Identity and Locality in Early European Music, 1028–1740
eBook - ePub

Identity and Locality in Early European Music, 1028–1740

  1. 272 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Identity and Locality in Early European Music, 1028–1740

Book details
Table of contents
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About This Book

This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ad r de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.

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Yes, you can access Identity and Locality in Early European Music, 1028–1740 by Jason Stoessel in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2017
ISBN
9781351563376
Edition
1
Topic
Media & Performing Arts
Subtopic
Music

Table of contents

  1. Cover
  2. Half Title
  3. Title
  4. Copyright
  5. Contents
  6. List of Illustrations
  7. List of Tables
  8. List of Music Examples
  9. Notes on Contributors
  10. Preface
  11. Acknowledgements
  12. List of Abbreviations
  13. Editor's Introduction
  14. PART I IDENTITY AND PRACTICE IN AQUITANIAN AND IBERIAN PLAINCHANT
  15. PART II LATE MEDIEVAL AESTHETICS, TRADITIONS AND PRACTICES
  16. PART III LOCAL PRACTICES IN RENAISSANCE AND BAROQUE MUSIC
  17. Bibliography
  18. Index