Consensual (NHB Modern Plays)
eBook - ePub

Consensual (NHB Modern Plays)

  1. 88 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Consensual (NHB Modern Plays)

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About This Book

An explosive and thought-provoking play from the author of Girls Like That, exploring what happens when buried secrets catch up with you.

As Head of Year 11, Diane is meant to be implementing the new 'Healthy Relationships' curriculum. But then Freddie arrives. She hasn't seen him since that night six years earlier when he was fifteen.

She thinks he took advantage of her. He thinks she groomed him for months. Neither is sure. But when it comes to sex and consent, how far can you blur the lines?

Evan Placey's Consensual was first performed by the National Youth Theatre in their 2015 West End season.

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Yes, you can access Consensual (NHB Modern Plays) by Evan Placey in PDF and/or ePUB format, as well as other popular books in Literature & British Drama. We have over one million books available in our catalogue for you to explore.

Information

Year
2015
ISBN
9781780016641
PART ONE: AFTER
Prologue
The STUDENTS, in uniform, invade the stage. Theyā€™re chatty, noisy. One of the STUDENTS has started beatboxing and the others have joined in singing. Despite the slight chaos of the scene, thereā€™s a unity to the singing. Even the kids who wouldnā€™t normally be part of the crowd singing are enjoying themselves. Thereā€™s also chatter over the top of and during the singing. Thereā€™s something about their energy thatā€™s animal, thatā€™s frightening, thatā€™s sexy.
And then all at once, the STUDENTS simultaneously stop singing/talking as they turn to look at:
Scene One
A pub. Afternoon.
DIANE and FREDDIE sit at a table across from each other. DIANE is seven months pregnant.
DIANE sips a tea, FREDDIE a pint of beer.
FREDDIE. You been to those classes, learn how to do nappies and that?
DIANE. No.
FREDDIE. You not worried you gonna put it on backwards or something?
DIANE. Itā€™s not my first.
FREDDIE. Oh right. How old isā€¦?
DIANE. Why are we here?
FREDDIE. You chose it.
DIANE. I donā€™t mean the place.
FREDDIE. Bit of a shithole if you donā€™t mind me saying.
DIANE. Why would I mind?
FREDDIE. Just in case itā€™s like your favourite pub or something.
DIANE. Iā€™ve never been here before.
FREDDIE. Just thought since you
Oh, right. Right.
DIANE. What?
FREDDIE. Nothing. (Smiles.)
DIANE. Sorry your tieā€™s gone to waste.
FREDDIE. Nah, itā€™s my work ensemble. Barclays.
Why is that funny?
DIANE. Itā€™s not.
FREDDIE. You donā€™t think Iā€™m smart enough to work in a bank?
DIANE. I didnā€™tā€¦ Freddie, why are we here?
FREDDIE. No one calls me that. Not a kid any more. ā€™S Frederick now.
DIANE. Frederick. Who works in a bank. In his ensemble.
FREDDIE. Are you making fun of me?
DIANE. No.
Yes. (Laughs.) Just doesnā€™t seem likeā€¦
Itā€™s not you.
FREDDIE. How would you know? You donā€™t know me any more.
DIANE. No. Youā€™re right.
Beat.
FREDDIE (laughs). Christ, itā€™s so not me. (Takes his tie off.)
Sometimes catch myself in the mirror and itā€™s like whoā€™s the kid whoā€™s come to work in their dadā€™s clothes. (Unbuttons shirt.) Just something for the moment, get some experience, try to realise all that unfulfilled potential everyone was always telling me I had.
By now heā€™s taken off his shirt and hung it with his tie over the chair and sits in a vest. DIANE, uncomfortable, focuses on his face so as to not look at his body.
Thereā€™s kids, right, thirteen, fourteen, fifteen, starting businesses in their bedrooms, and theyā€™re bringing in thousands, only just getting their first pubes and theyā€™re like CEOs. Iā€™m only twenty-two but I got like years to catch up on those little bed-wetters. And what if Iā€™d done that. Do that a lot. Maybe if, what if, undo all the regrets in my head and see where Iā€™d end up. Like this ā€“ (Stands, pulls up his vest to show a scar just below his belly button.) See that? Some stupid bar scrap when I was nineteen, donā€™t even remember what it was about but ended up with piece of beer glass here. Can you see how thereā€™s no hair on that bit, like this sudden gap in the trail, and what if Iā€™d just gone home, not ordered that extra pint?
He can see sheā€™s uncomfortable, pulls his vest back down.
DIANE. You need to say it. You have to actually say it, Freddie. Frederick.
FREDDIE. Say what?
DIANE. You have to actually say sorry. You canā€™t just say thereā€™s regrets. You have to ā€“
FREDDIE. Say sorry for what?
Pause.
Say sorry for what?
DIANE. Why did you text me? Why after seven years did you tell me we needed to meet? We had to meet?
Beat. She looks at her watch.
FREDDIE. You still got twenty minutes.
Lunch still ends at 1:25. I checked.
DIANE. I donā€™t work there any more.
FREDDIE. No?
DIANE. I left. Afterā€¦ Maybe you didnā€™t notice. But I left.
FREDDIE. I noticed. I missed you. Me and all the other retards.
DIANE. Donā€™t ā€“
FREDDIE. We did though.
DIANE. Youā€™re not a
FREDDIE. I am. Well, I was. Remember seeing my photo up on the staffroom wall. ā€˜At riskā€™ it said above our mug shots, me and all the other retards. Though at risk of what it didnā€™t say.
DIANE. Itā€™s not a very nice word.
FREDDIE. Where do you work now?
DIANE. For an environmental company. A charity. We run campaigns. Get people to think about how they can modify their behaviour, in really practical ways, to lower their carbon footprint.
FREDDIE. Oh. Right. And does it change things? One person with a thermal mug, a bag for life?
DIANE. Yes.
I donā€™t know.
Maybe ā€“ itā€™s depressing ā€“ but maybe one person doesnā€™t have an impact. Maybe all they have is a tiny little imprint.
FREDDIE. But multiple imprints eventually make a dent. And people take notice.
Beat. This has hit something in her. Itā€™s become suddenly intimate.
DIANE. I should go. I need, I need to go.
FREDDIE. To work?
DIANE. Yes. No. Yes.
I donā€™t work for an environmental charity.
FREDDIE. What do you mean?
DIANE. I made it up.
FREDDIE. Why would you make that up?
DIANE. I donā€™t know.
FREDDIE. Were you afraid I was going to show up there? Because if thatā€™s what Iā€™d wanted to do, if thatā€™s the kind of person I am, I would have done that already.
DIANE. You know I didnā€™t go back there.
FREDDIE. Not while I was there, no. Not as a pastoral assistant, no.
You did a PGCE then went back as a geography teacher
You married Pete, wore your hair in a braid for the wedding
You honeymooned on the Amalfi Coast
You briefly dyed your hair brown
You still wear that red cardigan even though it doesnā€™t fit as well
Youā€™re head of Year 10
Three years ago you became a vegetarian
Last weekend you baked peanut-butter cookies
You do think no one cares about how weā€™re destroying the planet, but you donā€™t work for an environmental charity.
Beat. She stands to leave.
Where are you going? Itā€™s still sixteen minutes before next lesson.
DIANE. What is this, Freddie, Frederick? Youā€™re s...

Table of contents

  1. Cover
  2. Title page
  3. Contents
  4. Original Production
  5. Characters
  6. A Note on Punctuation
  7. Consensual
  8. About the Author
  9. Copyright and Performing Rights Information