independent Documentary
- 6. Space of Performance: Media and Mediation
- 7. Conclusion: Progress, Problems, Prospects
- Notes
- Filmography, Videography
- Bibliography
- Index