Part 1. Jungās Chief Writings on Gnosticism Chapter 1. Jungās Main Psychological Interpretation of Gnosticism
While Jung discusses Gnosticism in passing throughout his writings, his one work devoted to Gnosticism is āGnostic Symbols of the Self.ā This essay offers a psychological interpretation of such standard Gnostic symbols as the magnet, water, fish, the serpent, Logos, circle, the quaternity, androgyny, and marriage. More important, the essay interprets psychologically the plot and characters of Gnostic myths. The immaterial godhead symbolizes the unconscious in its primordial, undifferentiated state. The Demiurge, together with the differentiated matter over which he rules, symbolizes the ego. Anthropos (āPrimal Manā or āOriginal Manā), Christ, the Son, and God all symbolize the self. The Gnostic cosmogony, according to which the Demiurge is created by the godhead, reigns confidently over the material world, and only eventually discovers that there is a god higher than he, symbolizes the emergence of the ego out of the unconscious, the forgetting of the unconscious by the ego, and the egoās eventual reconnection with the unconscious to form the self. See, in my introduction, the sections on āA Jungian Interpretation of Gnostic Mythsā and āJungās Equations.ā
āGnostic Symbols of the Self,ā CW 9 ii, pars. 287ā346
1
Since all cognition is akin to recognition, it should not come as a surprise to find that what I have described as a gradual process of development had already been anticipated, and more or less prefigured, at the beginning of our era. We meet these images and ideas in Gnosticism, to which we must now give our attention; for Gnosticism was, in the main, a product of cultural assimilation and is therefore of the greatest interest in elucidating and defining the contents constellated by prophecies about the Redeemer, or by his appearance in history, or by the synchronicity of the archetype.1
In the Elenchos of Hippolytus the attraction between the magnet and iron is mentioned, if I am not mistaken, three times. It first appears in the doctrine of the NAASSENES, who taught that the four rivers of Paradise correspond to the eye, the ear, the sense of smell, and the mouth. The mouth, through which prayers go out and food goes in, corresponds to the fourth river, the Euphrates. The well-known significance of the āfourthā helps to explain its connection with the āwholeā man, for the fourth always makes a triad into a totality. The text says: āThis is the water above the firmament,2 of which, they say, the Saviour spoke: āIf you knew who it is that asks, you would have asked him, and he would have given you a spring of living water to drink.ā3 To this water comes every nature to choose its own substances, and from this water goes forth to every nature that which is proper to it, more [certainly] than iron to the Heracleian stone,ā4 etc.
As the reference to John 4:10 shows, the wonderful water of the Euphrates has the property of the aqua doctrinae, which perfects every nature in its individuality and thus makes man whole too. It does this by giving him a kind of magnetic power by which he can attract and integrate that which belongs to him. The Naassene doctrine is, plainly, a perfect parallel to the alchemical view already discussed: the doctrine is the magnet that makes possible the integration of man as well as the lapis.
In the PERATIC doctrine, so many ideas of this kind reappear that Hippolytus even uses the same metaphors, though the meaning is more subtle. No one, he says, can be saved without the Son:
But this is the serpent. For it is he who brought the signs of the Father down from above, and it is he who carries them back again after they have been awakened from sleep, transferring them thither from hence as substances proceeding from the Substanceless. This, they say, is [what is meant by] the saying, āI am the Door.ā5 But they say he transfers them to those whose eyelids are closed,6 as naphtha draws everywhere the fire to itself,7 more than the Heracleian stone draws ironā¦8 Thus, they say, the perfect race of men, made in the image [of the Father] and of the same substance [homoousion], is drawn from the world by the Serpent, even as it was sent down by him; but naught else [is so drawn].9
Here the magnetic attraction does not come from the doctrine or the water but from the āSon,ā who is symbolized by the serpent, as in John 3:14.10 Christ is the magnet that draws to itself those parts or substances in man that are of divine origin, the ĻaĻĻ±Ī¹Ļ°Īæį½¶ ĻĪ±Ļ±Ī±Ļ°ĻįæĻ±ĪµĻ (signs of the Father), and carries them back to their heavenly birthplace. The serpent is an equivalent of the fish. The consensus of opinion interpreted the Redeemer equally as a fish and a serpent; he is a fish because he rose from the unknown depths, and a serpent because he came mysteriously out of the darkness. Fishes and snakes are favourite symbols for describing psychic happenings or experiences that suddenly dart out of the unconscious and have a frightening or redeeming effect. That is why they are so often expressed by the motif of helpful animals. The comparison of Christ with the serpent is more authentic than that with the fish, but, for all that, it was not so popular in primitive Christianity. The Gnostics favoured it because it was an old-established symbol for the āgoodā genius loci, the Agathodaimon, and also for their beloved Nous. Both symbols are of inestimable value when it comes to the natural, instinctive interpretation of the Christ-figure. Theriomorphic symbols are very common in dreams and other manifestations of the unconscious. They express the psychic level of the content in question; that is to say, such contents are at a stage of unconsciousness that is as far from human consciousness as the psyche of an animal. Warm-blooded or coldblooded vertebrates of all kinds, or even invertebrates, thus indicate the degree of unconsciousness. It is important for psychopathologists to know this, because these contents can produce, at all levels, symptoms that correspond to the physiological functions and are localized accordingly. For instance, the symptoms may be distinctly correlated with the cerebrospinal and the sympathetic nervous system. The Sethians may have guessed something of this sort, for Hippolytus mentions, in connection with the serpent, that they compared the āFatherā with the cerebrum (į¼Ī³Ļ°į½³ĻĪ±Ī»ĪæĪ½) and the āSonā with the cerebellum and spinal cord (ĻĪ±Ļ±ĪµĪ»Ļ°ĪµĻĪ±Ī»ĪÆĻ Ī“Ļ±Ī±Ļ°ĪæĪ½ĻĪæĪµĪ¹Ī“į½µĻ). The snake does in fact symbolize ācoldblooded,ā inhuman contents and tendencies of an abstractly intellectual as well as a concretely animal nature: in a word, the extrahuman quality in man.
The third reference to the magnet is to be found in Hippolytusā account of the SETHIAN doctrine. This has remarkable analogies with the alchemical doctrines of the Middle Ages, though no direct transmission can be proved. It expounds, in Hippolytusā words, a theory of ācomposition and mixtureā: the ray of light from above mingles with the dark waters below in the form of a minute spark. At the death of the individual, and also at his figurative death as a mystical experience, the two substances unmix themselves. This mystical experience is the divisio and separatio of the composite (Ļį½øĪ“Ī¹ĻĪ¬ĻĪ±Ī¹ Ļ°Ī±į½¶ ĻĻĻ±ĪÆĻĪ±Ī¹ Ļį½° ĻĻ
Ī³Ļ°ĪµĻ°Ļ±Ī±Ī¼į½³Ī½Ī±). I purposely give the Latin terms used in medieval alchemy, because they denote essentially the same thing as do the Gnostic concepts. The separation or unmixing enables the alchemist to extract the anima or spiritus from the prima materia. During this operation the helpful Mercurius appears with the dividing sword (used also by the adept!), which the Sethians refer to Matthew 10:34: āI came not to send peace, but a sword.ā The result of the unmixing is that what was previously mixed up with the āotherā is now drawn to āits own placeā and to that which is āproperā or āakinā to it, ālike iron to the magnetā (į½§ĻĻĪÆĪ“Ī·Ļ±ĪæĻ [ĻĻ±į½øĻ] į¼©Ļ±Ī¬Ļ°Ī»ĪµĪ¹ĪæĪ½ Ī»ĪÆĪøĪæĪ½).11 In the same way, the spark or ray of light, āhaving received from the teaching and learning its proper place, hastens to the Logos, which comes from above in the form of a slave ā¦ more [quickly] than iron [flies] to the magnet.ā12
Here the magnetic attraction comes from the Logos. This denotes a thought or idea that has been formulated and articulated, hence a content and a product of consciousness. Consequently the Logos is very like the aqua doctrinae, but whereas the Logos has the advantage of being an autonomous personality, the latter is merely a passive object of human action. The Logos is nearer to the historical Christ-figure, just as the āwaterā is nearer to the magical water used in ritual (ablution, aspersion, baptism). Our three examples of magnetic action suggest three different forms of magnetic agent:
1. The agent is an inanimate and in itself passive substance, water. It is drawn from the depths of the well, handled by human hands, and used according to manās needs. It signifies the visible doctrine, the aqua doctrinae or the Logos, communicated to others by word of mouth and by ritual.
2. The agent is an animate, autonomous being, the serpent. It appears spontaneously or comes as a surprise; it fascinates; its glance is staring, fixed, unrelated; its blood cold, and it is a stranger to man: it crawls over the sleeper, he finds it in a shoe or in his pocket. It expresses his fear of everything inhuman and his awe of the sublime, of what is beyond human ken. It is the lowest (devil) and the highest (son of God, Logos, Nous, Agathodaimon). The snakeās presence is frightening, one finds it in unexpected places at unexpected moments. Like the fish, it represents and personifies the dark and unfathomable, the watery deep, the forest, the night, the cave. When a primitive says āsnake,ā he means an experience of something extrahuman. The snake is not an allegory or metaphor, for its own peculiar form is symbolic in itself, and it is essential to note that the āSonā has the form of a snake and not the other way round: the snake does not signify the āSon.ā
3. The agent is the Logos, a philosophical idea and abstraction of the bodily and personal son of God on the one hand, and on the other the dynamic power of thoughts and words.
It is clear that these three symbols seek to describe the unknowable essence of the incarnate God. But it is equally clear that they are hypostatized to a high degree: it is real water, and not figurative water, that is used in ritual. The Logos was in the beginning, and God was the Logos, long before the Incarnation. The emphasis falls so much on the āserpentā that the Ophites celebrated their eucharistic feast with a live snake, no less realistic than the Aesculapian snake at Epidaurus. Similarly, the āfishā is not just the secret language of the mystery, but, as the monuments show, it meant something in itself. Moreover, it acquired its meaning in primitive Christianity without any real support from the written tradition, whereas the serpent can at least be referred back to an authentic logion.
All three symbols are phenomena of assimilation that are in themselves of a numinous nature and therefore have a certain degree of autonomy. Indeed, had...