As noted in the Introduction, the Norman Conquest was Freemanâs magnum-opus â a work which absorbed his interest for over thirty years, and on which his contemporary and posthumous reputation has rested. While scholarly interest in the Norman Conquest is intensifying, the tendency is still to dissect, rather than to thoroughly examine, these volumes. What is needed is a more holistic approach. As Bratchel observed, fifty years ago, âFreemanâs five volume History ⌠might almost be regarded as being as instructive for the student of the nineteenth as for the historian of the eleventh century. Few works demand so eloquently an understanding of the intellectual forces by which, and of the historic environment in which, they were producedâ.1
Pursuing an analysis of the contexts for Freemanâs Norman Conquest, together with a detailed commentary on the content and themes of each volume, this chapter attempts a comprehensive re-evaluation of his major work. I begin with a survey of the sources and historiographical traditions on early English history that emerged between the time of the Conquest and the later nineteenth century. This approach allows a fuller understanding of the materials and interpretations that were available to Freeman when composing his work. Assessing both the strengths and weaknesses of Freemanâs use of these sources, it will be seen that his scholarly âfaultsâ were the consequence of his determination to prove that the English constitution had developed continuously since the fifth century. While Freeman celebrated the English people, I show that his emphasis on race also enabled him to perform a complex act of historiographical synthesis. On the one hand, the concept of race enabled Freeman to combine a traditional belief in the Anglo-Saxon origins of the English constitution with the new âWhigâ emphasis on the modernity of liberty, and thereby to produce an account of national exceptionalism. On the other, Freemanâs racial theory reinforced an older notion of the Unity of History inherited from Thomas Arnold, and this fundamentally constrained his panegyric to the English nation. Representing the past as one long and unified chain of cause and effect, Freemanâs narrative establishes the monotony rather than the continuity of history and it culminates in recurrence and recapitulation rather than indefinite progress.
Three historiographical traditions on the Norman Conquest
âIn the course of over nine hundred yearsâ, writes Chibnall, âinterest in the Norman Conquest has depended on the kind of information available to those â whether professional or amateur â who have studied and interpreted the history of the pastâ.2 Acknowledging the variety of accounts that have been advanced over the centuries, I here emphasise three historiographical traditions of writing on 1066 which Freeman incorporated into his own Norman Conquest. As we will see, the earliest English understanding of 1066 was shaped by the idea of an original Anglo-Saxon freedom that had been destroyed by William the Conqueror. This myth of the âNorman Yokeâ first appeared in the fourteenth century and was vital during the Reformation (1532â34) and English Civil Wars (1642â51), when polemical writers used the past to contest contemporary religious and political changes. Following the Glorious Revolution (1688) a second distinct tradition emerged, as âWhigâ historians abandoned the idea of a lost Anglo-Saxon democracy and argued that English liberty was a modern phenomenon that had nothing to do with the so-called âancient constitutionâ. Finally, in the middle decades of the nineteenth century, a third narrative developed which reflected the influence of Victorian racial theory. Classifying both the Anglo-Saxons and the modern English people as Germanic âTeutonsâ it was argued that this race had a unique capacity for freedom. Within this racial myth the Anglo-Saxons took on a renewed significance as part of the story of Englandâs continuously developing liberty â a liberty that had only been temporarily threatened by William.
Almost from the moment of the Conquest itself, then, writers had set to work in an attempt to explain the causes and course of events. The immediate issue for contemporaries of the Norman Conquest was how to present the monarchical succession. Edward the Confessor died childless on 5 January 1066 and Harold Godwinson, who was crowned King the following day, had only a dubious title to the throne as the brother of Edwardâs wife, Edith. Duke William, meanwhile, could advance the right of kinship as his great aunt, Emma of Normandy, was Edwardâs mother. Whether Williamâs arrival in England in September 1066 was viewed as an invasion or a rightful reclamation of his throne was a matter of perspective and, as English writers went underground, Norman authorities began producing justifications of Williamâs actions. Among the earliest were William of Jumiègesâ Deeds of the Dukes of the Normans (1070/72), William of Poitiersâ Deeds of William Duke of the Normans and King of the English (c.1073â74), and the Bayeux Tapestry (c.1077).3 These sources suggested that Edward had promised the crown to William before his death and that Harold had become a vassal to the Duke following his shipwreck and imprisonment in France in 1064. Harold was thus depicted as a perjurer of oaths, a usurper, and a tyrant, while William appears as the lawful successor who became King by the judgement of God.
This line was generally followed by English historians and those of mixed parentage throughout the twelfth and thirteenth centuries. Henry of Huntingdonâs History of the English People (c.1129â54) was critical of the ferocity of the Conquest and presented the Norman invasion as the last of five âplaguesâ sent to England by God (following the Romans, Picts, Scots, and Danes).4 This did not, however, prevent him from attacking Harold as an imposter and praising William for granting life and liberty to the conquered people.5 William of Malmesburyâs Deeds of the English Kings (c.1126â35) similarly mourned the âmelancholy havocâ caused by the Conquest, but wrote favourably of the Normans who ârevived, by their arrival, the rule of religion which had everywhere grown lifeless in Englandâ.6 This ambiguity is also found in Matthew Parisâ The History of Saint Edward the King (1236â46).7 As Rebecca Reader comments, Parisâ work âconstitutes an oasis of pro-English feelingâ as it is ârich in adulation of Anglo-Saxon monarchy and pervaded by tacit criticism of Norman moral virtueâ.8 Nevertheless, Paris was hostile to Harold, and included an illustration of Godwinson happily placing the crown on his own head, without religious sanction.9 Accompanying this image is a short piece of prose: âAfter the death of King Edward, who has no blood heir, Harold, born the son of Godwin and wrongfully crowned king of England ⌠put Edwardâs crown on his own head. He reigned only briefly.â10
In the acute economic crisis of the fourteenth century, historical narratives written in the renascent English language became increasingly critical of William and the Conquest, emphasising the humiliation and oppression which the native population had suffered ever since 1066. Thomas of Castleford, for example, writing c.1327, complained of English land being taken by âalienâ Normans:
Fra Englisse blood Englande he [William] refte,
Na maner soil with them he lefte âŚ
Dwelle they shall alls bondes and thralles,
And do all that to thralldom falles.11
In Robert Mannyngâs Chronicle (completed before 1338), the author similarly identified himself with âthe Inglisâ and argued that the Normans had put the people in âservageâ and caused great sorrow.12
The view of the Norman Conquest as detrimental became increasingly widespread in the sixteenth century. In this period, the idealisation of Anglo-Saxon customs and the negative view of the Conquest was propagated by scholars seeking to justify the Reformation as a recovery of ancient religious practices. John Foxe, in his Acts and Monuments [Book of Martyrs] (1559/63), assembled a âmotley arrayâ of extracts from early records and legends to support his thesis that a primitive church had existed in England and had flourished independently of Rome before 1066.13 While Foxe noted a deterioration of religion in the latter years of the Anglo-Saxon kings, he maintained that it was the arrival of the Normans and their commitment to Roman Catholicism that caused âthe fresh flowering blood of the church to faint, and strength to fail, oppressed with cold humours of worldly pomp, avarice, and tyrannyâ.14 For Foxe, Roman Catholicism represented the âloosing out of Satanâ, and the Reformation was a return to the original âchurch of Christâ.15 Matthew Parker, the second Protesta...