How can our work better reflect several basic tenets of modern public life: first, the fact that, in our democracy, power flows from the people; second, the need to resist the technical, atomizing forces that divide us and to encourage those forces that unify and bring us together as a community; and third, the effort to prevent our government from being perceived as a hostile alien entity, but rather to emphasize through participation that it can and should amount to no more than our nationās individual citizens themselves each showing a ācivicā face as each acts in his or her public capacity. Government officials and public architects alike are trying to rise to this challenge.
(Justice Stephen G. Breyer, 2006, p.9)
This book seeks to ignite debate about the relationship between architectural design, democracy, due process and the dignification of the people. It does so by exploring the ideals that courthouses are intended to symbolise in the public sphere and the sorts of behaviour and experiences that their design facilitates. More specifically, it looks at the ways in which the built form encourages or inhibits participation in, and scrutiny of, the justice system by ordinary citizens. It examines the apparent paradox that as England and Wales1 have moved towards a mature representative democracy, citizens have become increasingly restricted and spatially marginalised in modern courts (Mulcahy, 2011). A key goal of this project has been to evaluate the justifications for such developments and to place the ensuing discussion in the context of broader debates about the contemporary role of justice systems in democracies. Drawing on a detailed analysis of public and private government archives funded by the Leverhulme Trust, this monograph charts how civil servants, judges, lawyers, architects, engineers and security experts have talked about English and Welsh courthouses in the corridors of Whitehall over the last 50 years. It also looks at a series of centralised design guides which formed the main output of these discussions. These prescribed how all courts across the country were to be designed and constructed but also allow us to analyse changing attitudes to design, the legal system and the people who populate courts over a period of significant changes in our political landscape. In doing so, they uncover a changing history of ideas about how the competing goals of transparency, majesty, participation, security, fairness and authority have been negotiated and the extent to which aspirations towards popular sovereignty, egalitarianism and participation have been realised in physical form.
The book seeks to contribute to a burgeoning interest in space and things in studies of law and legal phenomena. For many hundreds of years legal and socio-legal scholarship has largely been aspatial. The geopolitics of courthouse design is a subject that has been much neglected in academic and policy circles and very few scholars save for Resnik and Curtis (2011) have chosen to look at the subject in the context of debates about democracy. Important social, legal, architectural and political histories of the architecture of law courts do exist, but much of this literature deals with particular courts of national or historical significance.2 In his work on the sociology of architecture, Jones (2011) has identified this approach to architectural critique as typical of the ways in which standalone buildings of national significance designed by critically acclaimed architects are canonised in teaching, the architectural press, the media and politics. Detailed accounts of debates and practice relating to the much larger number of mundane contemporary courts built since the introduction of universal suffrage have largely been neglected.3 The result is that there is a paucity of material examining the ways in which the state has attempted to frame a new sense of collective identity rooted in egalitarian ideals, how they have represented the new types of relationships between the state, the legal system and the citizenry, or facilitated new types of encounter in the democratic age. By way of contrast, this bookās approach can be understood as part of a spatial turn in legal scholarship which has heralded a new concern with understanding how legal subjects and matter interact (Bennett and Layard, 2015). Scholars interested in the geopolitics of space are now encouraging us to consider the specific ways in which design reflects, bounds and facilitates democratic practices in legal arenas.4 More specifically this literature prompts us to consider the role that law plays in giving birth to territory, jurisdictional boundaries and belonging. As Braverman et al. (2014) have argued, the āwhereā of law is not simply an inert site but is inextricably implicated in how law happens and is understood.
Despite these new ways of looking at the interaction of law and space, discussion of courthouses commonly focus on the exterior āwrapperā of the building and public areas.5 Scholarly accounts of buildings rarely talk about the social world within; the organisation of cells, the facilities available to the public, circulation routes, robing rooms, or even the spatial dynamics of the courtrooms which form the central performance space. By focusing on the recent history of the first major court building programme in England and Wales since the introduction of representative democracy, we chart the ways in which the performance of democracy, due process and dignity has been rendered possible in the modern justice system. Investigating the ways in which decisions have been made about where to place people in the space of the courtroom and the behaviour rendered possible by design is particularly important because policy has largely been left to a small group of government architects, engineers, security advisers, lawyers and accountants working away from the public gaze and relatively untroubled by external critique. The impact of the various design decisions they made on the ability of the laity to participate in the legal system in meaningful ways is evidenced in contemporary critiques of the court estate mounted by pressure groups (Blackstock, 2015; JUSTICE, 2016). Their work directly impacts on the impression of the justice system given to the thousands of victims, claimants, defendants, supporters and spectators attending courts every year.
As the first court building programme to have been launched since the introduction of universal suffrage, the modern court building programme we discuss here offered significant opportunities to revisit historic design precedents dating back to pre-democratic and even feudal eras. In the chapters that follow, we consider the extent to which those who worked on the court building programme for nearly half a century have been successful in imagining and commissioning justice facilities fit for a modern democracy. We have been particularly interested in the detail of who has been consulted about design principles, whether and how the use of certain spaces has been disputed, and the subtle and not so subtle ways in which a taken for granted hierarchy of users has been reinforced by decades of discussion. This book raises a number of critical issues about the health of democracy in advanced industrial liberal nation states and how we can claim to live democratic lives beyond the ballot box. The material we present raises questions about how new visions of popular sovereignty can be symbolised and operationalised in the built environment. How can we promote democratic habits by facilitating effective participation in the legal system? How are the ideals of egalitarianism and civic engagement represented in, encouraged by or encumbered by, physical form? How should political power in a democracy be symbolised and enhanced through the ordering of people and things in the modern courthouse? These themes have especial importance in the context of contemporary debate about the need to redress the democratic deficit or promote strong democracy in an era in which there is widespread disaffection with political and legal elites and a weakening of the civic sphere (Crouch, 2004, 2011; Barber, 2003). In the remainder of this introductory chapter we explore the relationship between the legal system and democratic forms of government, the ways in which egalitarian ideals shape our understanding of the trial, discuss the parameters of the empirical research reported and unravel the projectās key concerns and claims.