Hannah Arendt, Reinhart Koselleck and François Hartog perceived dislocation and rupture as characteristics or even symptoms of the modern experience of time. All three reflected on historical events that occurred during their lifetimes with their corresponding shifts in temporality. Koselleck, like Arendt, lived through the age of extremes in the twentieth century. Both argued that the past no longer illuminates the present in the same way as it did in previous centuries. Instead, it is the future that structures the modern understanding of time. Hartog, in contrast, argues that neither the past nor the future illuminate the present in the same way as before. Instead, the present has become an extended tract of time disengaged from both the past and the future.
Looking back after 1945: the gap between past and future
In trying to make sense of the magnitude of historical change in the first half of the twentieth century, Arendt described the present as a gap between past and future. In simplest terms, the present is a temporal space in between two different understandings of time. If the past is âno longerâ and the future is ânot yet,â the present lies somewhere in between the two. However, Arendt emphasised how the meaning of the âpresentâ as a contemporary period of time transformed after the war to denote a break in continuity that had occurred during her lifetime. Totalitarian regimes, statelessness, genocide and the mass murder of Jews constituted a fundamental break in the continuity of tradition. The post-war âpresent,â for her, was without precedent. Indeed, she characterised the experience of trying to understand the first half of the twentieth century as akin to âthinking without a banister. âIn German, âDenken ohne GelĂ€nder.â That is, as you go up and down the stairs you can always hold on to the banister so that you wonât fall down. But we have lost this banisterâ (Arendt 2018: 473). The past as a rich repository of tradition and heritage, filled with ideas and cultural ways of life handed down from one generation to the next, had been irrevocably broken. In her preface to Between Past and Future, Arendt reflected on what RenĂ© Char, a French poet and member of the resistance, wrote: âNotre heritage nâest prĂ©cĂ©dĂ© dâaucun testament â our inheritance was left to us by no testamentâ (Char, quoted in Arendt 1977: 3). The lack of a written will or testament left Char and his generation at a loss for how to live in the present and how to make sense of the past in order to go forward into a shared future.
Without testament or, to resolve the metaphor, without tradition â which selects and names, which hands down and preserves, which indicates where the treasures are and what their worth is â there seems to be no willed continuity in time and hence, humanly speaking, neither past nor future, only semipaternal change of the world and the biological cycle of living creatures in it.
(Arendt 1977: 5)
The present, understood for Arendt and many of her generation as the years after World War II, was overshadowed by learning how to find new ways to think about a broken past. She wrote that Charâs sense of loss âsounds like a variationâ on Tocquevilleâs diagnosis that the past had lost its ability to illuminate the future (Ibid: 7). For her, 1945 meant zero hour or Stunde Null â the end of catastrophic world wars demanding renewal and change.3 If continuity had previously been taken for granted, after the Second World War, links to a traditional past were fragmented. Given what Arendt calls âthe modern break in tradition,â the present, as a tract of time between past and future, became increasingly uncertain and fragile (Ibid: 15). On the one hand, as she writes, the present, as a gap in between two temporalities, is nothing new. âThe gap, I suspect, is not a modern phenomenon, it is perhaps not even a historical datum but is coeval with the existence of man on earthâ (Ibid: 13). Once tradition loses its authority and solidity, the past no longer serves as a guidepost to the present and the future.
In her essay on Walter Benjamin, Arendt reflected on the role of tradition and authority.
Insofar as the past has been transmitted as tradition, it possesses authority; insofar as authority presents itself historically, it becomes tradition. Walter Benjamin knew that the break in tradition and the loss of authority which occurred in his lifetime were irreparable, and he concluded that he had to discover new ways of dealing with the past.
(1968: 38)
As tradition and authority fragment, the links between generations weaken. Both Benjamin and Arendt tried to find new points of continuity with a broken past, as well as ways of dealing with its traces in the present. In Life of the Mind, Arendt again reflected on the relationship between religion, authority and tradition.
What has been lost is the continuity of the past as it seemed to be handed down from generation to generation, developing in the process its own consistency. The dismantling process has its own technique. ⊠What you then are left with is still the past, but a fragmented past, which has lost its certainty of evaluation.
(1978: 212)
The authority of tradition was challenged by two world wars, genocide and state-sponsored terror.
We can no longer afford to take that which was good in the past and simply call it our heritage, to discard the bad and simply think of it as a dead load which by itself time will bury in oblivion. The subterranean stream of Western history has finally come to the surface and usurped the dignity of our tradition.
(1973: ix)
Like Benjamin, Arendt looked for new ways to retrieve fragments from the past in order to understand how they relate to the present. The loss of tradition in the twentieth century did not mean that all links with the past were severed. Nor did it mean that traditional concepts such as freedom, politics or authority were meaningless â rather, that they had undergone a âsea-change.â In the late twentieth century, Hobsbawm echoed Benjamin and Arendtâs argument for the loss of tradition by suggesting that fading links between generations are indicative of twentieth-century social life. âThe destruction of the past, or rather of the social mechanisms that link oneâs contemporary experience to that of earlier generations, is one of the most characteristic and eerie phenomena of the late twentieth centuryâ (Hobsbawm 1994: 3).
Benjaminâs âTheses for a Philosophy of Historyâ outlined historical change as one propelled from one catastrophe to the next. The Angelus Novus is haunted by catastrophes that are continually piled at his feet. While the angel is propelled forward, his gaze looks back to the past. âBut a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skywardâ (Benjamin 1968: 257â258). Living in the present includes dealing with remains of the past, as ruins and unpredictable aftermaths of upheaval. âWhere we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feetâ (Ibid: 258). Time is viewed less as a linear line of progress and more as a destructive storm. The past understood as âno longerâ and the future as ânot yetâ do not capture the fragility of historical time that Benjamin wished to convey. âTo articulate the past historically does not mean to recognize it âthe way it really wasâ (Ranke). It means to seize hold of a memory as it flashed up at a moment of dangerâ (Ibid: 255). The present as nunc stans or âstanding stillâ invokes a moment of danger within the passage of time.
Futures past and accelerated time
Arendt and Koselleck were both influenced by the work of Martin Heidegger, for whom time is the horizon of human understanding. There is neither an objective view from nowhere nor a point of eternity; rather, we approach the world from a particular temporal and historical standpoint. âTime must be brought to light and genuinely grasped as the horizon of every understanding and interpretation of Beingâ (Heidegger 1978: 60). As human beings, we are aware of our finitude and that we exist âin time.â Moreover, we live in a world full of artefacts from the past. âRemains, monuments, and records that are still present-at-hand, are possible âmaterialâ for the concrete disclosure of the Dasein which has-been-thereâ (Heidegger 1962: 446). Key to Heideggerâs understanding of time is that although events may have occurred in the past, their effects continue in the present. âHere, by âhistory,â we have in view that which is past, but which nevertheless is still having effectsâ (Ibid: 430). Our temporality is rooted in the future of our own impending death. We are not confined to the present but rather pulled towards the future with projects, plans and concerns. âUnderstanding is grounded primarily in the future; oneâs state-of-mind, however, temporalizes itself primarily in having beenâ (Ibid: 390).
Like Arendt, Koselleck argued for a shift in the how we understand ourselves in historical time. What she described as a âbreak in tradition,â was, for him, more the fading of history as the source of an exemplary past. From Cicero onwards, historia magistra vitae meant that the orator and historian granted immortality to glorious examples from the past. The study of the past meant that history was a teacher for life. Koselleck examined how the modern experience of time changes how we think about historical events and their narration. The past and future started to become unmoored and detached from one another during the Sattelzeit or threshold of modernity in the 1800s. The Enlightenment heralded a different consciousness of time from the medieval religious world. Rather than moving towards the certainty of the Last Judgment, modern progress is open-ended and accelerates towards an unknown future. âThe future of this progress is characterized by two main features: first, the increasing speed with which it approaches us, and second, its unknown qualityâ (Koselleck 1985: 17).
The French Revolution changed how time was understood. If, previously, revolution marked the cyclical direction of the planets, afterwards, it meant irreversible change. The future became an unknown horizon of political upheaval and expectation of something better. If the medieval sense of temporality posited a Final Judgment and end of the world, this changed after 1789, as the future was slowly detached from a religious, eschatological sense of time. Progress gradually replaced prognosis or the certainty that the world will end one day with the Final Judgment. âProgress opened up a future that transcended the hitherto predictable, natural space of time and experience, and thence â propelled by its own dynamic â provoked new, transnatural, and long-term prognosesâ (Ibid).
âFutures pastâ refers to different ways that people in the past imagined and fore-saw the future. Once the future was perceived as uncertain, it was not only open to progress and change but also to the unknown. For Koselleck, like Arendt, Tocqueville captured the disorientation accompanying the loosening of traditional ties between past and future. In reflecting on Tocquevilleâs quotation that âthe past has ceased to throw light upon the future,â he found his writing to be âheavy with the suspense of the modern breaking free of the continuity of an earlier mode of timeâ (Ibid: 31).
Different rates of acceleration and deceleration co-exist simultaneously. There is not one universal historical time but rather many âhistories in the pluralâ which are multi-layered, comprised of different durations and speeds. Possible histories are comprised of the sediments of time, which, like the geological metaphor, may be open to cracks and erosion. Although Koselleck refers to modernity in the singular, he stressed histories in the plural and the simultaneity of the non-simultaneous.
Koselleckâs histories in the plural share much in common with Eisenstadt, Chakrabarty and Fabian. Similar to Koselleck, S. N. Eisenstadt suggests not one but âmultiple modernities,â each with different experiences of modernisation and technical progress. Multiple modernities underscore that âmodernity and Westernization are not identicalâ (Eisenstadt 2000: 2â3). The European experience is not the only path for modernisation. Rather, each encounter with modern forms of government, technological innovation and cultural ways of life is unique. For Eisenstadt, modernity is a complex process of adaptation, appropriation, innovation and redefinition. Of central importance to his argument for multiple modernities is the ongoing and unresolved tension between the universal and particular claims of the Enlightenment. Modernity indicates a new time distinguished from the previous one, structured by myth and religion.
Similar to Eisenstadt, Dipesh Chakrabarty suggests that the many different experiences of modernity point towards what he calls âthe provincialization of Europe.â âThe Europe I seek to provincialize or decenter is an imaginary figure that remains deeply embedded in clichĂ©d and shorthand forms in some everyday habits of thoughtâ (Chakrabarty 2000: 3â4). Likewise, for Johannes Fabian, the emphasis on European and even Western modernity denies not only different modernities but the coevalness of time in different cultures. If Europe is understood as the centre for the counting and measuring of time, other cultures are deemed to be slower, backwards or even to exist in a different temporal realm (Fabian 2002). What unites Koselleck with Eisenstadt, Chakrabarty and Fabian is an understanding of modernity that avoids positing a universal conception of historical time. Instead, the modern experience of time is plural, coeval and overlapping.
While natural time is based on the cycles of birth and death and the changing of the seasons, linear time is structured by clocks and calendars. Kosellec...