The Modern Russian Theater: A Literary and Cultural History
A Literary and Cultural History
- 312 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Modern Russian Theater: A Literary and Cultural History
A Literary and Cultural History
About This Book
This comprehensive and original survey of Russian theater in the twentieth century and into the twenty-first encompasses the major productions of directors such as Meyerhold, Stanislavsky, Tovostonogov, Dodin, and Liubimov that drew from Russian and world literature. It is based on a close analysis of adaptations of literary works by Pushkin, Dostoevsky, Gogol, Blok, Bulgakov, Sholokhov, Rasputin, Abramov, and many others."The Modern Russian Stage" is the result of more than two decades of research as well as the author's professional experience working with the Russian director Yuri Liubimov in Moscow and London. The book traces the transformation of literary works into the brilliant stagecraft that characterizes Russian theater. It uses the perspective of theater performances to engage all the important movements of modern Russian culture, including modernism, socialist realism, post-moderninsm, and the creative renaissance of the first decades since the Soviet regime's collapse.
Frequently asked questions
INDEX
- Ableukhov, Nikolai (Petersburg), 70–71
- Ableukhov, Senator (Petersburg), 32, 70–71, 86
- Abramov, Fedor, 124, 133–38, 143–44, 147–52, 155, 234, 256, 279–80, Wooden Horses, 135–38, 144, 147, 268, Pelageia, 135–37, 144, 279, Al’ka, 135, 137–38, 279, People of Kolkhoz Village in Postwar Prose, 143
- Acmeists, 21, 33, 261
- Adolescent, The (Dostoevsky), 234
- Aduev, Petr, 153
- Aesopean, 99, 118, 163, 227–28
- Aesthetic discreditation, 76
- Afinogenov, Aleksandr, 79, Fear 79
- Agamirzian, Ruben, 178
- Agapenov, 103
- Agitprop, 54, 60
- Aikhenvald, Yuly, 8, 10, 269
- Aitmatov, Chingiz, 179, The Day Lasts More Than an Age, 179
- Akhmatova, Anna, 59, 113, 115, 262–63, Poem Without a Hero, 262, Requiem, 262
- Akimov, Nikolai, 72, 114
- Akropolis (Wyspiański), xviii
- Al’ka (Abramov), 135, 137–38, 279
- Aldonza (Don Quixote), 111
- Aleksandrinsky Theater, xv, 3, 27, 215, 223–24, 275
- Aleksandrov, Aleksandr, 154
- Alekseev, Mikhail, 139–40, 279
- Aleksei Turbin (Days of the Turbins), 81, 83
- Alesha (Brothers Karamazov), 40, 168–69, 186, 230, 233, 235
- Aleshin, Samuil, 156, Alone 156
- Alexander III, 88, 93
- Alexander Nevsky (Eisenstein), 76
- Alexi-Meskhishvili, Georgi, 224
- Alexis, Man of God, 19, 22–24,...
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- Preface
- Predispositions: The Theater of Literature
- I. Beginnings and Ends: 1900–1917
- II. Revolution and the Twenties
- III. Adapting to Socialist Realism
- IV. The Age of Red Aquarius
- V. The Past Regained
- VI. The Strange Horse
- VII. The End of Communism and the Survival of Theater
- VIII. The Nineties and Beyond: Ends and Beginnings
- Notes
- Selected Bibliography
- Index
- About the Author