- 322 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Literariness of Media Art
About This Book
The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian Formalism, the term 'literariness' was coined. The driving force behind this theoretical inquiry was the desire to identify literatureāand art in generalāas a way of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of 'literariness' is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations, and other media-based art forms. This volume uses as its foundation the Russian Formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as Neoformalism, intermediality, remediation, and postdrama.
Frequently asked questions
Information
Table of contents
- Cover
- Half Title
- Title
- Copyright
- Contents
- Featured Works
- Preface and Acknowledgments
- 1. Introduction
- 2. Literariness and Media Art: Theoretical Framing
- 3. Voice and Script in Media Art
- 4. Literary Genres in Media Art
- 5. Works of Literature in Media Art
- 6. Conclusion
- Bibliography
- List of Figures
- Formal Remarks
- Names Index
- Subject Index