The Tradition of the Actor-author in Italian Theatre
eBook - ePub

The Tradition of the Actor-author in Italian Theatre

  1. 230 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The Tradition of the Actor-author in Italian Theatre

Book details
Table of contents
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About This Book

"The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."

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Yes, you can access The Tradition of the Actor-author in Italian Theatre by Donatella Fischer in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Theatre. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2017
ISBN
9781351191654

Table of contents

  1. Cover
  2. Half Title
  3. Title
  4. Copyright
  5. CONTENTS
  6. Dedication
  7. Acknowledgements
  8. Introduction
  9. 1 The Actor-Author in Castiglioneā€™s ā€˜Il Cortegianoā€™: ā€˜lo esser travestito porta secouna certa libertĆ  e licenziaā€™
  10. 2 ā€˜PerchĆ© molte cose stanno ben nella penna che nella scena starebben maleā€™: Reading Between the Lines of the Surviving Ruzante Texts
  11. 3 Isabella Andreiniā€™s Stage Repertoire: The ā€˜Lettereā€™ and ā€˜Fragmentiā€™
  12. 4 ā€˜Commedie fortunateā€¦ā€™: ā€˜Le due comedie in comediaā€™ di Giovan Battista Andreini
  13. 5 The Actor and the Author: Renaissance Theatre in England and Italy
  14. 6 Goldoni, Gozzi, e il lavoro conlā€™attore
  15. 7 Napoli tra Ottocento e Novecento: dalla drammaturgia dellā€™attore alla drammaturgia dellā€™autore e ritorno
  16. 8 Il dilemma del teatro: ā€˜La parte di Amletoā€™ di Eduardo De Filippo
  17. 9 Characters in an English Adaptation of Napoli milionaria!
  18. 10 La scrittura ā€˜sul pubblicoā€™: The Fo-Rame Method
  19. 11 Franca Rameā€™s Dowry: How the Rame Family Tradition Lives on in the Theatre of Dario Fo and Franca Rame
  20. 12 Il ā€˜funerale dellā€™oraleā€™. Carmelo Bene: la scena e la scena dellapagina
  21. 13 The Actor-Narrator
  22. 14 Marco Balianiā€™s Theatrical Storytelling of Wonderment
  23. 15 Sguardi su una Napoli contemporanea attraverso il teatro di Annibale Ruccello
  24. 16 Il buio in fondo alsacco: parole in fuga e corpi senza scampo nel teatro di Spiro Scimone
  25. General Bibliography
  26. Index