Notes
The sources for selections IāIII of Coleridgeās works are:
The Collected Works of Samuel Taylor Coleridge. Edited by Kathleen Coburn, and Bart Winer. 16 vols. Bollingen Series, no. 75. Princeton: Princeton University Press; London: Routledge & Kegan Paul, 1969-
I. The Friend, Edited by Barbara E. Rooke, 1969. vol. 4, part 2, pp. 123ā124.
II. The Friend, Edited by Barbara E. Rooke, 1969. vol. 4, part 1, pp. 448, 449.
III. Biographia Literaria, Edited by James Engell and W. Jackson Bate, 1983, vol. 7, part 1, pp. 191ā92, 217.
The source for selection IV, from Coleridgeās Table Talk is: Specimens of the Table Talk of Samuel Taylor Coleridge. Edited by Henry Nelson Coleridge (London, 1858), pp. 10ā11, 227.
The notes below are by the present editor, except as indicated.
1.Here and in the next phrase, Coleridge is remembering Oliver Goldsmithās poem The Retaliation [1774], II. 31ā36, 42. Goldsmithās original of line 34 reads: āTo persuade Tommy Townshend to lend him a vote.ā Goldsmithās assertion that Burke āto party gave up what was made for mankindā has been vigorously debated ever since the poem appeared.
2.As observed by Samuel Johnson. See Boswellās Life of Johnson, ed. G. Birbeck Hill, rev. L. F. Powell (Oxford 1934ā1950) 5:34, 465; 4:275.āBER
3.Principle and prophecy in this passage are technical terms in the vocabulary of Coleridge. They are linked with other, related terms, such as reason, idea, image, metaphor, symbol, and, ultimately, imagination. Coleridge criticized many eighteenth-century theories of the imagination, especially as exemplified in Hume, for their reliance on āthe universal law of passive fancy and mechanical memoryā (Biographia Literaria 1:104). In Burke, by contrast, Coleridge found a truly imaginative (as opposed to a merely āmechanicalā) mind, one that habitually āreason[ed] in metaphorā (Watchman, Vol. 2, pp. 30ā31 in The Collected Works of Samuel Taylor Coleridge). In his fragmentary Notebooks he compared Burkeās quality of imagination with that of Jeremy Taylor and Shakespeare: āEnglish by its ⦠marvelously metaphorical Spirit (⦠What language can exhibit a style that resembles that of Shakespere, Jeremy Taylor, or Burke?) can express more meaning, image, and passion tri-unely in a given number of articulate sounds than any other in the world, not excepting even the ancient Greekā (The Notebooks of Samuel Taylor Coleridge, ed. Kathleen Coburn. 3 vols. Bollingen Series no. 50. New York: Pantheon, 1957, 3:2431f4).
The Watchman essay [March 1, 1796], a review of Burkeās Letter to a Noble Lord [February 24, 1796], is worth consulting in its own right.