ACT ONE
A ship, in the Arctic.
The ship is icebound, trapped in the ice and lost in fog. A young explorer, WALTON, is looking over the rail.
The shipās MASTER comes close beside WALTON, both of them staring out into the fog.
WALTON. This isnāt the Arctic sea I imagined.
MASTER. How did you imagine it?
WALTON. Never-ending sunlight.
MASTER. The sunās still there, beyond the fog.
WALTON. So our destination is still there too.
MASTER. Thereās a thread of warmth in the air. The ice might thaw soon. The ship might yet ļ¬oat free.
WALTON. Good.
MASTER. But, Captain... I donāt think we can continue.
WALTON (angry, weary). No. I know you donāt.
MASTER. To risk the ship, the menās lives... for what?
WALTON. For knowledge! Weāre explorers. Weāre mapping the very edge of human knowledge!
MASTER. To understand what?
WALTON. Our goal hasnāt changed.
MASTER (resigned). No.
WALTON. Weāll find the way to the northern top of the world, the land and sea no human creature has ever found.
(As the MASTER doesnāt respond.) No. You donāt see any value in that, do you? Iām alone here. Friendless on a frozen sea.
MASTER. The men have asked me to talk to you...
WALTON (cutting him off). Tell the men weāre going to push ahead.
MASTER. Captain, look out there, nothingās changed! Thereās still nothing ahead of us but sheet ice. Fields of it. The hull hasnāt been tried against ice this thick.
WALTON. I wonāt turn back.
(Startled.) Look! Thereās something out there... on the ice.
They both stare.
MASTER. What is it?
WALTON. Itās... (Uncertain, frightened.) A man? A running man?
MASTER (horrified). Itās the shape of a man but... What kind of man could run like that? That fast? On a frozen sea?
WALTON (calling). Hullo!
MASTER (shushing him urgently). No! No! Donāt!
WALTON. It didnāt hear me...
MASTER. Did you want to see that creature turn and run at us? Oh God. Is it coming?! What is it?!
Both WALTON and the MASTER freeze with fear...
Then they are actually frozen, stopped in pose, staring out over the ice.
We hear and then see MARY, muttering and breathing with effort. Sheās dragging a writing desk out onto the ice. Sheās furious and frustrated.
MARY (to herself). What is it? What is it? Do you know, Mary? No. No, you donāt. My brain keeps slipping from one idea to another...
What am I supposed to be thinking about? My nightmare.
She picks up a page sheās written. Reads it.
The horror.
(Still to herself.) You wrote down your nightmare, now build a bridge to it, a bridge of words...
(Worried thought.) Is it frightening enough?
MARY looks at what sheās written again.
Iām frightened. I donāt want to read this. I donāt want to think about it. This nightmare that marched into my dreaming and made itself the monster king of my poor sleepy thoughts.
(Re: the page.) But Iāve made something of that! Iāve caught that dread with ink and industry. Yes, this is frightening. This is good stuff, Mary!
Sheās setting up her work, paper, pens.
(Still to herself.) So. Iāve a start but not a beginning, that canāt be the beginning. Thatās the heart of the story. The horror.
She looks at WALTON and the MASTER, frozen.
And even this isnāt the beginning. Set this story up, Mary... come on!
(Idea.) A Preface!
She turns a dazzling smile on the audience, talking to them directly now.
Preface!
Take ļ¬our and water ā dead things, things without life ā mix them together. Leave them in a cupboard. Whatāll happen? Life, oozing, greedy, clamouring life will grow on that saucer. The stuff of life, the power that makes dead things move, is all around us. Youāre breathing in that dark energy with every breath.
So. This is not a horror story. This is science.
This is fiction, but fiction holds up a better mirror to the world than any list of facts.
This work, writing this book, began as a game, a dare. I continued the work for many reasons, and, Iāll admit, one of those was the hope that you might like it ā that you might pay for this entertainment.
But, to be honest, whether you like it or not, I want to write something that shows its teeth at the kind of books you love so much.
(Scorn.) Soft love stories. Tales of happy families, and naughty, pretty children who always learn to be good.
No. This is a different story.
She looks at the frozen scene again.
In a moment youāll meet my hero.
You should know I donāt agree with him, I donāt say I even like him, but I will make him real.
(To WALTON and the MASTER.) Letās go.
And now the end of the first scene repeats...
WALTON (calling). Hullo!
MASTER (shushing him urgently) No! No! Donāt!
WALTON. It didnāt hear me...
MASTER. Did you want to see that creature turn and run at us? Oh God. Is it coming?! What is it?!
WALTON (peering). Itās gone. At least...
(Peering.) I canāt see it in the fog.
MASTER. But itās out there, isnāt it?
God, send us a thaw. Send us a warmer wind.
WALTON. Listen...
Very faintly, another cry in the fog.
FRANKENSTEIN. Help... Help me...
MASTER. Weāre trapped here. Whatever it is, we canāt escape it!
FRANKENSTEIN (louder). Help... please...
WALTON. Thatās a human voice...
(Peering down.) Below us... there... see him! At the edge between ice and water!
MASTER. I see him!
WALTON. Get a rope to him! Quick.
The MASTER hesitates.
Heāll die in this. Itās just a man. You can see him, you can hear him.
MASTER. Alright.
The MASTER moves off, shouting t...