- 352 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Passion for Music: A Sociology of Mediation
About This Book
Music is an accumulation of mediators: instruments, languages, sheets, performers, scenes, media and so on. There is no musical objectin itself; music must always be made again. In this innovative book, Hennion turns the elusiveness of music into a resource for a pragmatic analysis: by which collective process do we make music appear among us? Rather than offering a sociology of music, The Passion for Music listens to the lesson provided by the case of music - this art of infinite mediations. Learning from music allows us to transform the paradigm to be offered by sociology, by confronting it (from Durkheim and Weber to Bourdieu) with a different way of considering objects. For this task, Hennion draws on aesthetics (Adorno) and art history (Haskell, Baxandall), as well as science and technology studies and popular music studies (Latour, Frith, DeNora). As part of that project, The Passion for Music presents a wide-ranging series of case studies, restoring attention to the rich and varied intermediaries through which music is brought to life: from the debate around the reinterpretation of baroque music, to the classroom, the rock scene, the classical music concert, Bach's 'social career in the nineteenth and twentieth centuries, and the practices of musicamateurs today. This is the first English translation of one of the most important works of French scholarship on music and society.
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Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- List of Figures
- Preface to the English Edition
- Introduction
- 1 Lasting Things: Durkheim as a Founding Father of the Sociology of Culture
- Transition Restoring the Mediators: One Method for Two Programmes
- Transition Linear Causes or Circular Causalities?
- Transition âUnhappy Musicâ Which âFade[s] Away as Soon as It Is BornââŠ: Painting-and-Objects versus Music-and-Society?
- Transition Music as a Theory of Mediation
- Intermezzo A Sociologist at the ZĂ©nith Concert Hall âŠ
- Conclusion: The Representation of Music: In Praise of Musical Artifice
- Epilogue âVor deinen Thronâ âŠ
- Bibliography
- Index