- 168 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About This Book
Geoffrey Hill has said that some great poetry 'recognises that words fail us'. These essays explore Hill's struggle over fifty years with the recalcitrance of language. This book seeks to show how all his work is marked by the quest for the right pitch of utterance whether it is sorrowing, angry, satiric or erotic. It shows how Hill's words are never lightly 'acceptable' but an ethical act, how he seeks out words he can stand by - words that are 'getting it right'. This book is the most comprehensive and up-to-date critical work on Geoffrey Hill so far, covering all his work up to 'Scenes from Comus' (2005), as well as some poems yet to appear in book form. It aims to contribute something to the understanding of his poetry among those who have followed it for many years and students and other readers encountering this major poet for the first time.
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Table of contents
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Contents
- Acknowledgements
- Abbreviations
- 1 âAcceptable wordsâ
- 2 âThe speechless deadâ: King Log (1968)
- 3 Poet, lover, liar: âLachrimaeâ (1975)
- 4 âOur love is what we love to haveâ: Tenebrae(1978)
- 5 Things and words: The Mystery of the Charity of Charles PĂ©guy (1983)
- 6 History as poetry: âChurchillâs Funeralâ and âDe Jure Belli ac Pacisâ (Canaan, 1996)
- 7 The Triumph of Love (1998)
- 8 âBeauty is difficultâ: Speech! Speech! (2000)
- 9 âHere and there I pull a flowerâ: The Orchards of Syon (2002)
- 10 âIn wintry solstice like the shortenâd lightâ: Scenes from Comus (2005)
- 11 Afterword: ââI have not finishedââ
- Notes
- Select bibliography
- Index