Shakespeare Monologues for Women
eBook - ePub

Shakespeare Monologues for Women

  1. 118 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Shakespeare Monologues for Women

About this book

THE GOOD AUDITION GUIDES:
Helping you select and perform the audition piece that is best suited to your performing skills

Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.

Each volume also carries a user-friendly introduction on the whole process of auditioning.

Shakespeare Monologues for Women contains 50 monologues drawn from across the Shakespeare canon. Each speech is prefaced with an easy-to-use guide to Who is speaking, Where, When and To Whom, What has just happened in the play and What are the character's objectives. In fact, everything the actor needs to know before embarking on the audition!

Shakespeare Monologues for Women is edited by director, teacher and academic Luke Dixon.

'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on the Good Audition Guides

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Information

Year
2013
Print ISBN
9781848420076
eBook ISBN
9781780010038

Henry IV, Part One

WHO Lady Elizabeth ā€˜Kate’ Percy, wife of Henry ā€˜Harry Hotspur’ Percy.
WHERE Warkworth Castle, Northumberland, her home, c. 1403.
WHO ELSE IS THERE Her husband Harry Hotspur.
WHAT IS HAPPENING Harry Hotspur has just told his wife that he must leave her ā€˜within these two hours’. Lady Percy questions her husband as to why he spends so much time on his own, demands he tell her his plans and explain why he talks of war in his sleep.
WHAT TO THINK ABOUT
•   Hotspur says nothing in response to his wife. This could be a factor in driving on her speech.
•   We know from a later speech (see next page) how much Lady Percy loves and admires her husband.
•   There is a feeling here of a woman who has lost the relationship she once had with her husband. Her words might be tinged with grief, sadness, anger, concern, love, desire, or a combination of any or all of these.
•   Lady Percy has lost sleep as she has watched over her husband. Decide how this might affect the scene.
WHERE ELSE TO LOOK Portia (Julius Caesar) is also distressed by her husband’s nocturnal behaviour and demands to know his secrets.

Lady Elizabeth Percy

ā€œO my good lord, why are you thus alone?
For what offence have I this fortnight been
A banish’d woman from my Harry’s bed?
Tell me, sweet lord, what is’t that takes from thee
Thy stomach, pleasure and thy golden sleep?
Why dost thou bend thine eyes upon the earth,
And start so often when thou sit’st alone?
Why hast thou lost the fresh blood in thy cheeks;
And given my treasures and my rights of thee
To thick-ey’d musing and curs’d melancholy?*
In thy faint slumbers I by thee have watch’d,
And heard thee murmur tales of iron wars,
Speak terms of manage to thy bounding steed,
Cry ā€˜Courage! To the field!’ And thou hast talk’d
Of sallies and retires, of trenches, tents,
Of palisadoes,* frontiers, parapets,
Of basilisks,* of cannon, culverin,*
Of prisoners’ ransom, and of soldiers slain,
And all the currents of a heady fight.
Thy spirit within thee hath been so at war,
And thus hath so bestirr’d thee in thy sleep,
That beads of sweat have stood upon thy brow
Like bubbles in a late-disturbĆØd stream,
And in thy face strange motions have appear’d,
Such as we see when men restrain their breath
On some great sudden hest.* O, what portents are these?
Some heavy business hath my lord in hand,
And I must know it, else he loves me not.ā€
Ā 
(Act 2, scene 3, lines 37–64)
GLOSSARY
Ā 
given my treasures and my rights of thee / To thick-ey’d musing and curs’d melancholy – ignored my love and my rights as a wife because of your depression
palisadoes – defences made of pointed stakes
basilisks – large cannons
culverin – small cannon
hest – command

Henry IV, Part Two

WHO Lady Elizabeth ā€˜Kate’ Percy, wife of Henry ā€˜Harry Hotspur’ Percy.
WHERE Warkworth Castle, Northumberland, c. 1403.
WHO ELSE IS THERE The Earl of Northumberland (father of her recently killed husband) and his wife.
WHAT IS HAPPENING Her husband, Harry Hotspur, has been killed in battle by Harry Monmouth (later Henry V), Hotspur’s calls to his father, the Earl of Northumberland, having gone unanswered. The Earl has now joined the rebel army. Lady Percy and his wife (her mother-in-law) try to dissuade him from going.
WHAT TO THINK ABOUT
• Much of the speech paints a picture of her dead husband (referred to as Percy, Harry or Hotspur), bringing him to life.
• Imagine what Hotspur’s ā€˜thick’ voice sounded like and how that might colour Lady Percy’s speech as she recollects it.
• She may be lost in the past as she talks of her husband and her marriage and then return to the present when she accuses Northumberland of having abandoned him.
• Do not forget that Northumberland’s wife is also present.
• Remember that Monmouth is the man who killed her husband.
WHERE ELSE TO LOOK Cleopatra (Antony and Cleopatra) speaks lovingly of the absent and later dead Antony.

Lady Elizabeth Percy

ā€œO yet, for God’s sake, go not to these wars!
The time was, father, that you broke your word
When you were more endear’d to it than now;
When your own Percy, when my heart’s dear Harry,
Threw many a northward look to see his father
Bring up his powers; but he did long in vain.
Who then persuaded you to stay at home?
There were two honours lost: yours and your son’s.
For yours, the God of heaven brighten it!
For his, it stuck upon him as the sun
In the grey vault of heaven, and by his light
Did all the chivalry of England move
To do brave acts. He was indeed the glass*
Wherein the noble youth did dress themselves.
He had no legs that practis’d not his gait;
And speaking thick, which nature made his blemish,
Became the accents of the valiant;
For those that could speak low and tardily
Would turn their own perfection to abuse,
To seem like him. So that in speech, in gait,
In diet, in affections of delight,
In military rules, humours of blood,*
He was the mark and glass, copy and book,
That fashion’d others. And him – O wondrous him!
O miracle of men! – him did you leave,
Second to n...

Table of contents

  1. Cover
  2. Title page
  3. Contents
  4. INTRODUCTION
  5. THE COMEDIES
  6. Miranda from The Tempest
  7. Isabella from Measure for Measure
  8. Luciana from The Comedy of Errors
  9. The Princess of France from Love’s Labour’s Lost
  10. Helena from A Midsummer Night’s Dream
  11. Hermia from A Midsummer Night’s Dream
  12. Jessica from The Merchant of Venice
  13. Portia from The Merchant of Venice
  14. Portia from The Merchant of Venice
  15. Phoebe from As You Like It
  16. Phoebe from As You Like It
  17. Rosalind from As You Like It
  18. Katharina from The Taming of the Shrew
  19. Helena from All’s Well That Ends Well
  20. The Countess of Rossillion from All’s Well That Ends Well
  21. Olivia from Twelfth Night
  22. Viola from Twelfth Night
  23. Hermione from The Winter’s Tale
  24. Hermion from The Winter’s Tale
  25. Paulina from The Winter’s Tale
  26. Marina from Pericles
  27. THE HISTORIES
  28. Lady Constance from King John
  29. Duchess of Gloucester from Richard II
  30. Lady Elizabeth Percy from Henry IV, Part One
  31. Lady Elizabeth Percy from Henry IV, Part Two
  32. The Hostess of the Boar’s Head Tavern from Henry V
  33. Joan la Pucelle from Henry VI, Part One
  34. Duchess of Gloucester from Henry VI, Part Two
  35. Queen Margaret from Henry VI, Part Two
  36. Queen Margaret from Henry VI, Part Three
  37. Lady Anne from Richard III
  38. Queen Katharine from Henry VIII
  39. THE TRAGEDIES
  40. Cressida from Troilus and Cressida
  41. Volumnia from Coriolanus
  42. Tamora, Queen of the Goths from Titus Andronicus
  43. Tamora, Queen of the Goths from Titus Andronicus
  44. The Nurse from Romeo and Juliet
  45. Juliet from Romeo and Juliet
  46. Juliet from Romeo and Juliet
  47. Portia from Julius Caesar
  48. Lady Macbeth from Macbeth
  49. Lady Macduff from Macbeth
  50. Ophelia from Hamlet
  51. Goneril from King Lear
  52. Desdemona from Othello
  53. Emilia from Othello
  54. Cleopatra from Antony and Cleopatra
  55. Cleopatra from Antony and Cleopatra
  56. Imogen from Cymbeline
  57. The Jailer’s Daughter from The Two Noble Kinsmen
  58. ABOUT THE AUTHOR
  59. OTHER TITLES IN THE SERIES
  60. COPYRIGHT INFORMATION

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