- 232 pages
- English
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The genres of Renaissance tragedy
About This Book
This collection of newly commissioned essays explores the extraordinary versatility of Renaissance tragedy and shows how it enables exploration of issues ranging from gender to race to religious conflict, as well as providing us with some of the earliest dramatic representations of the lives of ordinary Englishmen and women. The book mixes perspectives from emerging scholars with those of established ones and offers the first systematic examination of the full range and versatility of Renaissance tragedy as a literary genre. It works by case study, so that each chapter offers not only a definition of a particular kind of Renaissance tragedy but also new research into a particularly noteworthy or influential example of that genre. Collectively the essays examine the work of a range of dramatists and offer a critical overview of Renaissance tragedy as a genre.
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Table of contents
- Cover
- Half-title page
- Title page
- Copyright page
- Contents
- Notes on contributors
- Introduction
- 1âDe casibus tragedy: Marloweâs Tamburlaine the Great
- 2âBiblical tragedy: George Peeleâs David and Bethsabe
- 3âCloset tragedy: Fulke Grevilleâs Mustapha
- 4âTragedy of state: Macbeth
- 5âDomestic tragedy: Yarington(?)âs Two Lamentable Tragedies
- 6âRoman tragedy: the case of Jonsonâs Sejanus
- 7âSatiric tragedy: The Revengerâs Tragedy
- 8âRevenge tragedy: Henry Chettleâs The Tragedy of Hoffman
- 9ââHa, O my horror!â Grotesque tragedy in John Websterâs The White Devil1
- 10âShe-tragedy: lust, luxury and empire in John Fletcher and Philip Massingerâs The False One
- 11âFordâs Perkin Warbeck as historical tragedy
- 12âCaroline tragedy: James Shirleyâs The Traitor
- Selected bibliography
- Index