POETRY
A death to justice
(The shooting of Michael BrownāSummer 2014)
Sylvia Telafaro
School of Social Work, San Diego State University, San Diego, California, USA
Years ago,
I had āthe talkā with my son,
before he was old enough to learn
that justice in our America
is not color blind.
He had to know;
how to act wherever he may go
how to walk, and never run,
how to speak and answer in
polite monotone,
how a violation of this
could become a deadly risk,
especially if he is
stopped and frisked.
I sternly told my son,
never bond with
a āgang styleā crowd,
be careful how you express
your Black pride,
express your culture by staying alive.
My heart cries for other sons,
like Michael Brown,
who was gunned down in a
Missouri suburban town.
It wasnāt that Michael
didnāt hear the ātalk,ā
Iām sure he knew
what to say and how to talk
yet he ended up dead on a cold sidewalk.
My heart cries for a small
town, called Ferguson
filled with Black and Brown sons
that police now have a verdict
that allows them to
indiscriminately use their guns.
My heart cries for the
Michael Browns in every town
in an America that places
less value on lives
of young Black and Brown males,
either shooting them down
or filling up her jails.
My heart screams
at the injustice
that erupts from an imaginary sea
of anger and fear
as status quo waves scream out in retaliation,
āBlack lives will never truly matter here
in this nation.ā
In retaliation to this,
my heart yearns for peace;
I wait to see
if the disruption and violence will cease,
drying my tears and channeling my frustration,
counting the ways I can help make positive change,
joining with like minds to protect our sons
from mass incarceration,
police brutality, institutionalized and systemic racism
and mental capitulation.
I wait for a better day
a day when all sons
are safe from being choked,
tased or walking and talking
while Black.
I wait for a day when police will not
react to a perceived threat
generated by skin tone,
or a cell phone,
mistaken for a gun.
I wait for a day when our sons are not
shot down simply because they decided to run.
I wait to participate in a
revolution that is brewing underground,
that helps invoke changes that
overhaul policies and practices that
perpetuate this national
crisis of discriminatory policing
against Blacks and Browns.
I wait for justice
āI canāt breatheā
I wrote āA Death to Justiceā because I feel that young Black males in our communities are growing up with criticism, discrimination, disrespect, and different narratives about not who they are but who they should be in a world that doesnāt always love or appreciate them. Our men are living in a society policed by people who fear them simply because of their skin tone. This fear is often perpetrated by negative messages in the corporate media, cementing the fear in the general population that they are violent and dangerous. In my opinion, this leads to insecurity, fear, and isolation among our young Black males that not only makes them feel invisible, it often encourages them to act out in negative and sometimes a hostile manner.
āA Death to Justiceā was inspired by one such Black male, Michael J. Brown, an unarmed teenager, who had been marginalized, shot, and killed on August 9, 2014. It was a reaction to the killing of Michael Brown by white police officer Darren Wilson in Ferguson, MO, and the aggressive and demeaning response of Fergusonās political and police leaders.
āA Death to Justiceā is about more than Michael J. Brown; it is a cry for justice for all Black males being marginalized in the United States and abroad. It is a call to action to mothers, sisters, grandmothers, aunts, and the community at large that the lives of our men are being jeopardized by a systematic system still practicing Jim Crow ideology. āA Death to Justiceā is a legacy for Michael J. Brown because his death has given a voice to many that had previously suffered in silence. It is a battle cry of āNo Justice, No Peace!ā reaffirming that unless we continue to fight for justice, it will become nonexistent.
From ābruteā to āthug:ā The demonization and criminalization of unarmed Black male victims in America
CalvinJohn Smileya and David Fakunleb
aDepartment of Justice Studies, Montclair State University, Montclair, New Jersey, USA; bDrug Dependence Epidemiology Training Program, Department of Mental Health, Johns Hopkins Bloomberg School of Public Health, Baltimore, Maryland, USA
ABSTRACT
The synonymy of Blackness with criminality is not a new phenomenon in America. Documented historical accounts have shown how myths, stereotypes, and racist ideologies led to discriminatory policies and court rulings that fueled racial violence in the post-Reconstruction era and have culminated in the exponential increase of Black male incarceration today. Misconceptions and prejudices manufactured and disseminated through various channels such as the media included references to a ābruteā image of Black males. In the 21st century, this negative imagery of Black males has frequently utilized the negative connotation of the terminology āthug.ā In recent years, law enforcement agencies have unreasonably used deadly force on Black males allegedly considered to be āsuspectsā or āpersons of interest.ā The exploitation of these often-targeted victimsā criminal records, physical appearances, or misperceived attributes has been used to justify their unlawful deaths. Despite the connection between disproportionate criminality and Black masculinity, little research has been done on how unarmed Black male victims, particularly but not exclusively at the hands of law enforcement, have been posthumously criminalized. This article investigates the historical criminalization of Black males and its connection to contemporary unarmed victims of law enforcement. Action research methodology in the data collection proc...