Mrs Klein (NHB Modern Plays)

Nicholas Wright

• Publisher: Nick Hern Books
• Year: 2014
• ISBN:
  9781780013664
• Topic: Literature
• Subtopic: Drama
• Index: Literature

A haunting and poignant study of mother-daughter relationships, about the controversial psychoanalyst Melanie Klein.

In 1934 the son of Melanie Klein, Britain's most admired psychoanalyst, was reported killed in a climbing accident. There were no witnesses. Nicholas Wright's play shows the effect of this shattering and unexpected death on Mrs Klein, on her daughter and on her new assistant Paula, a young refugee from Hitler's Berlin.

Melanie Klein had herself come to Britain from Berlin with a controversial mission to extend psychoanalysis to infants. But her analysis of her own children has damaged her relationship with them almost beyond repair, and the news of her son's death provokes a bitter confrontation with her daughter.

Mrs Klein premiered at the Cottesloe, National Theatre, London, in August 1988.

'so literate, intelligent, amusing and, finally, moving' Telegraph

'intense... exerts an increasingly powerful grip' Guardian

'brilliant... coruscating dialogue and knowing humour' The Stage

ACT ONE

MRS KLEIN is sorting through old papers. PAULA is listening.

MRS KLEIN. It’s quite incredible what one keeps.

Tears up a photograph. Finds a piece of paper.

This is a poem he wrote.

Reads it.

Excuse me.

She cries. Holds her hand out. PAULA takes it. MRS KLEIN slowly stops crying.

I think that’s it till next time. So: our coffee should be ready. You’ll have some?

PAULA. Thank you.

MRS KLEIN. Now, what’s this?

PAULA. I’ve brought you something.

It’s a cake box.

MRS KLEIN. But, my dear, you shouldn’t have spent your money. No, don’t tell me.

Opens it.

Paula, this is most intuitive of you. Poppy-seed cake, no reason you should know this, was my mother’s speciality.

Gives PAULA the poem.

You can read this.

She goes out. PAULA reads. MRS KLEIN comes back with coffee. Pours.

I’m in a very adequate state, all things considered. I cough a lot but then I’m smoking more. I sleep enough, not much. I have my knock-out drops if I should need them but I’m holding off so far. No dreams, which is unusual for me. Normally I’m an active, colourful dreamer. Now, each night, the show is cancelled. Most annoying. Milk?

PAULA. Thank you.

MRS KLEIN. You’re welcome. Chiefly what I feel is numbness. Here inside. As though some vital part of me had been removed. The tears don’t help. All they do is make a thorough nuisance of themselves. And then they stop and leave me feeling exactly as I did before. Remote. Closed up. And dead. You’ll have some cake?

PAULA. Yes, thank you.

MRS KLEIN. So: my work goes on. I read, I write, I entertain a few old friends, I see my patients. Clear a space. I’m on my own today. My cleaning woman has a family crisis in Southend. Or so she says. The truth is that she needs a break from my unnatural calm. And so do I. But there we are, I may not like it but I’m stuck with it. I don’t know why. I don’t have insight into my emotions, not just now. Some other time. So: eat.

They do.

But why no dreams? No, that’s enough about me. The poem, you read it?

PAULA. Yes.

MRS KLEIN. So tell me.

PAULA. It was written when he was young.

MRS KLEIN. He was. He was a boy, he was fifteen.

PAULA. It’s a love poem. Though the woman seems older than him. Who was she?

MRS KLEIN. I doubt she ever existed. Not in life. Though, to my son, of course, she breathed, she moved, she comforted. She was the mother.

PAULA. Yes, I see.

MRS KLEIN. She was myself.

She takes back the poem.

I’m very grateful that you could come at such short notice. I would like you to do some work for me while I’m away.

PAULA. What kind of work?

MRS KLEIN. You’re not too busy?

PAULA. No.

MRS KLEIN. Thank God, thank God! Have some more cake.

PAULA. No, thank you.

MRS KLEIN has some more.

MRS KLEIN. I’m famished. I’ve been eating scraps. Cheese on toast, sardines on toast, ridiculous. And so this morning I got up and cooked myself a hearty British breakfast. Then I looked at it. Then I gave it to the Pekinese.

PAULA looks round for it.

He’s not here now. He’ll be living the life of Riley for the next ten days, in kennels, up by Primrose Hill. He won’t be bothering you. His name is Nanki-Poo. A wandering minstrel, he. You know your Gilbert and Sullivan?

PAULA. When you say he won’t be bothering me – ?

MRS KLEIN. Quite so. Let me explain.

A set of keys.

These are my spare keys to the front door. My cleaning woman has her own. Keys to the rooms upstairs, my bedroom, my consulting room, I’m putting somewhere safe. She’ll tell you if you ask, but for emergencies. She says she’ll water the plants. If you could watch the window boxes. Let me see.

Her notebook.

PAULA. I’m sorry. Do you want me to / look after the house?

MRS KLEIN. There’s more to come. I made a list. I felt compelled to. And this in itself is strange, because my memory’s good. I woke at four o’clock this morning, wondering, ‘What am I making lists for, is there perhaps some paranoiac aspect to it?’ but I couldn’t think it through at that hour. I’ve stopped the milk. I’ve stopped The Times, I’ve stopped the Daily Mail. The central heating has instructions pinned above it. Sunny is with my daughter. Sunny is the car, the Sunbeam. Make of it what you will. Food is in the fridge, and when you leave at night, please check the windows and, of course, the door. Now, is there anything else domestic? Good.

PAULA. When you say, ‘leave at night’, / do you mean that…?

MRS KLEIN. If I could do my list? And questions after.

At the desk.

Letters here. Periodicals here. Messages on this pad.

Letters.

These I would appreciate your posting for me.

A pin box.

I’ve left some money here for odd expenses and your travel. I won’t feel happy otherwise. I’ll worry that you’re feeling in some way imposed upon. So spend it freely. Here. Five shillings. Good, that’s settled.

Another letter.

This, I don’t know what to do with. It arrived this morning. Marked, ‘To await return’. It comes from Dr Schmideberg. I don’t like it. I don’t even like the envelope. It looks as though it’s about to burst with hostile matter. This is what professional enemies are like. They’re vampires. They’re dependent. They want love. And so they nag and pester. Should I read it? Should I throw it away? If I throw it away, can I blame the post? I’ll… No, I can’t decide.

She puts it down.

At such a time I don’t deserve to be so persecuted. Next. The proofs.

PAULA. The proofs?

MRS KLEIN. You know the system?

PAULA. If you tell me what it is that you / want, I’ll do what I…

MRS KLEIN. Fine, come look.

Proofs on the desk.

You’ve read the book?

PAULA. Of course, I –

MRS KLEIN. I knew you would have. This will be the second German-language edition.

A book.

This is the first. There are some misprints which I’ve put a ring round. So you must check both. I’ve marked in pencil where I want revisions.

Notes.

These are they. This arrow goes back, then skip, then on, yes?

Another book.

Some revisions, though not all, are in the second English edition, here.

A dictionary.

English-German, German-English.

Manuscript.

Here’s the new chapter. So you must watch the numbering.

Another manuscript.

This is the foreword. Do you type?

PAULA. Two fingers.

MRS KLEIN. Likewise. Three copies. Carbon here. You understand?

PAULA. Yes.

MRS KLEIN. Sure?

PAULA. Quite sure. When is the copy date?

MRS KLEIN. Forget the copy date, it’s weeks ago, I want them posted to Vienna first post Wednesday at the latest.

PAULA. Fine. I’ll show you what I’ve done on Tuesday.

MRS...

Table of contents

• Cover
• Title Page
• Contents
• Original Production
• Characters
• Act One
• Act Two
• About the Author
• Copyright and Performing Rights Information