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Tsai Ming-liang and a Cinema of Slowness
Song Hwee Lim
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eBook - PDF
Tsai Ming-liang and a Cinema of Slowness
Song Hwee Lim
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Information
Signature
47
Authorship
in
Taiwan
Cinema
Taiwan
cinema,
measured
by
the
size
of
its
domestic
film
production
or
film
market,
can
undoubtedly
be
classified
as
a
“cinema
of
[a]
small
nation”
(Hjort
and
Petrie
2007).
6
e
prestige
it
enjoys
internationally,
however,
is
disproportionate
to
its
size
and
can
be
largely
attributed
to
a
quartet
of
directors
with
an
undisputed
auteur
status:
Hou
Hsiao-
hsien,
Edward
Yang,
Ang
Lee,
and
Tsai
Ming-liang.
Indeed,
these
four
directors
are
collectively
responsible
for
almost
all
the
top
prizes
that
Taiwan
cinema
has
won
at
the
three
most
prestigious
international
film
festivals
(Berlin,
Cannes,
and
Venice),
garnering
a
dozen
awards
since
1989.
7
ese
international
successes,
while
sometimes
welcomed
at
home,
have
also
attracted
a
fair
amount
of
criticism.
Producing
films
that
are
considered
art
cinema,
these
directors
have
routinely
been
named
as
culprits
for
the
decline
of
Taiwan’s
film
industry
over
the
past
three
decades.
A
1984
article
by
critic
Du
Yun-chih,
“Please
Don’t
Kill
Off
Figure
2.1.
declaring
authorship:
Tsai’s
signature
in
the
closing
credits
of
his
third
film,
The
River.
Copyright
Central
Motion
picture
Corporation,
1997.